Get wild sound deals in the huge sale here
Buy 3 packs or more = get new SoundBits pack included free
Home Sound Effects
All files are recorded 32bit, 192 kHz, with Rode NTG1 and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
The loud din of an OLD TOWN SQUARE, the quiet of a tree-lined street in a RESIDENTIAL AREA and the gentle rumbling of a PLANE flying by overhead while sitting in a secret garden. Including distant fog horns at the HARBOR, trickling FOUNTAINS, and cars stuck in TRAFFIC, this collection without a doubt encapsulates all the auditory wealth of the modern urban setting.
Micro Library of Weird Wooden Door Creaks and Groans.
UK Household brings together an extensive collection of everyday sounds found in a regular British home. Covering the most common sounds you’d expect to hear in the lounge, kitchen, dining room, bathroom and bedrooms including cooking utensils, appliances, keys, doors, drawers, water, plugs, switches, storage and entertainment.
Curated from an extensive vehicle workup of a 2001 Saleen Mustang from The Odyssey Collection by Academy Award®-winners Mark Mangini & Richard L. Anderson, this library includes a wide variety of powerful car recordings from different angles, distances, speeds, and perspectives.
What is a workup? A workup is a thorough series of recordings of the same subject from many different perspectives. Having these options at your fingertips helps to quickly and intuitively cut sound effects for a scene without needing to reuse or process sounds to make them fit the picture.
Streamline your sound editing workflow with expertly recorded car sound effects from the 2001 Saleen Mustang including ignition, engine revving, idling, driving sequences in forward and reverse on various terrains, pass bys, tire skids, door and trunk open and close, horn honks, engine rumbles, and more.
This workup also includes a selection of multi-mono recordings, which offers the choice of different mic positions from the same recording. And each sound is embedded with rich, descriptive metadata for lightning-fast, pinpoint search results.
Vehicle Workup: 2001 Saleen Mustang is also included in Pro Sound Effects’ CORE: Standard.
Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!
The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.
The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.
Features
• Five independent bands of strategic active equalization
• Multiple process modes for a variety of applications
• Unique signal reduction metering
• Double precision processing
• Ultra low latency
• Mono and stereo versions
Formats
• Native v6: AAX Native, AU, VST
Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!
The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.
The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.
Features
• Five independent bands of strategic active equalization
• Multiple process modes for a variety of applications
• Unique signal reduction metering
• Double precision processing
• Ultra low latency
• Mono and stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.
The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.
Features
• Brick wall look-ahead limiter
• Multi-stage and multi-band peak detection and limiting
• Unique limiter Knee, Mode, and Focus controls
• Snap function instantly sets multi-band thresholds to signal levels
• Double precision processing
• Low latency
• Mono and stereo versions
Formats
• Native v6: AAX Native, AU, VST
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.
The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.
Features
• Brick wall look-ahead limiter
• Multi-stage and multi-band peak detection and limiting
• Unique limiter Knee, Mode, and Focus controls
• Snap function instantly sets multi-band thresholds to signal levels
• Double precision processing
• Low latency
• Mono and stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available.
The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.
The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.
The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.
Features
• Largest Collection of processing options of any module-based plug-in
• Easy Drag & Drop on the fly module
• Split mode operation for two separate parallel signal paths.
• Analog Saturation Modeling
• Durable precision processing
• Ultra low latency
Requirements
• 4GB RAM minimum
• Mac: OS X 10.8.5 or later
• PC: Windows 7 or later
Formats
• Native v6: AAX Native, AU, VST
The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available.
The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.
The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.
The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.
Features
• Largest Collection of processing options of any module-based plug-in
• Easy Drag & Drop on the fly module
• Split mode operation for two separate parallel signal paths.
• Analog Saturation Modeling
• Durable precision processing
• Ultra low latency
Requirements
• 4GB RAM minimum
• Mac: OS X 10.8.5 or later
• PC: Windows 7 or later
Formats
• HD v6: AAX DSP/Native, AU, VST
All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
DESCRIPTION:
• In Pacific Northwest: Wind get an expansive collection of coniferous wind from the pristine wilderness of the Eastern Cascades, Washington. Hear the soothing wind of short needled Douglas fir and Spruce. Hear gentle whisps topping distant ridge tops and blustery 50 mph blasts swinging the forest in a wandering dance. Hear the austere emptiness of recently burned forest and eerie creaks so emotional it sounds like the old trees are talking.
