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Home Sound Effects

Sound Effects

  • A powerful tool for importing your own samples. Easily create individual instruments for your needs!

    With Edward Custom you can create patches to match Edward or cover completely new genres such as guns, crowds, explosions or even musical applications.

    A full version of Edward Ultimate SUITE is required to use this product.

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  • Feedback is a collection of well… feedback sound effects! Created by digitally misrouting various audio signals in numerous ways to create truly wild sound effects:

    • Speaker ringing feedback to thunderous rumbles
    • Grating tinnitus effects to pleasant tones
    • Rhythmic pulses to chaotic digital noise and much more

    Feedback combines the binary precision of digital audio with the unpredictable quality of signal feedback to create a treasure trove of ultrasonic rich sound design material. Use Feedback to flavor your next sci-fi project, bring dramatic tension to a scene, simulate head-aching tinnitus, and so much more!

  • Looking for great-sounding animal footsteps? No matter if dogs, horses, aliens or even monsters define the scene or if you are working on a comic or real cinema. With Spot you get the perfect partner to Edward, whom you have missed for a long time.

    Foley Artist: Lara Dale
    Foley Recordist: Josh Reinhardt

    A full version of Edward Ultimate SUITE is required to use this product.

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  • Cinematic & Trailer Sound Effects RT Sonics Cinematic Bundle Play Track 1180+ sounds included $198

    The Cinematic Bundle contains two of RT Sonics’ most epic SFX releases: Cinematic World and Nuances of Fear. This brand new product contains over 1180 designed and source sound effects, ready to take take your projects to the AAA league!

    Cinematic World is a cinematic Trailer library that was created in collaboration with several award-winning sound designers, whose credits include Disney+, Diablo 3, The Outsider, Soul, Starcraft 2, Heroes of the Storm, Hearthstone, Assassin’s Creed Valhalla, Mortal Shell and many others. It includes over 600 highly detailed designed, signature and source sound effects.

    Nuances of Fear is a cinematic Horror library that was created by a team of award-winning sound designers who have worked on League of Legends, Disney+, Facebook, Ratchet and Clank, World of Warcraft: Shadowlands, Ark: Survival Evolved, Oculus and many others. Upgrade your collection with over 580 bone-chilling designed and source SFX.

     

    All sound effects come in 24bit 96kHz, including detailed naming conventions and rigorous Soundminer-embedded metadata.

    Our source sound effects were recorded with professional high-end equipment, including Sound Devices 788 with ORTF setup of Sennheiser MKH 8040’s and MKH 8050, as well as Rode NTG8, LOM Elektrosluch, DPA 4060 and Sony PCM D100.

     

    Library Review:

    There is no doubting the quality on offer here; these samples would most certainly feel at home dropped into a high‑end blockbuster movie, action trailer, or AAA video game” … “RT Sonics’ Cinematic Bundle provides some epic ammunition for your sound effects arsenal.” –

    Sound On Sound

    This Cinematic Bundle features:

    Heavy Hits, Jump scares, Low Hits, Ominous Stingers, Pulses, Clock Loops, Dark Magic, Mech Suit Buildups and Weapons, Strings, Risers, Pings, Psychological Drones, Monster Roars, Bass Drops, Braams, Whooshes, Evil Vocal Growls, Whoosh Hits and much more.

  • Environments & Ambiences The Cave Play Track 204 sounds included, 343 mins total From: $99

    For its 1st release, Sound Tailor Effects Library is proud to bring you ‘The Cave’, a collection of surround sounds recorded in a truly amazing cave in France. Located in the depths of the Pyrenean Mountains, ‘La Grotte De La Verna’ is Europe’s largest cave. It consists of a 660m man-made tunnel, kilometers of underground rivers, and a waterfall flowing in a 3,6 million m3 hall.

    We recorded everything you would expect from such a place: extremely quiet room tones with various levels of rumble, water dripping sounds of many densities, at various distances, howling and whistling winds, all sorts of underground water streams, plus a terrific metal door, phantom-like distant voices, and a few rock falls.

