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Home Sound Effects

Sound Effects

  • Foley Money Play Track 34 sounds included $9 $5.40

    Money is just over 21 Mb of coins and notes/bills being handled. You get 34 files in 24bit/96kHz quality.

    This collection contains sounds of coins being handled, counted, poured, dropped – in hands, on tables and in a cash register drawer. There are also a few sounds of bills/notes/paper money being handled and counted. The whole thing was recorded in the studio, meaning a nice, dry sound to build on. The coins and bills used were a mixture of various international currency.

    You get:

    • Clean, dry recordings of coins and notes.
    • Searchable file names
    • BWAV metadata embedded with even more included in CSV and ODS (OpenOffice) formats
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  • Weapons The London Warehouse Firearms Library – Indoor Guns Play Track 291+ sounds included, 240 mins total $199

    Audiobeast is proud to present our first sample library; the first library of its kind to focus entirely on weapons being fired in interior spaces!

    The London Warehouse Weapons Library contains over 6 GBs of weapons being fired in a large warehouse, medium warehouse, stairwell, office and small room. 291 WAV files all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.

    Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the warehouse 50 metres away. To add, some mics were positioned behind doors and walls to capture the occluded gunfire.

    As well as all the firing we've included all the foley as well, because while convolution reverb is great, nothing beats actual content!

    Minimal cleanup on the recordings was carried out very carefully by Steve Whetman in his room at Pinewood Studios, so as not to introduce any artefacts into the recordings, they are presented as raw as possible.

    Weapons fired in the large and medium warehouse spaces:
    • Browning M2 .50 Machine Gun
    • Steyr HS .50 M1 Sniper Rifle
    • H&K 416 5.56 Assault Rifle
    • Remington 870 12g Pump Action Shotgun
    • Brown Bess Black Powder Musket
    • Colt M1911 .45 ACP Pistol
    Weapons fired in the stairwell, office and small room spaces:
    • H&K 416 5.56 Assault Rifle
    • Colt M1911 .45 ACP Pistol

    Due to safety restrictions it was not possible to fire the bigger weapons in the smaller spaces, the ceiling was shaking while recording the Assault Rifle in the office and stairwell and came close to collapsing. Physically the Browning M2 .50 calibre Machine Gun would not even fit on the stairwell or in the small room.

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  • Environments Tropical Ambiences Play Track 52+ sounds included, 126 mins total $69

    ‘Tropical Ambiences’ delivers 52 pure, immersive tropical soundscapes, meticulously collected from each subset of tropical ecosystems in extremely-bio-diverse Central America.

    It includes rainforests (jungle), cloudforests, dry forests, mangroves, and many other settings.

    Recorded at different times of the day and spanning diverse range of weather conditions with various scale of rain and wind forces, this sound pack provides access to a complete array of wild tropical soundscapes.

    Each of the 52 files is a careful selection of 1 to 4 minutes high-quality binaural stereo ambiences.

    It has been precisely produced so that each track is able to LOOP in a seamless manner allowing for the ambience to last as long as desired, and the files are embedded with metadata (Soundminer/iXML/XMP/BWAV/ID3). The metadata descriptions provide the identification of many animal species from the recordings.

    In total, this library delivers more than 2 hours of pristine, tropical ambiences.

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  • The Wheels & Gears SFX library features a collection of bicycle tire, freewheel, gear and chain recordings. Two bike models were recorded: A Specialized Carve Expert (mountain bike) and a Bianchi Campione (city/road bike).

    A wide range of sounds were recorded, from conventional bike sounds (such as freewheel clicks, gear shifting and chain movements, acceleration with various speeds, coasting, and disc brake movements) to more experimental sounds, creating unique sound effects using various found objects on the tires and spokes (such as cardboard, wooden sticks, fabric, shoe soles, guitar picks, and paper).

    Recordings were captured with a Sanken CSS-5 Shotgun mic. The shotgun microphone was mounted in a full Rycote windshield kit and connected to a Sound Devices 702 recording at 192khz. The contact mic recordings were captured with the Barcus Berry 4000 Planar Wave system.

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  • Vehicles: Transit Train Sound Effects features 230 sound clips of dozens of transit trains: subways, monorails, people movers, streetcars, and more, totalling 4.66 gigabytes

    Includes recordings from Toronto, Vancouver, Berlin, New York City, and Mexico City.

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  • Vehicles: Aviation Sound Effects includes 60 tracks of the majestic vehicles of the air.

    Includes field recordings of Sikorsky and Bell helicopters, and 767 and 777 passenger jets. There are seaplanes, and jet fighters.

    This sound library includes recordings of the aircraft landing, taking off, and passing. It also features recordings of riding inside jets and seaplanes.

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  • Animals & Creatures Urban Crows Play Track 31 sounds included, 90 mins total $25 $20

    Urban Crows is a library full of interesting sounds of single crows and swarms.

