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Home Sound Effects
155 Foley sounds recorded at a small English pub including glass movement, clinking, collecting and washing, various sized keg slides and impacts, drink preparation, fridge stocking, cooling units and furniture organisation. Perfect for putting together the elements needed for a convincing bar scene in your film, game or podcast.
NOTE: This is a rebranded Glitchedtones library. If you previously purchased Pub Foley by Glitchedtones, this is exactly the same library.
Have you ever wanted to rotate the phases of your signal to create frequency sweeps? Funny, neither had we, but then we tried it and were blown away! Disperser smears high energy transients through space and time without modifying the gain of the sound.
The result is a different take on transient shaping or, when used at extreme settings, an effect capable of shaping the sounds in ways you didn’t know you wanted to do. Boomy kicks, snappy hihats, synthetic wet basses or just a sweet utility to shape your signal’s peaks and crest factor. The choice is yours!
“Disperser is one of those plugins that does something you probably didn’t think was possible, until you hear it.”
Nik Roos – Noisia
What’s a Snapin?
This plugin is a “snapin”. That means you can use it as a regular VST/AU plugin, or you can use it with our snapin hosts Multipass and Snap Heap where you can combine effects in amazing ways.
Water is a major part of our lives. Not only in the fact that a large percentage of our bodies are made of water, but it is all around us and this library brings you water, and lots of it.
The library includes 121 recordings, over 6 and a quarter hours of audio, is over 10 GB in size and features everything from ocean waves, lakes, streams, mountain waterfalls, taking a shower, going to the toilet, running a tap, heavy rain, light rain, hailstones plus a number of underwater recordings (made with a hydrophone) and much more, this would be a huge player in any sound designer’s toolbox.
The recordings are a mixture of 24Bit/96KHz and 24Bit/48KHz with full Soundminer, RIFF INFO & ID3v2.3.0 metadata embedded.
All files are recorded 32bit, 192 kHz, with Rode NTG1 and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
DESCRIPTION:
• In Pacific Northwest: Quiet Nature 2, get a collection of ambiences with sparse flora and fauna from the Eastern Cascades, Washington. Hear playful croaks of a ravens perched in snow-capped canopies. Hear the counterpoint of nature’s cellos as Great Horned owls sing haunting duets. Hear the hungry knocking of woodpeckers pecking to find their dinner and the majestic sparseness of winter forests empty of all but a few species of wildlife.
• This library offers you an extensive collection of ambiences with sparse flora and fauna of winter in a coniferous forest. I hope you enjoy the sparse wildlife of this winter wonderland.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
Graphic equalizers have stayed the same for a long time, but Carve EQ takes the next big step in evolution.
Carve EQ is a 31-band graphic equalizer, that runs laps around the competition. Innovative new tools, and loads of EQ profiles from famous songs makes sure you’ll get your desired results in no time!
Carve EQ has a very advanced filtering system hidden under a small set of efficient and deceptively simple tools, to give you perfect control in any situation.
“Upright” is a collection of 337 vertical piano sound effects (24 Bit / 96 kHz, WAV) suited for horror productions.
You will find:
-Atmospheric elements: Creepy and eerie atmospheres to induce fear and tension.
-Hits: Direct and complex impacts created with the philosophy of “The Prepared Piano” in mind. You will get strong and atmospheric ones.
-Loops: Rhythmic loops at 75 bpm. You will find clocks, cinematic musical notes and strong cinematic percussive hits.
-Movements and transitions: Friction movements created using mallets and nails over the strings. Crazy granular key movements and transitions.
-Raw elements: Cool elements to create clocks and simple movements.
-Textures: Musical elements and creepy distorted textures.
If you are a musician who wants to define the building blocks of an intense horror track or maybe you are a sound designer who needs to create a musical moment in a scene from a sound design perspective, this library can help you to achieve those things.
Get “Upright” and get that horror feeling you are looking for.
CHECK THE DEMO. It was created using ONLY the sounds of the library!
“The Shoe Collection: Dirt- Combat Boot Size 10“ by Periscope Post & Audio, provides 22 high quality footsteps files in dirt with the combat boot size 10. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 406 footsteps between the mono and stereo files!
These sound files are also UCS metadata tagged
“The Shoe Collection: Dirt- 3 Inch High Heel“ by Periscope Post & Audio, provides 22 high quality footsteps files in dirt with the 3 inch heel. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 438 footsteps between the mono and stereo files!
These sound files are also UCS metadata tagged
This library is part of the WW Audio Mini SFX Libraries series,
It consists of 2 recordings of the very famous bells from the church of St Mary Le Bow, London, or more commonly known as, Bow Bells.
These bells have featured in many stories over the years, from Charles Dickens’, Christmas Carol to the story of Dick Whittington.
