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Home Sound Effects

Sound Effects

  • Analog Channel is 2 plug-ins:

    • AC101 – Emulates analog channel amplifier circuits
    • AC202 – Emulates analog tape machines

    The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.
    The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

    Features

    • Library of presets emulating analog mixing systems
    • Real-time display of saturation curves and calibrations
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
    Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
    The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
    Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

    Features
    • Six fully overlapping fixed and active EQ bands
    • Independent control over all fixed and active EQ parameters per band
    • Selectable EQ mode per fixed and active bands
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Requirements

    McDSP HD and Native plug-ins are compatible with Pro Tools, Pro Tools HD, Logic 9 and Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer (DP), Studio One, and other DAWs that support AAX, AU, VST, and/or VST3 plug-in formats. McDSP HD plug-ins also support the Avid S3L and S6L live sound systems running VENUE OS 5.x or later.

    McDSP Native plug-ins support AAX Native, AU, VST, and VST3 plug-in formats. McDSP HD plug-ins additionally support the AAX DSP plug-in format, as well as AAX Native, AU, VST, and VST3 plug-in formats. McDSP plug-ins support Mac OS 10.7.2 or later (Lion), 10.8.x (Mountain Lion), 10.9.x (Mavericks), 10.10.x (Yosemite), 10.11.x (El Capitan), and Windows 7, 8 and 10.

    McDSP plug-ins require an iLok2 USB Smart Key for authorization.

    McDSP AAX plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Pro Tools 10.3.8 or later, 11.1.3 or later, and Pro Tools 12.x or later.

    McDSP AU plug-ins require Mac OS 10.7.2 or later, and support Logic 9 and Logic X, Digital Performer, Ableton Live, and other AU compatible DAWs.

    McDSP VST and VST3 plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Cubase 7.x or later, Nuendo 6.5.x or later, and other VST and VST3 compatible DAWs.

    Formats
    • Native v6: AAX Native, AU, VST

  • The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
    Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
    The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
    Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

    Features
    • Six fully overlapping fixed and active EQ bands
    • Independent control over all fixed and active EQ parameters per band
    • Selectable EQ mode per fixed and active bands
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Requirements

    McDSP HD and Native plug-ins are compatible with Pro Tools, Pro Tools HD, Logic 9 and Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer (DP), Studio One, and other DAWs that support AAX, AU, VST, and/or VST3 plug-in formats. McDSP HD plug-ins also support the Avid S3L and S6L live sound systems running VENUE OS 5.x or later.

    McDSP Native plug-ins support AAX Native, AU, VST, and VST3 plug-in formats. McDSP HD plug-ins additionally support the AAX DSP plug-in format, as well as AAX Native, AU, VST, and VST3 plug-in formats. McDSP plug-ins support Mac OS 10.7.2 or later (Lion), 10.8.x (Mountain Lion), 10.9.x (Mavericks), 10.10.x (Yosemite), 10.11.x (El Capitan), and Windows 7, 8 and 10.

    McDSP plug-ins require an iLok2 USB Smart Key for authorization.

    McDSP AAX plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Pro Tools 10.3.8 or later, 11.1.3 or later, and Pro Tools 12.x or later.

    McDSP AU plug-ins require Mac OS 10.7.2 or later, and support Logic 9 and Logic X, Digital Performer, Ableton Live, and other AU compatible DAWs.

    McDSP VST and VST3 plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Cubase 7.x or later, Nuendo 6.5.x or later, and other VST and VST3 compatible DAWs.

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.
    The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.

    Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.

    Features
    • Four fully overlapping fixed and active EQ bands
    • Independent control over all active EQ parameters per band
    • Unique active EQ ratio response control
    • Side chain support
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Requirements

    HD / Native Specifications

    HD: Full featured products. AAX DSP, AAX Native, TDM, RTAS, Audiosuite and Audio Unit (AU) plug-in formats supported.

    Native: Full featured products. AAX Native, RTAS, Audiosuite, and Audio Unit (AU) plug-in formats supported. Complete session interchange with HD versions.

    McDSP HD and Native plug-ins are compatible with Pro Tools™ HD, Pro Tools™ LE and Pro Tools™ M-Powered systems as well as Audio Unit compatible DAWs including Logic, Digital Performer (DP) and Ableton Live. Additionally, a third party software application that supports the TDM, RTAS, or AudioSuite plug-in standard may be supported. McDSP plug-ins support Mac OS 10.5.x (Leopard), 10.6.x (Snow Leopard), 10.7.x (Lion), 10.8.x (Mountain Lion), Windows XP, Vista, and Windows 7. Supported versions of Pro Tools™ include 7.4.x, 8.x, 9.x, 10.x, and 11.x or greater. Supported versions of Audio Unit compatible DAWs including Logic, Digital Performer (DP) and Ableton Live must be versions that support the Mac OS 10.5.x (Leopard), 10.6.x (Snow Leopard), or 10.7.x (Lion), 10.8.x (Mountain Lion). McDSP plug-ins require an iLok USB Smart Key for authorization.

