Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
A must-have collection for winter sounds, this library consists of many years' recordings of snow and ice, skiing, textures, ambiences, foley and so on. It contains lots of skiing, jumping, rails, freezing cold winds, ski resort ambiences, lifts, walking in snow and on ice, texture details such as snow spray, tires driving, skidding and spinning on ice and snow, drilling in ice and much more.
A collection of extremely rare jet fighter recordings from a JAS 39 Gripen jet fighter, containing Auxiliary Power Unit (APU) startup and shutdown, take offs with and without afterburner, hood opening and closing, fly bys and cockpit during flight. Various microphones and positions.
An in-depth recording of a Dodge Challenger 426 Hemi from 1970. This engine is the all-time most-famous American V8.
It is a 426 cubic inch engine with hemispherical combustion chambers and it is rated 425 horsepower from the factory.
The recording consists of eight onboard channels, intake, two engine, three exhaust and interior, and eight exterior channels.
It contains startups, shutdowns, idle, driving at different speeds, accelerations and decelerations, kickdowns, burnouts, aways, approaches, stops, passbys, foley and much more. Total recording time is 25min 58s.
Authentic recordings of a Swedish tank, the Leopard 2 or Stridsvagn 122, fitted with a 1500 hp´s diesel V12 during a sharp shooting exercise. The recording is done in two takes. Take one (7 mins 37 s) consists of three channels, engine, exhaust and the aggregates with snow-feet. It covers several starts and stops, idle and lots of driving.
Take two (5 mins 45 s) consists of four channels, inside left and right, closeup on the machine gun muzzle and a distant microphone on the shootings. This take contains driving with lots of rumble and machine gun shooting. The recording length is 7 min 37 s.
Recording of an Iveco Daily van from 2012 with a 2.3 l diesel engine. The recording consists of eight onboard channels and 10 exterior channels covering startups, shutdowns, idle, blips, steady rpms in neutral, driving at steady rpms, accelerations and decelerations, ramps, pass-bys, approaches, aways and much more.
Recording of a .45cal M1928A1 Thompson submachine gun from World War II, consists of about 20 channels and distances from 0 to 300 meters. Firing includes single shots, double shots, bursts of various lengths and wild foley.
Recording of a 105mm Howitzer cannon from World War II firing blanks. The library consists of about 20 channels with distances and perspectives ranging from 0 to 150 meters, and a big variation of microphones and recorders used, such as Sound Devices and Zaxcom. It contains 5 shots and wild foley.
Get the sounds of a Sea Doo RXT 260 RS jet-ski with a four stroke four cylinder Rotax engine. It consists of six channels, two engine, one exhaust, one engine air-filter and left and right passenger back. It contains engine start ups and stops on land and in water, steady rpms, blips, slow and fast take offs, ramps and reckless driving. The recording length is 16 min 1 s.
Get the real Harley Davidson sound from two recording sessions of a Harley Davidson Fat Boy with a 1449 cc V2 engine. The first recording consists of five channels, two exhaust, one engine, one intake and one from a microphone in the sidepocket. It contains start, stop, idle, driving, accelerations, decelerations and more. A surround driveby is added in the end. The recording length is 19 min 23 s.
The second is the older of our two Fat Boy recordings. The classic Harley sound, delivered to you on three channels, two exhaust and one engine. The recording contains several starts, stops, revs, driving and horn. The recording length is 16 min 32 s.
Recordings of a heavily modded Nissan GT-R with a turbocharged 3.8 litres V6 and 500 hp. The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo.
It contains startup, idle, blips, revving at constant rpms without gear, engine stop, horn, door slams, accelerating and decelerating at different speeds, driving and a eight channel surround drive by. The recording length is 22 min.
A recording of a fantastic Koenigsegg Agera with a 4.7 litres twin supercharged V8 and about 900 hps. It consists of seven channels, exhaust left and right, three different engine channels and interior left and right. The recording contains start, stop, idle, blips, revving at constant rpms, door slam, accelerations, decelerations, driving and a surround drive by. The recording length is 32 min 33 s.
Get the authentic sound of a Mini Cooper S with a turbocharged 1.6 litres inline 4 engine.
The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo air intake channel.
It contains start, stop, idle, revving, constant rpms without gear, driving, horn and a full surround driveby. The recording length is 13 min 58 s.
Get the sounds of an Aston Martin DB9 with a 5.9 litres V12 engine and 456 hps. The recording consists of eight channels, interior left and right, exhausts left and right and four engine channels.