    The Cave contains more than 43GB / 206 Files.


    WHAT’S INSIDE
    All files are 24Bit/192kHz WAV Surround / LCR / Mono files & 24Bit/96kHz Stereo Version files.
    All meticulously embedded with Soundminer & UCS Metadata.

    INCLUDED SOUNDS – KEYWORDS
    WATER, WATER DRIPPING, WATERFALL, WATER LAPPING, CASCADE, RIVER, UNDERGROUND AMBIANCES, CAVE, ROOM TONES, RUMBLE, WINDS, AIRFLOW, HOWLING, WHISTLING, METAL DOOR, ROCK FALLS

  • 3 LIBRARIES – 3.85 GB – 1,725 FILES


    Now you can own the Future Weapons trilogy in this massive new bundle collection. With over 60 different weapons and utilities, 1,725+ files you get alot of bang for your buck. Just click on any of the boxes below to hear previews or read more about each library. If you already own one of the Future Weapons libraries, you can upgrade to the bundle within your account. Just sign in and go to the ‘Upgrades’ tab where you will see a discounted price.

    Included libraries:

    + Future Weapons
    + Future Weapons 2
    + Future Weapons 3

  • Niger Sahara Desert, ambiences and sound effects library By Iben Haahr Andersen

    Back in 2004 Iben Haahr Andersen travelled to Niger on an amazing journey into the Sahara desert.

    Her job was to follow a large group of nomads, travelling on camels back for 10 days to the desert town of Agadez to purchase sweet dates, which they would later sell to make a living.

    Through 10 days of extreme heat and hard labour, Iben recorded everything from the most beautiful and quiet starry nights, to daily life and struggle of the nomad people, sandstorms and desert wind, an interior mountain well, and grunts and cries from nomads precious desert animals, the camels.

    Iben came back to Denmark with a huge amount of DAT tapes, which now have been mastered in Protools, spectral repaired in Izotope RX, and with great help from Tim Nielsen & Michal Fojcik made UCS-Compliant in Soundminer, for a very special set of audio recordings!

    117 stereo tracks recorded on to a portable DAT recorder @ 48khz 16 bit. Set is about 4gb big when unzipped.

    Mics used, Sennheiser Mkh416 with an ATE 208 Emesser on top.

    Sounds included are:

    • Agadez chaotic traffic scenes
    • Rain and distant thunder
    • Native nomad walla from children and adults
    • Nomads working and socialising
    • Close up and isolated prayers, talks and the cursing of a thief from a local priest
    • Quiet ambiences
    • Birds and a few bugs
    • Spitting, snorting and bleating goats
    • Donkey brays
    • Camel grunts, gurgles and cries
    • Sandstorms and wind through tent camp
    • Interior mountain well with the most beautiful reverberation
    • Footsteps of humans and camel caravan passing on sand
  • Australian Bush Soundscapes is a collection of rich natural ambiences recorded across Australia. It covers a vast array of landscapes, from the dry arid bushland of Northern Australia, to wet rainforests along the east coast, busy heathlands of Queensland and rich reverberant tall forests of Tasmania. Recorded with high quality microphones and recorders, Australian Bush Soundscapes offers a large collection of birdsong, insects, and amphibians ranging from dawn choruses to nighttime ambiences.

    -Ambience recordings from each state and territory of Australia except SA and ACT.

    -Universal Catagory System compliant.

    -Full Soundminer Metadata.

    -Over 7.5 hours of Australian ambiences.

    -24 bit, 48 and 96kHz.

  • Ultimate Car Bundle features 48 sound libraries (46 cars + two libraries with race track ambiences). It’s a complete package that covers a wide variety of cars. From small regular daily cars with petrol/diesel engine, through luxury cars, off-road vehicles, tough machinery like excavator and tractor, import tuned cars up to Japanese exotic legends.

