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Home Sound Effects

Sound Effects

  • – Redoptor is a high-quality Vintage Tube Distortion emulator

    The organic sound of a tube amplifier being pushed into breakup has been the gold standard for as long as musicians have been experimenting with overdriven and distorted tones.
    The gentle, natural compression and rich blend of even and odd harmonics produced by analog tube circuitry makes any signal feel more powerful, punchy, and alive. Unlike solid-state transistor and fuzz circuits which only produce odd harmonics and limit the incoming signal in a subjectively unnatural and unresponsive way, Redoptor smoothly responds to the dynamics of the source material, just like a real tube amp. This means that loud signals get saturated with more crunch and delicious harmonics, then return to their clean state gradually as their release tail decays. This enables dynamic, sonically pleasing distortions.

  • – Decimort recreates the colouration and adds the vintage sampler’s magic to any sound

    Electronic music (especially Hip-Hop) producers have long been aware that classic samplers (such as early Akai and E-MU units) had a character and sound all their own: they added a “grit” and “color” to the samples and loops they played back which made them sound “Fat” and sit well in a mix. This sound coloration was due to the encoding techniques, lower sample rate, and bit depth, and conversion circuits used by these early samplers. Decimort recreates this coloration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results.

  • – The sweet spot in distortion domain

    Devastor 2 is the second generation of D16’s first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!

    The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.

    Devastor’s filters are not simply the peaking EQ type that are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, bandpass and band-reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!

  • Drumazon synthesis emulates all the sounds of the original 909. All the modules are coded to match their analog counterparts, down to each nuanced detail. As a virtual bonus, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation! Listen to the audio demos or tweak it yourself with the demo version :)

  • – Have you ever wanted to replicate that unique, magical breeze floating through most of JMJ’s tunes?

    Fazortan 2 is the newest incarnation of our Controllable Space Phaser, part of the SilverLine Collection. Needless to say, we didn’t cut corners when striving for that robust, yearned-by-all analog feel. The Phase Shifter provides you with total control, allowing you to obtain highly precise sonic contours. If you’ve ever wondered what’s behind the swirling, ethereal synth vibes synonymous to Jean Michel Jarre’s vintage sound, it has surprisingly less to do with the synths he chooses but in matching it with the analog phaser for which Fazortan 2 is a fine equivalent.
    Thanks to our advanced analog modelling techniques based on Operational Transconductance Amplifiers, we implemented allpass filters comprising characteristics identical to its analog counterpart. In this update, we’re even closer to the original hardware unit.
    You can think of Fazortan 2 as an exact virtual replica of a ‘70s retro phaser, but whose identical sound and primary functions aren’t limited to the analog realm. Bearing in mind that the original had a single Rate knob and a Color switch on the front panel, Fazortan 2 stands alone as a completely new device – made obvious no less by its GUI – expanding on the features of its hardware counterpart.

  • – Incarnation of an iconic stomp box you will surely appreciate

    In bringing the classic stomp box back to life, we’ve created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, our newest effect in the SilverLine Collection!

  • – Don’t be deceived by the SilverLine format and affordability – big things sometimes come in small pa
    The most powerful modulation effect we’ve ever created, Godfazer is your new go-to plugin for chorus, phasing, filtering, rotary speaker emulation and much more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters.

  • – Powerful, yet Practical: an easy-to-tweak instrument that can get hit sounds in seconds, unleashing

    LUSH-101 isn’t based off of one machine. It’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: Though it may look benign at first, its modular, multilayer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable, yet devilishly versatile instruments in your arsenal.

    The multilayer architecture guarantees that both the sound design possibilities and the number of unique situations in which LUSH-101 can be used are virtually limitless. Multitimbral sounds can be quickly created by simply assigning any (or all) of the 8 layers to the same MIDI channel; this can result in anything from subtle chorusing to sonic anarchy! Assigning the layers to different keyboard zones allows you to create sophisticated splits, and an entire split-zone preset library exists to get you started. Of course, you can always assign various layers to different MIDI channels for 8-part multitimbral usage, and send out up to 11 Audio Outputs.

    With all of these splits, layers, multitimbral options and routing capabilities, there’s no end to what you can do with just a single instance of LUSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arp and a choice between 8 of the finest insert effects, LUSH-101 lets you reach “unheard of*” creativity.