It contains start, stop, idle, blipping, revving on constant rpms without gear, accelerations, decelerations and driving. Full surround drive away and drive by added in the end. The recording length is 11 min 59 s.
Very in-depth recordings of this 4-wheel drive with an inline six cylinder engine.
The first part consists of eight onboard microphones, two interior, three engine and three on exhausts. The exhaust on this vehicle has been modified and has a really rich sound. The second part is 8 channels of external microphones in surround. The total recording time is about 48 minutes (internal 42 min, external 6min).
It consists of real traffic driving, startup, idle, blips, shutdown, steady rpm:s without gear, steady rpms driving with load, accel/deceleration ramps at different speeds and even horn, switches and doorslams recorded.
Pro Tools session and cue list included. The recording length is 47 min 54 s.
Get the sounds of a Yamaha 24MX 125 cc dirtbike – featuring onboard and exterior recordings.
The recording consists of 11 channels, two exhaust, driver back, chain, two engine, intake and 4 synced exterior channels, left, right, surround and following shotgun. It contains several start, stop, idle, blips, revving at constant rpms without gear, various accelerations and decelerations, driving while braking to get even rpms etc.
Driver back channel is missing for the first startup, and chain channel suffers from bad contact last startup, but we decided to keep those in since they still contain many useful parts. The recording length is 19 min 3 s.
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.
The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.
The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.
The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.
It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.
Get the authentic sound of a Skoda Octavia 2008 with a 1.6 liters 4 cylinder engine. The recording contains eight onboard channels, three engine, three exhaust and interior left and right, and ten exterior channels. It contains startup, shutdown, idle, revving, driving on constant rpms, accelerations and decelerations, ramps, passbys, aways and approaches.
Very in-depth recording of a Porsche 911 SC 1981 with the 3.0 liter engine. It is rated 204 horsepower at 5900rpm. The car has the 5-speed 915 gearbox. The recording includes all kinds of driving at different speeds, cruising, startups, shutdowns, reversing, driving at constant rpms, various accelerations and decelerations, ramps and even faked unsteady bad driving. Lots of foley is also included like doors, hoods, switches and knobs, horn, seatbelt, electric windows and more.
Approx 25 channels out of which 8 channels are inboards covering interior, engine and exhausts.
The exterior microphones are positioned at different spots around the recording location and covers approaches, aways, passbys and more at different speeds.
A fun trivia is that this library was used for the main character’s car in the Swedish version of the TV-series “The Bridge”. Total recording time is 75min 28s.
Get the movement noise and handling sounds of a wide range of dresses and clothes, bags, necklaces, hats and footwear. Most items include photos too, to make the items easier to identify.
Japanese clogs • training shoes • mens' and womens' sandals • leather and canvas • turkish slippers • riding boots • military boots • canvas sneakers
Bijou Wooden copper balls • wood cubes • bijou plastic pearl • classified links • metal death head • fiber micro pearl • big plastic pearl and more
Small women's handbag • Grandmother handbag • Mini handbag • Cane handbag • Cane shoulder bag • Braided handbag • Indian shoulder bag • Military canvas bag
Woolen hat • summer straw panama hat • basketball cap
Belts & more:
Canvas belt • plastic belt • leather belt • classic leather belt • ties • silk sheets • leather holster
Vehicles: Cars 1: Elements was designed as a tool kit to help you augment your own sound library with a broad mix of 500 automobile sound clips.
The collection features based on their type: luxury car, compact car, sedan, and so on. In particular, the collection features field recordings from:
Also included in the collection are over 100 tracks of various car recordings: peel outs on dirt and gravel, passes, and so on. There is also a mixed selection of car Foley: doors, glove box moves, horns, revs, idles, and more.
Please note: this collection is a “construction kit” of mixed sound fx from various cars. It is not intended to be an authoritative indexing of any one model in particular.
Get the true sounds of Italy in this authentic collection.
The Italian Ambiences sound effects library features recordings from places such as an Italian airport, bar, beach, city ambiences, crowd, countryside, market, pub, school, residential area, supermarket, train station, marina, museum, office, restaurant, tavern, village and many more.
Also includes a great collection of recordings from the historic city of Venice, Italy – excellent for old-city atmospheres. In total, more than 4.5 hours of atmospheric Italian recordings and ambiences are included.
“Sci-Fi Transitions” is a sound pack dedicated to the futuristic or unidentifiable transitions that are designed to sound great on their own or as a building material for other sound effects. The collection includes pass-bys, whooshes, and other actions in a varying degree of complexity – all ready for panning and Doppler effects.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.