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The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available.
The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.
The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.
The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.
Features
• Largest Collection of processing options of any module-based plug-in
• Easy Drag & Drop on the fly module
• Split mode operation for two separate parallel signal paths.
• Analog Saturation Modeling
• Durable precision processing
• Ultra low latency
Requirements
• 4GB RAM minimum
• Mac: OS X 10.8.5 or later
• PC: Windows 7 or later
Formats
• Native v6: AAX Native, AU, VST
The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available.
The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.
The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.
The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.
Features
• Largest Collection of processing options of any module-based plug-in
• Easy Drag & Drop on the fly module
• Split mode operation for two separate parallel signal paths.
• Analog Saturation Modeling
• Durable precision processing
• Ultra low latency
Requirements
• 4GB RAM minimum
• Mac: OS X 10.8.5 or later
• PC: Windows 7 or later
Formats
• HD v6: AAX DSP/Native, AU, VST
All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
DESCRIPTION:
• In Pacific Northwest: Wind get an expansive collection of coniferous wind from the pristine wilderness of the Eastern Cascades, Washington. Hear the soothing wind of short needled Douglas fir and Spruce. Hear gentle whisps topping distant ridge tops and blustery 50 mph blasts swinging the forest in a wandering dance. Hear the austere emptiness of recently burned forest and eerie creaks so emotional it sounds like the old trees are talking.
• This library offers a large collection of coniferous canopy wind. I hope you enjoy the sounds of this winter wonderland.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
A collection of RAW gritty metallic impacts, debris, movements and one shot recordings. Ideal for foley, and for sound designers and cinematic composers who wish to experiment with metallic sounds. Can also be used to design Horror UI sounds or metallic monsters in game audio.
WAV + MP3 files. UCS Compatible
Immersive Night In The City features 32 HD 24bit/96khz Surround Sound Effects with a large selection of evening city crickets and rural night time ambience.
Recorded with a Voyage Audio 2nd Order Spatial Microphone. Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Immersive Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R)
Most tracks are 1-2 minutes in length with embedded UCS compliant Metadata. All new, original recordings.
Want a taste of what’s included?
Download the O2A Ambisonic and 7.1.2 Immersive Night In The City Demo files here: 7.1.2 & O2A Ambisonic Demo Download and try it out on your own system!
XForce is a cinematic sound library featuring a variety of impact recordings & signature designed sound effects.
It contains more than 2500 UCS compliant, high-quality impact sounds like STINGERS, BASS DIVES, SYNTHETIC & ETHEREAL HITS, BOOMS.
Stretch, pitch & morph your sounds to infinity! 3.6Gb of custom sounds made by Ivo Ivanov & SoundMorph!
TimeFlux: the ultimate time stretching, morphing, and spectral effects processing software. Just like time is endless, the possibilities in TimeFlux are endless as you Morph between 8 snapshots using our custom Sphere controller area. Control TimeFlux with your mouse, or as an added bonus control it with an optional Leap Motion controller and harness the powers of time in your hand! TimeFlux takes your sound to a whole new level of control and sonic manipulation.
You can load up to 4 sounds and 4 VSTs in TimeFlux, record your performance, and export it as a .WAV file or record straight into your DAW.
TimeFlux also contains 3.6Gb of custom made sound design revolving around the theme of time manipulation. All sounds included were carefully crafted by SoundMorph and Ivo Ivanov of Glitchmachines. Both experimental and practical, the included sound design library complements the TimeFlux software, and is also quite usable on it’s own. Time and space will never be the same!
WHAT’S INSIDE
Features:
Load up to 4 sound files
Load up to 4 VST plugins within TimeFlux
8 snapshot Sphere Controller
Optional Leap Motion controller. Leap Motion sold separately here: http://www.leapmotion.com
2 time stretchers
1 morpher
4 filters
Record and Export your performance in WAV files
3.6 GB TimeFlux sound design soundpack included made by SoundMorph and Ivo Ivanov
Compatible with Mac and PC (32 bit and 64 bit)
System Requirements:
An Intel® Mac with Mac OS X 10.11.6 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
Golden days of old school hip hop from the 80s and 90s with production techniques of new school and Trap beats.
25 kits + 323 Samples + 22 loops.
“Inner Circle – New City is lush! A lovely blend of hip-hop and electronics, which is rare these days…”
– Valance Drakes
Blend the golden days of old school hip hop from the 80s and 90s with production techniques of new school and Trap beats, and you get our most recent Inner Circle drum library: NEW CITY
If you are a Hip Hop or electronic music producer, NEW CITY is boling over the rim with only the highest quality samples that you’ll be glad to add to your secret bag of tricks.