    If you need more informations about specific libraries, just click on the link down below. As for the detailed informations about recordings inside each library, you can check the table with all informations. 46 cars / 2 race track ambience packs / 231 GB of audio / 4800+ files / 8700+ minutes – it’s a complete package that covers a wide variety of cars for both games and linear media!

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  • This in-depth and enormous library was originally created with video games in mind but became much more detailed over time. Most of the props were used on multiple surfaces, with multiple versions. This avoids sounding repetitious. Props range from Grabs, Drops, Rolls, Slides, Crinkles, Shakes, Handling, and much more.

    There are no footsteps in this compilation, however, there are over 3000 versatile sounds.
    This well recorded Foley library is very perfect for all media content.
    The total amount of files in Essential House Foley is over 3200, offering a large dynamic range in props used.

    Recorded in Burbank CA, we used state of the art equipment and computers. The sounds have all been captured and mastered in Pro Tools, and kept natural sounding, by edited and mixing with very light and natural sounding compression and limiting.

  • The PPSFX Complete Bundle contains 15 sound effects libraries that are currently available here at A Sound Effect. With this bundle you get them all at a nice discount.

    LIBRARIES INCLUDED IN THIS BUNDLE

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  • – Collection of over 1500 totally fresh, ready-to-use drum sounds!

    Are you bored with the same old rehashed drum sounds you can find in dozens of sample packs and libraries these days? If you’re still out there looking for something new and original, then you have to check this out!

  • – The best choice for designing top-quality, dancefloor-crushing kicks

    PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds. It comes with a vast, exquisite library of presets & sounds created by industry-standard sound designers Sounds of Revolution and CFA-Sound to get you started in no time.

  • – Redoptor is a high-quality Vintage Tube Distortion emulator

    The organic sound of a tube amplifier being pushed into breakup has been the gold standard for as long as musicians have been experimenting with overdriven and distorted tones.
    The gentle, natural compression and rich blend of even and odd harmonics produced by analog tube circuitry makes any signal feel more powerful, punchy, and alive. Unlike solid-state transistor and fuzz circuits which only produce odd harmonics and limit the incoming signal in a subjectively unnatural and unresponsive way, Redoptor smoothly responds to the dynamics of the source material, just like a real tube amp. This means that loud signals get saturated with more crunch and delicious harmonics, then return to their clean state gradually as their release tail decays. This enables dynamic, sonically pleasing distortions.

  • – Decimort recreates the colouration and adds the vintage sampler’s magic to any sound

    Electronic music (especially Hip-Hop) producers have long been aware that classic samplers (such as early Akai and E-MU units) had a character and sound all their own: they added a “grit” and “color” to the samples and loops they played back which made them sound “Fat” and sit well in a mix. This sound coloration was due to the encoding techniques, lower sample rate, and bit depth, and conversion circuits used by these early samplers. Decimort recreates this coloration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results.

  • – The sweet spot in distortion domain

    Devastor 2 is the second generation of D16’s first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!

    The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.

    Devastor’s filters are not simply the peaking EQ type that are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, bandpass and band-reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!

  • Drumazon synthesis emulates all the sounds of the original 909. All the modules are coded to match their analog counterparts, down to each nuanced detail. As a virtual bonus, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation! Listen to the audio demos or tweak it yourself with the demo version :)

  • – Have you ever wanted to replicate that unique, magical breeze floating through most of JMJ’s tunes?

    Fazortan 2 is the newest incarnation of our Controllable Space Phaser, part of the SilverLine Collection. Needless to say, we didn’t cut corners when striving for that robust, yearned-by-all analog feel. The Phase Shifter provides you with total control, allowing you to obtain highly precise sonic contours. If you’ve ever wondered what’s behind the swirling, ethereal synth vibes synonymous to Jean Michel Jarre’s vintage sound, it has surprisingly less to do with the synths he chooses but in matching it with the analog phaser for which Fazortan 2 is a fine equivalent.
    Thanks to our advanced analog modelling techniques based on Operational Transconductance Amplifiers, we implemented allpass filters comprising characteristics identical to its analog counterpart. In this update, we’re even closer to the original hardware unit.
    You can think of Fazortan 2 as an exact virtual replica of a ‘70s retro phaser, but whose identical sound and primary functions aren’t limited to the analog realm. Bearing in mind that the original had a single Rate knob and a Color switch on the front panel, Fazortan 2 stands alone as a completely new device – made obvious no less by its GUI – expanding on the features of its hardware counterpart.