    Want to get weird? In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator’s MIDI output can be used as a modulation source, allowing for complex sequences and refreshingly odd progressions.
    LUSH also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, Pan and superb send effects allow you to put the finishing touches on the final output.

    LUSH can sit in any seat at the genre table. The Gate can be used instead of the VCA for instant staccato sounds for energetic Funk and rhythmic pockets. For Ambient or Chillout, drag out the attack and release times along with our smooth, rich & spacious built-in reverb to satisfy even the most ardent purists. Is Dubstep or Drum & Bass more your speed? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead your creativity with the nastiest leads*, and base your sound in the most gnarly basses* – you and your sound system will be pleasantly confused as to what hit it, so watch out! No matter what (or how) you want to play it, LUSH will get the sound.

  • – Pound for pound, the classic 606 sound.

    Nithonat is a fully synthesized drum machine based on the classic 606. Its unique sound has snuck its way over the years into productions spanning Electro, Hip-Hop, R n’ B and Pop. Here at D16 we re-created a legend with virtual perfection, and then expanded on it with essential features, exclusive to Nithonat.

  • – A completely synthesized emulation of the famous 808 drum machine

    Nepheton contains 17 fully synthesized modules that work together to emulate the original 808 drum machine. All the sounds and detailed nuances of the original are captured perfectly. Nepheton’s modules are equipped with additional controls for deep tone and envelope tweakability. Listen to the audio examples or just download the demo and start to beat making today!

  • Get the last 303
    Emulation of the legendary 303 silver box has been taken to entirely new heights. Signal path was completely re-designed to achieve an unprecedented level of emulation accuracy, resulting in this new incarnation of the plug-in.

    Juice up the sound
    In the state-of-the-art FX chain, you can find a whole bunch of algorithms with acidic squeaks in mind.

    Create your riffs with ease
    New sequencer and arpeggiator makes the plug-in even more appealing. Edit patterns with ease and convenience, play them live in a loop and switch between them in whatever way you find most convenient – using a mouse, a MIDI controller or DAW MIDI notes to express your musical ideas.

  • – The Delay is the ultimate creative tool for adding space, depth, and excitement to music

    There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!

  • – Incredible degree of sound-shaping freedom

    Sigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom. There’s an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. With Sigmund, this is especially true: each of the delay lines has complementary modules built-in, independent from the feedback loop:

    But that’s not all: Sigmund has two general-purpose Modulators which can be used to auto-modulate some of the delay lines’ internal parameters. There are three different modes a Modulator can operate in:

    LFO – Used subtly on-time parameter can delicately bring a sound to life, to add gently flowing, modulated warmth reminiscent of the analog delays of yesteryear. At extreme settings, the LFO is capable of twisting the input signal utterly beyond recognition and into what you might expect transmissions from an alien civilization to sound like!

    Envelope – In combination with built-in Transient Detector gives you a very powerful tool; when applied on amplitude allows to freely shape sound’s dynamics to control how it blends in the whole mix.

    Peak follower – It’s a must-have for a Modulator; nothing else will do such expressive wah-wah effect, when filter cutoff is influenced by. Surely in the hands of skilled sound designer it will have many other applications beyond that.

    This all adds up to an immensely powerful architecture, the potential of which can be explored nearly endlessly and often with hardly predictable outcomes.

  • – Our compact, intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    The hybrid algorithm at the heart of Spacerek fuses modeled virtual spaces to a dynamic delay network, generating reverb tails with supremely realistic early reflections, dense, colorful late reflections, and separately adjustable ER and LR pre-delay times. Dozens of emulated room types take in halls, towers, chambers, tunnels, and much more, and each one integrates a variety of preset stereo microphone and speaker setups.

    Spacerek also makes balancing the Direct signal, Early Reflections, and Late reflections easy with its three-channel mixer; while the highly musical Tilt EQ and Low Cut filter modules provide effortless shaping of the overall tail. And as each Reverb Model is pre-configured for left-right or mid-side stereo operation, tweaking width and spatialization is a snap.

    Spacerek doesn’t put the squeeze on your system, either – indeed, when you hear it, you can’t fail to be impressed by its CPU-friendliness (compared with typical audio simulation techniques).

  • – Evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line

    With that in mind, we set out to create the ultimate analog chorus emulation, inspired by the revered effects found in classic synthesizers such as the Solina String Ensemble, Elka Synthex and Roland Juno-106. This fruit of our labor is Syntorus 2, the newest addition to the Silver Line series of plugins.

    Syntorus 2’s unique analog sound enriches any instrument routed into it, bringing life and movement to synth basses and leads, and adding depth and lushness to guitars and other electric/acoustic instruments.

  • – A concept ‘verb, come alive

    Toraverb was never meant to be an emulation, approximation, or recreation. We did not implement any “off-the-shelf” algorithm or impulse response. Unlike a classic unit such as spring, room, hall, or plate, Toraverb is a concept in its own right. Using a set of easily accessible parameters, allows the user to create practically ANY type of algorithmic reverb. Our goal was to create something which would sound beautiful no matter where the knobs are.

    Reverb is a critical effect in a mix. A good digital reverb depends on the algorithms used and their implementation quality. Usually, reverb is used as a send effect in which many channels in a mix are routed to it. If a poorly designed plug-in or hardware unit is used, the end result is tinnier/muddier mixes, with reverb tails sounding like they’re being torn off inhumanely.

  • – Start thinking of delay as part of your arrangement

    Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines. What really sets it apart from other, similar products, however, is the way it’s controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can’t be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs!

  • Car Sound Effects Vehicle Pack Play Track 963 sounds included, 1933 mins total $399

    Flysound presents: VEHICLE PACK. Four individual sound libraries, of three cars and a bike. First, there is the BMW X5, then the Mini Cooper, then a Land Rover, and on to two wheels, Ducati. The libraries complement each other to provide the road symphony your project might require. All together under one click, vroom vroom! Enjoy.

    Flysound‘s finest, top grade recordings, of four fabulous marvels of mobility. Using studio-grade equipment, we recorded our vehicles on-site, with instantaneous position adjustment to capture the right sounds at the right times.

    This compilation can serve as a versatile and harmonious soundscape for the road action in your project, whatever the scale of traffic, action, and nuanced context of your scenes and sequences, and taken one by one, the cars and bike libraries themselves are laid out to showcase any individual vehicle audio scenario in deep focus. To cut to the chase, here are the autos:

    The BMW X5M, a 750 horsepower highly-tuned SUV which is sporty and at the same time spacious, sturdy, safe and cosy for family moments; we’ve recorded it across all its moods.

    The Mini Cooper, a souped up city car. Very nippy and youthful, this style icon was a pleasure to record in all its fabulousness.

    The Land Rover Defender, a 4×4 diesel beast that is rugged and country-style, workmanlike, and at the same time elegant and very respectable.

    The Ducati Scrambler, the cafe racer model. It represents freedom on two wheels, and we’ve captured the sounds to match, both on the open road and in an autodrome.

    All the libraries have a huge variety of sounds, interior, exterior, and foley content. We have paid attention to capture not only the vrooming, roaring, careening and chugging of these vehicles, but also the necessary everyday actions of the machinery, such as the closing of doors, fastening of seatbelts, clicking of levers and squeaking of seats.

    Technical specs: Neumann U87’s, Neumann USM 69’s, Sound Devices 788T’s, Aaton Cantar-X2’s, Sonosax, and Sennheiser MKH416’s.

    A lite and mixed version of this suite is also included, comprising authentic stereo files, designed, mixed, and studio packaged on best-of-breed equipment for simpler tasks which would have a preference for a package of ready made stock sounds of the  VEHICLE PACK

  • Drones & Mood Sound Effects Hidden Places Play Track 70 sounds included, 127 mins total $29.99

    Hidden Places is everything you need to build a world around your scenes, contains more than 4.4 GB loops of eerie, doomful, dark, atmospheric field recordings, designed drones, backgrounds, and musical ambiences. Perfect for something in the realm of a Jason Harris games (senior narrative for Destiny 2), or just to set the mood of a foreboding sound scape. This bundle offers you a collection of abstract and surreal ambiences, ready to be used in your next production. Hidden Places is a dense ambiences library, think of games like “Doom Eternal”, “WarFrame” or “Dead Space”. But you will also get the right feel and idea for other sci-fi and unsettling industrial dark ambiences. All files are 24bit/96khz .WAV stereo files, all embedded with the UCS v8.0 structure for filenames, it allows automated scripts to parse out information from the filename into various fields of Metadata for the end user directly in your DAW.