• This library offers a large collection of coniferous canopy wind. I hope you enjoy the sounds of this winter wonderland.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
A collection of RAW gritty metallic impacts, debris, movements and one shot recordings. Ideal for foley, and for sound designers and cinematic composers who wish to experiment with metallic sounds. Can also be used to design Horror UI sounds or metallic monsters in game audio.
WAV + MP3 files. UCS Compatible
Immersive Night In The City features 32 HD 24bit/96khz Surround Sound Effects with a large selection of evening city crickets and rural night time ambience.
Recorded with a Voyage Audio 2nd Order Spatial Microphone. Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Immersive Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R)
Most tracks are 1-2 minutes in length with embedded UCS compliant Metadata. All new, original recordings.
Want a taste of what’s included?
Download the O2A Ambisonic and 7.1.2 Immersive Night In The City Demo files here: 7.1.2 & O2A Ambisonic Demo Download and try it out on your own system!
XForce is a cinematic sound library featuring a variety of impact recordings & signature designed sound effects.
It contains more than 2500 UCS compliant, high-quality impact sounds like STINGERS, BASS DIVES, SYNTHETIC & ETHEREAL HITS, BOOMS.
Stretch, pitch & morph your sounds to infinity! 3.6Gb of custom sounds made by Ivo Ivanov & SoundMorph!
TimeFlux: the ultimate time stretching, morphing, and spectral effects processing software. Just like time is endless, the possibilities in TimeFlux are endless as you Morph between 8 snapshots using our custom Sphere controller area. Control TimeFlux with your mouse, or as an added bonus control it with an optional Leap Motion controller and harness the powers of time in your hand! TimeFlux takes your sound to a whole new level of control and sonic manipulation.
You can load up to 4 sounds and 4 VSTs in TimeFlux, record your performance, and export it as a .WAV file or record straight into your DAW.
TimeFlux also contains 3.6Gb of custom made sound design revolving around the theme of time manipulation. All sounds included were carefully crafted by SoundMorph and Ivo Ivanov of Glitchmachines. Both experimental and practical, the included sound design library complements the TimeFlux software, and is also quite usable on it’s own. Time and space will never be the same!
WHAT’S INSIDE
Features:
Load up to 4 sound files
Load up to 4 VST plugins within TimeFlux
8 snapshot Sphere Controller
Optional Leap Motion controller. Leap Motion sold separately here: http://www.leapmotion.com
2 time stretchers
1 morpher
4 filters
Record and Export your performance in WAV files
3.6 GB TimeFlux sound design soundpack included made by SoundMorph and Ivo Ivanov
Compatible with Mac and PC (32 bit and 64 bit)
System Requirements:
An Intel® Mac with Mac OS X 10.11.6 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
Golden days of old school hip hop from the 80s and 90s with production techniques of new school and Trap beats.
25 kits + 323 Samples + 22 loops.
“Inner Circle – New City is lush! A lovely blend of hip-hop and electronics, which is rare these days…”
– Valance Drakes
Blend the golden days of old school hip hop from the 80s and 90s with production techniques of new school and Trap beats, and you get our most recent Inner Circle drum library: NEW CITY
If you are a Hip Hop or electronic music producer, NEW CITY is boling over the rim with only the highest quality samples that you’ll be glad to add to your secret bag of tricks.
The NEW CITY collection was created by electronic music artist Alex Retsis aka Qebo in collaboration with SoundMorph. Based out of Athens, Greece, Alex is signed to the Detroit Underground, Modular Expansion and Anthropos-Mekhane labels. Alex is an award winning professional sound designer who is also an endorsed artist by Korg.
25 kits – 323+ samples – 22 loops – 24-bit 96 kHz .wav files
Pre-made templates for:Battery 4, Ableton, Maschine, Kontakt
Embedded with Soundminer and Basehead metadata
Featured genres:
Old School hip hop + New School hip hop + Trap + Grime + Electro + Breakbeat
A custom drum collection made by producer, rapper and DJ Cadence Weapon.