    These proud birds deserve a lot more attention than they usually get. They are amazingly intelligent, social and by no means aggressive or monotonous when it comes to their communication capabilities.

    The library evolved throughout winter 2015/16 and was taken from the attic of a house surrounded by trees were the crows frequently stayed overnight. So it was a great pleasure to record them arriving in the evenings as well as hearing them chatting during the dawn. They have a huge arsenal of clearly distinguishable single caws, funny sighs or nervous screams that often evolved to a huge cluster of noises that became stronger when the church bells began to ring and the sun came up.

    All takes are recorded in Mid-Side stereo, with Sennheiser MKH-70 shotgun for a strong mid-signal and AKG-C394B for the ambience. The total playing time of the library is approx. 1h 30min.

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  • A pack of forty 5.1 high-definition surround effects with a L,R,C,LFe,Ls,Rs track layout.

    Over two hours of Water, Crowds, Trains, Boats, Aircraft, Birds, Bees and Fireworks all in glorious surround, captured with high-end equipment at a range of locations.

    Full Soundminer metadata embedded and a Excel spreadsheet included. Recording equipment includes Soundfield ST250 and ST450 microphones, DPA 5100 microphone, Metric Halo 2882 and ULN-8 interfaces and Sound Devices 788 & 744 recorders.

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  • Get the sounds of the the Honda VTX 1300 – a distinctive cruiser motorcycle.

    Its 1300cc displacement is right in the sweet spot between the zippier 750 models and the massive 1800 road warriors. This particular one was equipped with a set of custom Vance and Hines Big Shots exhaust pipes early in its life, giving it a distinctive and throaty note that can be heard up and down the highway. The VTX line is also known for its distinctive transmission, which gives a meaty ‘clunk’ with every shift.

    This library is a set of recordings that were made using a combination of onboard and exterior mics at a variety of useful speeds, as well as free running on the highway. Its a smaller set, but very distinctive and useful.

    We recorded multiple channels on every movement:
    • Onboards consisted of Line audio CM3, Crown PZM and Sanken COS11 mics
    • A handheld MKH416 rig covered bys and exteriors

    After a half day of recording we had material ranging from idles and slow starts to fast bys and highway runs.

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  • This sound library features 60 sound clips of passenger locomotives and commuter cars. The tracks feature riding a train at various speeds in both first class and coach.
    There are train takes from both interior and exterior perspectives, as well as some doors and horns and toilet flushes while moving.

    Each engine is diligently labeled by engine type and version and detailed in full Soundminer metadata.

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  • This sound library gathers the heavy, powerful sounds of freight trains, and the scream and chatter of transport rail cars.

    Takes include idling, approaching, departing, and passing by. There are rail squeaks, screeches, and clatters. Each engine is carefully documented with its locomotive type and version, and is listed in full Soundminer metadata.

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  • Environments San Antonio Creek Play Track 32+ sounds included, 33 mins total $30 $15

    This SFX library gets you the sounds of the remote San Antonio creek located in the Angeles National Forest – 32 recordings in total. The creek morphs from almost a trickle at 8,000 feet to a large waterfall below, allowing for a wide range of moving water sounds to be captured.

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  • Get the ambiences and atmospheres of Rwanda, Africa in this sound effects library recorded by Ana Monte. It features recordings from around the capital of Kigali, suburbs, markets, sewing shop, rooftop and roadside recordings, as well as countryside, forest and hillside recordings.

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  • Get authentic ambiences from Kurdistan, Iraq – recorded by Ana Monte while shooting a documentary. It includes places such as the Erbil citadel, bazar, a Lalish village and temple, and more.

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  • Cars Rally Cars 03 Play Track 44 sounds included, 9 mins total $19.90 $13.93

    This SFX library includes 44 sounds, recorded at rally service areas and the race track. Contains Pass bys, idles, revving and other car engine sounds.

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  • SoundBits “Cinematic Hits & Transitions 2“ description:

    The Cinematic Hits and Transitions 2 sound effects library from SoundBits delivers 222 cinematic, epic, heavy, impacts and hits – ranging from very deep, earthshaking hits, to brutally distorted and mangled impacts. Some are dry, some with extra huge reverbs, others get you an instant attack while some come with a build-up for that extra tension. Lots of starts and tails of the sounds can be combined with each other to give you even more.

    But that’s not all. There are also 111 scary, haunting, unsettling and weird transitions and movements that instantly give you goosbumps and add that extra suspense for your productions. Lots of new sounds were recorded and got merged with existing SoundBits | Sound Effects. This fusion got mangled, crushed, edited and designed to create this cinematic experience.

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  • An onslaught of movement and force using various granularities of dirt-like substances. It's all in the name. Dirty, gravelly, and ragged.