The NEW CITY collection was created by electronic music artist Alex Retsis aka Qebo in collaboration with SoundMorph. Based out of Athens, Greece, Alex is signed to the Detroit Underground, Modular Expansion and Anthropos-Mekhane labels. Alex is an award winning professional sound designer who is also an endorsed artist by Korg.
25 kits – 323+ samples – 22 loops – 24-bit 96 kHz .wav files
Pre-made templates for:Battery 4, Ableton, Maschine, Kontakt
Embedded with Soundminer and Basehead metadata
Featured genres:
Old School hip hop + New School hip hop + Trap + Grime + Electro + Breakbeat
A custom drum collection made by producer, rapper and DJ Cadence Weapon.
The CADENCE WEAPON DRUM COLLECTION skips from vibe to vibe like an iPhone on random, bouncing from steel drums and dancehall beats all the way to industrial clatter and old school beatboxing. Whether you’re a hip hop head looking for something beyond classic drum machine sounds or an experimental producer searching for abstract elements to spice up your latest mix, the CADENCE WEAPON DRUM COLLECTION has got you covered.
Cadence Weapon’s experiences as a DJ and producer inspired the broad spectrum of styles and sounds found within this drumpack, aiming to reflect his extensive knowledge of music, his dedication to cutting edge production and his commitment to musical innovation.
The CADENCE WEAPON DRUM COLLECTION was created by Cadence Weapon aka Rollie Pemberton and engineer Ewan Kay in collaboration with SoundMorph. Cadence Weapon is the critically acclaimed rapper and producer behind the Polaris Music Prize shortlisted albums Breaking Kayfabe and Hope In Dirt City.
20 Kits – 370 Samples – 20 loops – 16 bit 44khz .wav files
Pre-made templates for Battery 4 and Ableton
Embedded with Soundminer and Baseheaad metadata
Featured genres:
Hip Hop + Dancehall + Experimental + Club Dub + Beatboxing + Industrial + Steel Drums
Foundational Inner Circle drum pack, featuring 13 kits and 9 electronic genres, from house to dark electronic.
When laying down the foundations of a track, you need to start with the best. Transient Foundations was carefully designed to be the perfect starting point for both amateurs and professionals, covering a mix of several electronic genres. No matter the style, Transient Foundations, our first Inner Circle drum pack, gives you quality from square one.
Transient Foundations was created by musician and sound designer Real Cardinal, a.k.a. Comaduster (Tympanik Audio, BioWare), who has also worked on SoundMorph’s Sinematic and Bloody Nightmare libraries.
13 kits – 225+ samples – 22 loops – 24-bit 96 kHz .wav files
Pre-made templates for: Battery 4, Ableton, Maschine, Kontakt
Embedded with Soundminer and Basehead metadata
HD Quality Stereo Sound effects in Futuristic, or steampunk style.
7 different rifle firing sounds. Each rifle includes: 10 single shot sound files, 2 sound loops and 2 full bursts(0,1 and 0,15 fire rate).
5 different shotgun firing sounds. Each shotgun includes: 10 single shot sound files.
5 different submachine gun firing sounds. Each submachine gun includes: 10 single shot sound files, 1 sound loops and 1 full bursts(0,1 fire rate).
4 different grenade launcher firing sounds. Each grenade launcher includes: 10 single shot sound files.
For rifles and submachine guns: 8 different gun reload sounds, 7 types of clip eject and 7 type of clip insert sounds.
For shotguns: Shell insert sounds for 4 different shotguns, Each includes 4 insert sounds.
1 type of grenade launcher grenade insert sounds, includes 4 insert sounds.
Also, 22 gun sounds: gun handlings, recharges, spin ups, hiss sounds etc.
6-Month-Old Bulldog Puppy Vocalizations, Grunts, Groans, Grumbles, Whimpers, Chortles, Snorts, Growls, Licking, Eating, Drinking, and More.
Also included is a small BONUS Design Library created using Dehumanizer 2 to help spark your imagination.
Whether you’re looking to create creature sounds or just need dog vocalizations, it’s a great start! Enjoy!
Our Auto Repair (248 HQ – 96kHz/24bit) library includes both tools and general ambiences of auto repair shops as well as home garage sounds. Hit play, close your eyes and you will find yourself amidst cars, toolboxes, revving engines, mechanisms, servo sounds, metal clunks, and car mechanics in action.
In this library, you will find audio samples of wrenches and ratchets being dropped on various surfaces and with various intensities, different kinds of metal clunk and mechanical motions, as well as audio of mechanics operating hydraulic machines and servomotors, handling screwdrivers, welding and hammering chassis, handling screwdrivers/ pneumatic pistols and sawing/scraping metal auto parts. All captured in real garages and auto repair shops.