The CADENCE WEAPON DRUM COLLECTION skips from vibe to vibe like an iPhone on random, bouncing from steel drums and dancehall beats all the way to industrial clatter and old school beatboxing. Whether you’re a hip hop head looking for something beyond classic drum machine sounds or an experimental producer searching for abstract elements to spice up your latest mix, the CADENCE WEAPON DRUM COLLECTION has got you covered.
Cadence Weapon’s experiences as a DJ and producer inspired the broad spectrum of styles and sounds found within this drumpack, aiming to reflect his extensive knowledge of music, his dedication to cutting edge production and his commitment to musical innovation.
The CADENCE WEAPON DRUM COLLECTION was created by Cadence Weapon aka Rollie Pemberton and engineer Ewan Kay in collaboration with SoundMorph. Cadence Weapon is the critically acclaimed rapper and producer behind the Polaris Music Prize shortlisted albums Breaking Kayfabe and Hope In Dirt City.
20 Kits – 370 Samples – 20 loops – 16 bit 44khz .wav files
Pre-made templates for Battery 4 and Ableton
Embedded with Soundminer and Baseheaad metadata
Featured genres:
Hip Hop + Dancehall + Experimental + Club Dub + Beatboxing + Industrial + Steel Drums
Foundational Inner Circle drum pack, featuring 13 kits and 9 electronic genres, from house to dark electronic.
When laying down the foundations of a track, you need to start with the best. Transient Foundations was carefully designed to be the perfect starting point for both amateurs and professionals, covering a mix of several electronic genres. No matter the style, Transient Foundations, our first Inner Circle drum pack, gives you quality from square one.
Transient Foundations was created by musician and sound designer Real Cardinal, a.k.a. Comaduster (Tympanik Audio, BioWare), who has also worked on SoundMorph’s Sinematic and Bloody Nightmare libraries.
13 kits – 225+ samples – 22 loops – 24-bit 96 kHz .wav files
Pre-made templates for: Battery 4, Ableton, Maschine, Kontakt
Embedded with Soundminer and Basehead metadata
HD Quality Stereo Sound effects in Futuristic, or steampunk style.
7 different rifle firing sounds. Each rifle includes: 10 single shot sound files, 2 sound loops and 2 full bursts(0,1 and 0,15 fire rate).
5 different shotgun firing sounds. Each shotgun includes: 10 single shot sound files.
5 different submachine gun firing sounds. Each submachine gun includes: 10 single shot sound files, 1 sound loops and 1 full bursts(0,1 fire rate).
4 different grenade launcher firing sounds. Each grenade launcher includes: 10 single shot sound files.
For rifles and submachine guns: 8 different gun reload sounds, 7 types of clip eject and 7 type of clip insert sounds.
For shotguns: Shell insert sounds for 4 different shotguns, Each includes 4 insert sounds.
1 type of grenade launcher grenade insert sounds, includes 4 insert sounds.
Also, 22 gun sounds: gun handlings, recharges, spin ups, hiss sounds etc.
6-Month-Old Bulldog Puppy Vocalizations, Grunts, Groans, Grumbles, Whimpers, Chortles, Snorts, Growls, Licking, Eating, Drinking, and More.
Also included is a small BONUS Design Library created using Dehumanizer 2 to help spark your imagination.
Whether you’re looking to create creature sounds or just need dog vocalizations, it’s a great start! Enjoy!
Our Auto Repair (248 HQ – 96kHz/24bit) library includes both tools and general ambiences of auto repair shops as well as home garage sounds. Hit play, close your eyes and you will find yourself amidst cars, toolboxes, revving engines, mechanisms, servo sounds, metal clunks, and car mechanics in action.
In this library, you will find audio samples of wrenches and ratchets being dropped on various surfaces and with various intensities, different kinds of metal clunk and mechanical motions, as well as audio of mechanics operating hydraulic machines and servomotors, handling screwdrivers, welding and hammering chassis, handling screwdrivers/ pneumatic pistols and sawing/scraping metal auto parts. All captured in real garages and auto repair shops.
In addition to the sounds mentioned above, we have included a variety of clean, studio recordings of hand tools and metal parts that can be used as starting points for further sound design. We had cars and bikes brought in, which we used to record a series of engine startups/shutdowns, idling, and revs which might serve as starters for creating multilayered, compelling atmospheres.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.