    Formats
    • Native v6: AAX Native, AU, VST

  • The AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.

    The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.

    Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.

    Features
    • Four fully overlapping fixed and active EQ bands
    • Independent control over all active EQ parameters per band
    • Unique active EQ ratio response control
    • Side chain support
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Requirements

    HD / Native Specifications

    HD: Full featured products. AAX DSP, AAX Native, TDM, RTAS, Audiosuite and Audio Unit (AU) plug-in formats supported.

    Native: Full featured products. AAX Native, RTAS, Audiosuite, and Audio Unit (AU) plug-in formats supported. Complete session interchange with HD versions.

    McDSP HD and Native plug-ins are compatible with Pro Tools™ HD, Pro Tools™ LE and Pro Tools™ M-Powered systems as well as Audio Unit compatible DAWs including Logic, Digital Performer (DP) and Ableton Live. Additionally, a third party software application that supports the TDM, RTAS, or AudioSuite plug-in standard may be supported. McDSP plug-ins support Mac OS 10.5.x (Leopard), 10.6.x (Snow Leopard), 10.7.x (Lion), 10.8.x (Mountain Lion), Windows XP, Vista, and Windows 7. Supported versions of Pro Tools™ include 7.4.x, 8.x, 9.x, 10.x, and 11.x or greater. Supported versions of Audio Unit compatible DAWs including Logic, Digital Performer (DP) and Ableton Live must be versions that support the Mac OS 10.5.x (Leopard), 10.6.x (Snow Leopard), or 10.7.x (Lion), 10.8.x (Mountain Lion). McDSP plug-ins require an iLok USB Smart Key for authorization.

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters.
    The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.
    Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.

    Features
    • Over 25 EQ, compressor, gate, expander, saturator, and filter modules
    • Easy drag and drop, on the fly module auditioning
    • Side chain support
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters.
    The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.
    Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.

    Features
    • Over 25 EQ, compressor, gate, expander, saturator, and filter modules
    • Easy drag and drop, on the fly module auditioning
    • Side chain support
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award-winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network. Just like the 6050 modules, the 6034 Ultimate Multi-band modules can be swapped on the fly for quick auditioning while retaining relative settings. The crossover filter slopes can be configured as 6, 12, or 24 dB/Oct. Metering includes gain reduction and output levels on all crossover bands, as well as main input and output levels.
    Artist Presets included from: Mike Dean, ROCAsound, David Bottrill, Richard Chycki, Lovy Longomba, Eric Racy, Brujo Caipo and Zakk Cervini.

    Features
    • Includes award-winning compressor modules from the 6050 Ultimate Channel Strip
    • Configurable four-band crossover with multiple filter slope options
    • On the fly module auditioning
    • Input and output control
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award-winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network. Just like the 6050 modules, the 6034 Ultimate Multi-band modules can be swapped on the fly for quick auditioning while retaining relative settings. The crossover filter slopes can be configured as 6, 12, or 24 dB/Oct. Metering includes gain reduction and output levels on all crossover bands, as well as main input and output levels.
    Artist Presets included from: Mike Dean, ROCAsound, David Bottrill, Richard Chycki, Lovy Longomba, Eric Racy, Brujo Caipo and Zakk Cervini.

    Features
    • Includes award-winning compressor modules from the 6050 Ultimate Channel Strip
    • Configurable four-band crossover with multiple filter slope options
    • On the fly module auditioning
    • Input and output control
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.

    Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.

    Features
    • Unique twists to classic designs in addition to several completely new designs
    • Multiple compression algorithms in a single compressor
    • Side chain support
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v7: AAX Native, AU, VST

  • Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.

    Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.

    Features
    • Unique twists to classic designs in addition to several completely new designs
    • Multiple compression algorithms in a single compressor
    • Side chain support
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v7: AAX DSP/Native, AU, VST

  • All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
    Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.

    Features
    • Unique variations of every-day classics and hard-to-find boutique gear
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v7: AAX Native, AU, VST

  • All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
    Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.

    Features
    • Unique variations of every-day classics and hard-to-find boutique gear
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v7: AAX DSP/Native, AU, VST

  • Summary
    The 4040 Retro Limiter combines a look-ahead brick wall limiter function with several subjective treatments to make the limiting action subtle, and yet vintage.
    All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
    Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

    Features
    • Unique original algorithms with transparent yet vintage sound
    • Up to 36 dB of signal gain
    • Anti-Clip Output Stage Topology
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • Firearms Sound Effects Beams Play Track 1139 sounds included $149

    BEAMS is a comprehensive toolkit for beam sound design. Sounds are separated into activation oneshot, activation/deactivation mechanism, and active loop categories. Each category contains subcategories for small, medium, and large beams. You can design anything from the smallest spy-watch laser cutter to a planet destroying column of chaos. As a bonus, you’ll also get a diverse collection of burning ignition sounds as source for beam environmental destruction.

