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Home Sound Effects

Sound Effects

  • Crowd Sounds From A British Soccer Match


    Crowd sounds recorded at a smaller London Football Club match. Cheers, groans, chants and quite a lot of swearing.

    [Includes Adult Content]

  • City Life Sound Effects Ambiences from Beirut Play Track 24 sounds included, 40 mins total $59.99

    Beirut, the capital of Lebanon is where East-meets-West. Fast-paced, crowded and congested with traffic, it’s filled with car honks and city noise. Among all the destroyed buildings, you will find its deep and rich history. Beirut has also a more relaxed side, filled with cafes, restaurants and never-ending nightlife. This library features a small glimpse into this multicultural Arabic-speaking city.

  • “The Shoe Collection: Soft Hardwood – Rubber Boots With Metal Buckles“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the rubber boots With metal buckles.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need. That’s a whopping 472 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood – Rubber Sole Dress Shoe“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with the rubber sole dress shoe.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need.  That’s a whopping 308 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood – High Top Converse Sneaker“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with the high top converse sneaker.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need.  That’s a whopping 468 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood – Combat Boot- Size 7“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the combat boot size 7. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 448 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood- Backless Heel“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the backless heel. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 556 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood – Socks“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with socks.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the sock.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  We are also packaging the option of a different EQ curve to reduce some of the lower thump of the sock.  There are several performances with each file to fit the right action you need.  438 Footsteps per version. That’s a whopping 876 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood- Leather Hard Sole Sandal“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the leather hard sole sandal.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need.  That’s a whopping 360 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood- Platform“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the platform sandal. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 626 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • Woman power of all ages and styles!

    Here we have 2227 sounds of female vocalizations for fighting, action, pain, basic reactions, emotions, general gibberish speech and many English words. Less extreme than Beastie Girls 192, you’ll get brand new screaming, shouting, talking, gibbering, hoarsing, whispering, laughing, crying, choking, wheezing, yelping, yawning, moaning, groaning, panting, cheering, breathing, coughing and more.

    4 different voice characters including English kid girl, English adult woman, 2 non-native speaking women + 2 more extra subcharacters – Cartoon and Creepy Whisper
    2227 files, start and end without silence gaps for immediate implementation
    192 kHz / 24 bit file resolution with ultrasonics, 1.58GB unpacked
    source files – cleaned, with equalisation contour
    – volume normalized to around -18 lufs

    contact the library creator to order more exclusive vocalizations for your project if needed

  • The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.

    The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.

    Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay tape
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Over 75 SIMs (Synthetic Impulse Models) included
    • Mono, stereo, and mono-to-stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.

    The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.

    Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay tape
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Over 75 SIMs (Synthetic Impulse Models) included
    • Mono, stereo, and mono-to-stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

    CompressorBank is 3 plug-ins:
    • CB101 – basic compression
    • CB202 – compression with pre-filtering
    • CB303 – compression with pre-filtering and static/dynamic EQ

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Static and Dynamic EQ
    • Side chain support and pre-filtering options
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

    CompressorBank is 3 plug-ins:
    • CB101 – basic compression
    • CB202 – compression with pre-filtering
    • CB303 – compression with pre-filtering and static/dynamic EQ

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Static and Dynamic EQ
    • Side chain support and pre-filtering options
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.

    Includes:

    Analog Channel HD v5
    CompressorBank HD v5
    FilterBank HD v5
    MC2000 HD v5

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Channel G Surround is a Compressor/Limiter optimized for 5.1 channels using 4 compressors sets – LR, C, LsRs, and LFE.
    These compressor sets can key from any combination of the LR, C, LsRs, and LFE channels. Individual compressor controls can be linked across various surround channels, and the LFE channel includes an optional low pass filter.

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Full featured surround Compressor/Limiter in LR, C, LsRs, and LFE channel sets
    • Optional LFE low pass filter 24 dB/Oct slope
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • 5.1 version only

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Channel G is 3 plug-ins:

    G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section
    G Equalizer – a five-band professional grade console style EQ with a versatile filter section
    G Console – a combination of the G Dynamics and G Equalizer configurations

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo

    Formats
    • Native v6: AAX Native, AU, VST

  • Channel G is 3 plug-ins:

    G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section
    G Equalizer – a five-band professional grade console style EQ with a versatile filter section
    G Console – a combination of the G Dynamics and G Equalizer configurations

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

    Channel G Compact delivers the same sonic experience as Channel G with a smaller DSP footprint. The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • High pass and low pass filters with 12 and 24 dB/Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

    Channel G Compact delivers the same sonic experience as Channel G with a smaller DSP footprint. The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • High pass and low pass filters with 12 and 24 dB/Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Analog Channel is 2 plug-ins:

    • AC101 – Emulates analog channel amplifier circuits
    • AC202 – Emulates analog tape machines

    The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.
    The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

    Features

    • Library of presets emulating analog mixing systems
    • Real-time display of saturation curves and calibrations
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

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