    All sounds are royalty free.

  • Foley – Backpack features 656 high-quality sound files of four backpack types: small and medium nylon, and small and medium polyester. This extensive library covers sounds such as drops, handling, movement, pickup, straps, velcro, and zips.

    Recorded in 24 bit/48 kHz, these sounds are easy to navigate and were captured using a Rode NTG4+ (mono, 48 kHz) and a Sony PCM D100 (stereo, 96 kHz).

    Update 1.1 : Add Stereo Files

  • The following is a 2007 Harley Davidson Softail Deluxe motorcycle sound effects library (with Metadata).

    Vehicle Type: Motorcycle
    Brand: Harley Davidson
    Model: Softail Deluxe
    Year: 2007
    Country origin: USA
    Specification: 1584cc, 2 cylinder, 4 stroke, V-Twin, manual 6 speed, fuel injection system.

    There are 46 minutes (2.52 gb), 84 ready to use wave files, all captured in 24 Bit, 96 kHz. Files are divided into External following, External static, Foley, and Onboard sounds. Download is a 1.2gb compressed .rar file. For Mac users we recommend UnRarX. For Windows users we recommend WinRar.

    The Onboard recordings are in 2 separate mono wave files, channel 1 for engine and channel 2 for exhausts. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo, one for following (tracking) and the other at a static (fixed) position.

    Special thanks to Richard for his time and effort!

    Check out the other Harley library (1999 Harley Fatboy). The Carburetor version sounds quite different from this modern Fuel Injected Softail Deluxe.

  • Add some serious fire power to your arsenal.

    Over 5,000 files – 18GB of samples – 6 libraries


    You get a great bang for you buck with the SoundMorph “Warfare Bundle”.

    Matter Mayhem – Destruction, Debris, Massive Explosions, Multiple materials and perspectives.
    Intervention – Real SWAT weapons, 26 different weapons and foley recorded by Hollywood pro Charles Maynes.
    Future Weapons – One of the most advanced weapon sound effects libraries ever created.
    Future Weapons 2 – All new weapons and recordings, with a focus on specialized weapons.
    Solar Sky – State-of-the-art sci-fi spaceship sounds.
    Rupture – Game and filim ready destruction soundpack.

  • Nature & Countryside Ambiences Wild Rain Play Track 69+ sounds included, 523 mins total From: $150

    Wild Rain is a collection of rain soundscapes recorded in 4 rainforests across 3 continents: the Amazon rainforest, the Borneo rainforest, the Congo basin rainforest and the Ethiopian cloud forest. The library features rain falling on vegetation and forest floor, from sparse drops to moderate and heavy rain. Several recordings of rolling thunder are also included. All recordings also include the sound of the forest and wildlife to varying degrees. Cicadas, frogs, birds and even an elephant can be heard in the background. Lastly, Wild Rain comes with extensive metadata and is UCS compliant.

  • Roomtones Old House Play Track 92 sounds included, 606 mins total $97

    Old House is a collection of doors, creaky wood floors, cupboards, footsteps, surround roomtones and various actions captured in natural reverb in a 1913 French traditional rural house.
    You’ll also find creepy resonant footsteps upstairs (recorded from downstairs), distant doors, antique clocks, wooden stairs or even barn doors and windy roomtones.

    This library is the perfect match for any project taking place in places like mansions, castles, old country house, pretty much any reverberant interior with that vintage feel.

    The vast majority of the sounds were simultaneously recorded from 3 perspectives :

    • a close LCR setup of Sennheiser MKH 8040 + MKH 8050
    • a mid distant pair of Line Audio CM3 in ORTF
    • a distant AB pair of Lom Usi

    This lets you pick the best sonic perspective for each situation. From an up close / full sounding LCR array to a fully reverberated distant pair.

    During the 3 day recording session, we also captured impulse responses in many areas of the house, these could come in handy if you want to make other SFX match with our Old House natural reverb, these are delivered in a separate folder, with pre-saved Altiverb presets.

    Like all aXLsound collections, this sound library includes detailed, comprehensive, UCS compliant metadata.
    We also added markers to some of the longer files so you will quickly identify the most interesting parts. (see picture below)

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