In addition to the sounds mentioned above, we have included a variety of clean, studio recordings of hand tools and metal parts that can be used as starting points for further sound design. We had cars and bikes brought in, which we used to record a series of engine startups/shutdowns, idling, and revs which might serve as starters for creating multilayered, compelling atmospheres.
Metal FX 24/96 sound library
In this library you can find:
Metal textures, structure borne sound, percussion and hits in metal tanks and big echoic spaces, metal hits, metal objects on wind, rain and other.
Stereo (RAW) recordings with natural echo captured. Big room echo: industrial hall, empty public pool, big oil tanks etc.
Super clean recordings of structure borne sound captured with contact mics in big metal structures, objects, installations, pipelines, facilities, metal welding, water drops on metal…laser like FX captured in metal structures and metal wires, electric charges sounds in metal…or listen to sound preview please.
Structure borne sound with “melodic“ textures captured in metal structures. A RAW material, cool textures to create strange, “out off this world“ atmospheres and layers for your project (games, film, etc.)
Stereo and mono recordings, metadata tagged with detail description of equipment used and mic technique applied. Various metal sounds, room tones and ambiances. Check the sound list for full info.
Recorded with Sennheiser MKHs, AKGs, JRF contact mics and Sound Devices 744T.
This diverse library consists of 101 ambience recordings, both external and internal recordings from around Europe and the UK . It also includes a number of very useable room tone recordings. This library would be very useful in any film makers / sound designer’s toolbox.
The library features over 8 hours of audio and is over 13.5GB in size. Most of the recordings are 3 minutes or longer, to give you enough material for using within longer scenes.
Sounds include city, town and nature ambiences, ocean waves, crowds of people, church bells, various transport, both internal and external, fireworks, bars, various room tones and lots more.
All recordings are recorded at 24Bit/96KHz with full Soundminer, RIFF INFO & ID3v2.3.0 metadata embedded.
Dynamic Debris features 425 junk sounds that range from shattered glass scrapes and crashing wooden bangs to small plastic rattles and subtle twig snaps. Use the sounds as is, or take advantage of their high-resolution potential to pitch and process robust layers that are sure take your sound design to the next level.
Expertly recorded on-site at actual junkyards, this sound library contains a vast array of rattles, crashes, clunks and scrapes that satisfy your project’s rubble and junk needs. Recorded and edited with extreme precision, Dynamic Debris is ideal for adding rich, malleable layers to your design free of artifacts or unwanted noise. With sample rates reaching 192kHz, construct your designs with these immaculate sounds to go beyond their raw potential. Pitch down metal squeaks and moans to reveal unforeseen sonic treasures.
Each sound file is embedded with descriptive metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.
All files are recorded 32bit, 192 kHz, with Rode NTG1 and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
DESCRIPTION:
• In Pacific Northwest: Falling Snow, get an expansive collection of falling snow and ice from the pristine wilderness of the Eastern Cascades, Washington. Hear the soothing crystalline rain of snowflakes gently falling in a winter wonderland. Hear tree-alanches as snow and ice plastered to branches is dislodged by sun-melt and wind. Hear massive wind gusts slowly wandering down valleys over 60 seconds. Hear hellacious debris clouds as gusts hit local canopies and dislodge snow hurricanes of powder, ice, and branches.
• This library offers you a large collection of falling snow from soothing snowflakes to snow hurricanes. I hope you enjoy listening to the awesome power of wintertime in the remote mountains of Washington.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
Our planet has a fascinating sonic spectrum, and every season, nature offers us an impressive and unique sound composition. We have recorded the most interesting and iconic landscapes the only way that truly reflects the sonic character of earth as precisely as possible: Using the unparalleled Schoeps ORTF3D Surround Set. Harness these first-rate sounds to shape your projects in the most authentic and multi-faceted way possible, from the ground up in 3D Surround or Stereo.
As the sun retreats to lend vast landscapes their spectacular appearance, an equally astounding sonic world emerges.
Now available in immersive 3D Surround.
Cityscape has been recorded in stereo 96khz / 24 bit in various Italian cities.
It contains 67 files recorded in different public places e.g. bars, restaurants, coffe shops, churches, theaters, public squares and streets.
It contains also traffic and city background noise
“The Shoe Collection: Dirt- Combat Boot Size 7“ by Periscope Post & Audio, provides 22 high quality footsteps files in dirt with the combat boot size 7. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 472 footsteps between the mono and stereo files!
These sound files are also UCS metadata tagged
“The Shoe Collection: Dirt- Wedge“ by Periscope Post & Audio, provides 22 high quality footsteps files in dirt with the wedge heel. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 344 footsteps between the mono and stereo files!
These sound files are also UCS metadata tagged
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.