  • Metal Smash – What do you get when you go to the junkyard with the best Schoeps Microphones money can buy.

    Every effect is also recorded with a sub sonic microphone to add depth to the smashes. Great complicated crashes with extra metallic details.

  • Welcome to “MOTION MODE”, an intense collection of sounds to induce movement and evoke excitement in your production.

    You will find whooshes, transitions, noises, granular textures, movements, stutters and hits with a powerful Sci-fi feel.

    Special attention was put in the dynamics of the sounds to ensure the creation of an energetic pack aimed to enhance atmospheres, add movement and enrich musical compositions.

    If you liked some of my previous libraries like “Dodge this” and “The Transition” you are gonna love this one.

  • Huge deep and textural organic whoosh by’s. These are un-altered but a total blast. Want more fun, just (again) compress and pitch to fit, and hell, maybe add a little distortion.

    A great collection of organic sliding whooshes. They sound great, have lots of movement and are almost always complicated movements not just simple whoosh by’s.

  • Assorted firework recordings, ranging from individual explosions to multiple fireworks going off at the same time.

    This collection has lots of nice sharp bangs, and includes a variety of firework sounds recorded close up and from a distance.

  • A small collection of horror sting sound effects, ideal for spooky, scary, Halloween and horror uses.

  • The 4030 Retro Compressor is a new dynamic range control topology coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.
    All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
    Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

    Features
    Unique original algorithms with transparent yet vintage sound
    • Mix control
    • Side chain support
    • Anti-Clip Output Stage Topology
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.
    All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.

    Features
    Unique original algorithms with transparent yet vintage sound
    • Variable slope filtering
    • Variable Q/slope Shelving and Parametric EQ
    • Anti-Clip Output Stage Topology
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • Please note: This preview includes longer gaps between individual words samples so that none of them appear as 1 sample phrase of a single sentence, but individual sounds. For smoother and less computerised speaking, just place samples of individual words closer together in your project.

    Breathe life into your COMPUTER INTERFACE or ROBOT ASSISTANT with this gigantic pack of futuristic computer voice overs! This sound pack includes 3000+ single words that include but are not limited to:

    • Actions
    • Confirmations
    • Questions
    • Common Words
    • Sci-Fi or Space-Themed Words
    • Numbers & Measurements
    • Replies
    • Warnings
    • Weapons

    …and more!

    ONLY PRODUCT OF ITS KIND
    With 3000+ sounds, this voice over library is the only one of its kind on the market, and ideal for a Star Trek-inspired COMPUTER INTERFACE voice, DIGITAL ASSISTANTS, ROBOTS & CYBORGS, or any other Sci-Fi machine! Voice acting is delivered in a neutral tone, so the voice can be used for good characters, evil characters, or anything in between! Sounds also feature generic voice processing – modifying a human voice to a robotic voice – to best fit any character design in your project!

    ALL WORDS THAT YOU’LL EVER NEED
    With 3 unique voices for MALE, FEMALE, and CHILD, we’ve carefully included through research the most common words in the English language so that the speech of your voice assistant includes everything you need! Sounds feature a selection of words that allow you to create full sentences of your choosing, to have your computer voice communicate many different ideas and topics!

    GET IT TODAY to bring your robotic computer voice to life!

    KEY FEATURES:

    • Huge variety of expressions of words and phrases
    • Versatile voice recordings for multiple gaming genres (Adventure, FPS, RPG, RTS Games, Casino Slots, etc.) for any scene or situation
    • Ready to use – requires no editing, labeling or splicing
    • Categorized, organized and individually labeled files for maximum use efficiency
    • FREE Updates to higher versions, FOREVER!
  • a Best Service by SonuScore product

    Already own The Orchestra Complete 1?

    UPGRADE AT A REDUCED PRICE


    THE ORCHESTRA COMPLETE 2 is the flagship of our “The Orchestra” product family combining the force of the original 80-piece orchestra with new articulations and powerful new features. It includes our new instrument HORNS OF HELL as well as STRINGS OF WINTER.

    In a revolutionary all-in-one package the sound of a symphonic orchestra is at your fingertips. With our groundbreaking ensemble-engine we found an easier way for you to convert your ideas into music.

    Immediately playable. Completely customizable. Surprisingly simple.

    NOTE: A license of “The Orchestra Complete 1” is mandatory for this Upgrade

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