    In this library you will find a myriad of gritty movement sounds derived from 4 different granularities: Course, Medium, Fine, and Ultrafine. There are sweeps, smears, crushes, scatterings, drops, scrapes, rubs, and more, with multiple variations of each. The assets chain together particularly well so that you can use them to make long continuous runs.

    The timbre and dynamics of these sounds lend them to be used for many different designs than just scrapes and scratches, such as movement in snow or sand, powerful bursts, high energy flames, shifting heavy objects, large beast vocalizations (dragons, anyone?), and more. As well, their metadata is organized conveniently to allow you to grab chunks of variations on similar movements and drop them into your favorite audio implementation software for quick assignment to random containers or sequences for an asset or call.

    This library will almost always find itself being thrown into a creative media project one way or another. Its full of a particular cornerstone sound that is essential to any sounds designer's toolbox.  And with such a variety and versatility to explore, we promise it will serve you well.

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  • The top-selling futuristic weapons series returns with Future Weapons 2: An all-new collection of the most cutting-edge weapon sounds made for the future.

    We spent months recording and designing all-new sounds to bring you the freshest set we could. Great-sounding guns, blasters, reloads, foley, and much more!

    Includes sounds such as:
    Ammunition – Reloads Foley • Bass Layers • Big Friggin' Gun • Bio Gun • Blaster • Blaster Layers • Blaster Layers • Bolt Pomp Gun • Electro Gun • Electro Rocket • Energy Gun • Explosions • Future Hand Gun • Gamma Ray • Impulse Gun • Kerosene Gun • Laser Layers • Machine Gun • Mines • Nine Inch Nail Cannon • Plasma Gun • Power • Random Source • Rifle Laser • Ripper Fast gun • Transform Layers • Weapons Foley

    Be sure to also check out the first Future Weapons collection, these two collections are must-haves! Created in collaboration with the Russian sound design team from Principle Sound Design, Future Weapons 2 features more than 500+ sounds and 1.2GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata, including:

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  • Sci-Fi Phantom Magic Play Track 545 sounds included, 31 minutes mins total $49 $36

    Now you can harness supernatural powers in sound design and bring peak levels of mesmerizing magic to your next project. Phantoms in the night, mischievous wizards, sorcerers conjuring black magic, supernatural creatures and telekinetic objects all come to life in fantastic 96k/24bit sound with Phantom Magic. The library delivers game trinkets, spells and sparkles, casts and conjures, potions and power-ups, shields and revives, lightning impacts, transitions, whooshes, and more.

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  • The Hybrid Electric Car SFX library features a collection of exterior and interior sounds from a 2007 Toyota Prius. A majority of the recording was conducted at El Mirage Lake, a six mile long dry lake bed in the Mojave Desert, 90 miles north of Los Angeles.

    This barren landscape, unique for its miles of completely flat terrain, is a popular filming location for automobile commercials and feature films. The recording sessions took place late in the evening and early in the morning, when the surroundings were completely silent.

    An ample collection of exterior pass bys, starts, and stop recordings on pavement, gravel, and dry lake bed are included. Speeds range from 5MPH to 80MPH from only running on the electric motor/battery pack, to pushing the Prius’ gas engine towards its max. Other sounds such as washer/wipers, electric motor and gas engine idling complete the collection.

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  • Get the sounds of Rio De Janeiro, Brazil, captured by Ana Monte. It features recordings from places such as busy streets, restaurants, downtown, suburbs, markets, subway and bus rides and more.

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  • Drones & Moods Piping Systems Play Track 46 sounds included, 110 mins total $49 $32.83

    Get the sounds of gas and water running through massive and tiny pipes, at three processing sites closed to the public.

    This library delivers the sounds of a gas control station, a sewage plant and a waterworks. We recorded the hissing of gas, low drones of water rushing through massive pipes, and the sounds of various stages of sewage processing, recorded indoors and outdoors in multiple locations and rooms throughout the three facilities. The library includes close-up sound effects, indoor and outdoor ambiences, and features ambiences and stereo contact mic recordings of active gas and water pipes, capturing the various resonating pipes in isolation.

    Total play time of all recordings is just under 2 hours.

     

     

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  • Dreamscapes is a collection of versatile, carefully crafted drones and textures, that would take you away into the deep unknown realms. The pack includes all kinds of moods: from low-rumbling environmental ambiences and spacey drones, to the divine and transparent textures. All sounds are seamless loops, thus will fit perfectly in any project including games, with no additional tailoring required.

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  • Toys is a package with a huge collection of toy sound effects, including rattles, squeaking, pops, shakes, bounces, slides, drops, rings, clicks, crankings, spins and much more. More than 650 fun, festive sound effects in total.

    The perfect package to design anything with a touch of cartoon!

    Each sound has been meticulously edited individually, All files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.

     

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