These recordings are of a bell ringing session, recorded from the belfry of the church.
The ringing pattern for both recordings is known as, Stedman Caters,
The first recording is approx 11 minutes long, the second, approx 16 minutes long.
They are recorded at 24Bit/96KHz with full Soundminer, RIFF INFO & ID3v2.3.0 metadata embedded.
Water Flowing is a library composed by 49 files of creeks, streams, rivers and waterfalls recorded in the italian forests.
All files are loopable and they are about one minute long
The Audio Hero Birds collection features 45 professionally recorded sound effects, ready for use in your productions. Included in this library are Loons, Falcons, Flamingos, Peacocks, Woodpeckers, Nightingales, Robins, Ravens, Parrots and much more! These sounds are all hand-picked from the Sound Ideas Just Birds and Animals, Wild World of Animals, International, Series 1000, Series 2000 and Series 6000 libraries.
The Audio Hero Horses Volume 2 collection features 50 professionally recorded sound effects, ready for use in your productions. Included in this library are interior and exterior whinnys, galloping, trotting, equestrian jumping and much more! These sounds are all hand-picked from the Sound Ideas General HD, Just Birds and Animals, Wild World of Animals, Digiffects and Series 6000 libraries.
All files are recorded 32bit, 192 kHz, with Rode NTG1 and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
All files are recorded 32bit, 192 kHz, with Rode NTG1 and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
The loud din of an OLD TOWN SQUARE, the quiet of a tree-lined street in a RESIDENTIAL AREA and the gentle rumbling of a PLANE flying by overhead while sitting in a secret garden. Including distant fog horns at the HARBOR, trickling FOUNTAINS, and cars stuck in TRAFFIC, this collection without a doubt encapsulates all the auditory wealth of the modern urban setting.
Micro Library of Weird Wooden Door Creaks and Groans.
UK Household brings together an extensive collection of everyday sounds found in a regular British home. Covering the most common sounds you’d expect to hear in the lounge, kitchen, dining room, bathroom and bedrooms including cooking utensils, appliances, keys, doors, drawers, water, plugs, switches, storage and entertainment.
Curated from an extensive vehicle workup of a 2001 Saleen Mustang from The Odyssey Collection by Academy Award®-winners Mark Mangini & Richard L. Anderson, this library includes a wide variety of powerful car recordings from different angles, distances, speeds, and perspectives.
What is a workup? A workup is a thorough series of recordings of the same subject from many different perspectives. Having these options at your fingertips helps to quickly and intuitively cut sound effects for a scene without needing to reuse or process sounds to make them fit the picture.
Streamline your sound editing workflow with expertly recorded car sound effects from the 2001 Saleen Mustang including ignition, engine revving, idling, driving sequences in forward and reverse on various terrains, pass bys, tire skids, door and trunk open and close, horn honks, engine rumbles, and more.
This workup also includes a selection of multi-mono recordings, which offers the choice of different mic positions from the same recording. And each sound is embedded with rich, descriptive metadata for lightning-fast, pinpoint search results.
Vehicle Workup: 2001 Saleen Mustang is also included in Pro Sound Effects’ CORE: Standard.
Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!
The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.
The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.
Features
• Five independent bands of strategic active equalization
• Multiple process modes for a variety of applications
• Unique signal reduction metering
• Double precision processing
• Ultra low latency
• Mono and stereo versions
Formats
• Native v6: AAX Native, AU, VST
Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!
The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.
The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.
Features
• Five independent bands of strategic active equalization
• Multiple process modes for a variety of applications
• Unique signal reduction metering
• Double precision processing
• Ultra low latency
• Mono and stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.
The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.
Features
• Brick wall look-ahead limiter
• Multi-stage and multi-band peak detection and limiting
• Unique limiter Knee, Mode, and Focus controls
• Snap function instantly sets multi-band thresholds to signal levels
• Double precision processing
• Low latency
• Mono and stereo versions
Formats
• Native v6: AAX Native, AU, VST
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.
The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.
Features
• Brick wall look-ahead limiter
• Multi-stage and multi-band peak detection and limiting
• Unique limiter Knee, Mode, and Focus controls
• Snap function instantly sets multi-band thresholds to signal levels
• Double precision processing
• Low latency
• Mono and stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available.
The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.
The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.
The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.
Features
• Largest Collection of processing options of any module-based plug-in
• Easy Drag & Drop on the fly module
• Split mode operation for two separate parallel signal paths.
• Analog Saturation Modeling
• Durable precision processing
• Ultra low latency
Requirements
• 4GB RAM minimum
• Mac: OS X 10.8.5 or later
• PC: Windows 7 or later
Formats
• Native v6: AAX Native, AU, VST
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.