  • – Incarnation of an iconic stomp box you will surely appreciate

    In bringing the classic stomp box back to life, we’ve created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, our newest effect in the SilverLine Collection!

  • – Don’t be deceived by the SilverLine format and affordability – big things sometimes come in small pa
    The most powerful modulation effect we’ve ever created, Godfazer is your new go-to plugin for chorus, phasing, filtering, rotary speaker emulation and much more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters.

  • – Powerful, yet Practical: an easy-to-tweak instrument that can get hit sounds in seconds, unleashing

    LUSH-101 isn’t based off of one machine. It’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: Though it may look benign at first, its modular, multilayer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable, yet devilishly versatile instruments in your arsenal.

    The multilayer architecture guarantees that both the sound design possibilities and the number of unique situations in which LUSH-101 can be used are virtually limitless. Multitimbral sounds can be quickly created by simply assigning any (or all) of the 8 layers to the same MIDI channel; this can result in anything from subtle chorusing to sonic anarchy! Assigning the layers to different keyboard zones allows you to create sophisticated splits, and an entire split-zone preset library exists to get you started. Of course, you can always assign various layers to different MIDI channels for 8-part multitimbral usage, and send out up to 11 Audio Outputs.

    With all of these splits, layers, multitimbral options and routing capabilities, there’s no end to what you can do with just a single instance of LUSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arp and a choice between 8 of the finest insert effects, LUSH-101 lets you reach “unheard of*” creativity.

    Want to get weird? In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator’s MIDI output can be used as a modulation source, allowing for complex sequences and refreshingly odd progressions.
    LUSH also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, Pan and superb send effects allow you to put the finishing touches on the final output.

    LUSH can sit in any seat at the genre table. The Gate can be used instead of the VCA for instant staccato sounds for energetic Funk and rhythmic pockets. For Ambient or Chillout, drag out the attack and release times along with our smooth, rich & spacious built-in reverb to satisfy even the most ardent purists. Is Dubstep or Drum & Bass more your speed? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead your creativity with the nastiest leads*, and base your sound in the most gnarly basses* – you and your sound system will be pleasantly confused as to what hit it, so watch out! No matter what (or how) you want to play it, LUSH will get the sound.

  • – Pound for pound, the classic 606 sound.

    Nithonat is a fully synthesized drum machine based on the classic 606. Its unique sound has snuck its way over the years into productions spanning Electro, Hip-Hop, R n’ B and Pop. Here at D16 we re-created a legend with virtual perfection, and then expanded on it with essential features, exclusive to Nithonat.

  • – A completely synthesized emulation of the famous 808 drum machine

    Nepheton contains 17 fully synthesized modules that work together to emulate the original 808 drum machine. All the sounds and detailed nuances of the original are captured perfectly. Nepheton’s modules are equipped with additional controls for deep tone and envelope tweakability. Listen to the audio examples or just download the demo and start to beat making today!

  • Get the last 303
    Emulation of the legendary 303 silver box has been taken to entirely new heights. Signal path was completely re-designed to achieve an unprecedented level of emulation accuracy, resulting in this new incarnation of the plug-in.

    Juice up the sound
    In the state-of-the-art FX chain, you can find a whole bunch of algorithms with acidic squeaks in mind.

    Create your riffs with ease
    New sequencer and arpeggiator makes the plug-in even more appealing. Edit patterns with ease and convenience, play them live in a loop and switch between them in whatever way you find most convenient – using a mouse, a MIDI controller or DAW MIDI notes to express your musical ideas.

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