AUDIO LAYERING WIZARD
SoundWeaver helps you design new sounds from existing audio material in less time.
• Produce more assets and increase productivity on tight schedules
• Set up your sound design session with ready-to-use sound combinations
• Generate variations with ease instead of manually tweaking everything
• Find new combinations, discover and create new flavors and variety within your library
• SoundWeaver automates and randomizes certain parts of your sound design workflow.
• SoundWeaver searches your sound library with the help of keywords or folder paths and picks matching sounds for your project.
• Sounds are automatically sorted, grouped, layered, aligned and split into regions (if files contain multiple variations).
• Now you can pitch, offset, gain, shuffle and randomize individual sounds, groups or the whole project. The possibilities are endless.
• Take snapshots of your favorite combinations and settings. Create as many variants as you like and return to them later in the process.
• Drag’n’drop the project into your DAW for further editing or export the final mix.
• SoundWeaver can generate countless variations from your project during export via pitch, offset and take randomization.
HOW SOUNDWEAVER HELPS YOUR WORKFLOW
MORE VARIETY ON TIGHT SCHEDULES
We all know the situation: A client has asked for 100 new sound assets, 10 variations each, delivered as soon as possible.
Creating variations in particular requires a lot of meticulous pitching, shifting and switching out elements within your original design.
With just a few commands, SoundWeaver will automate all of those time-consuming steps for you and generate as many suggestions as you like – so all that’s left for you to do is have a quick listen and keep the ones you like best.
Focus on your creative process while SoundWeaver takes care of the rest.
INSPIRATION THROUGH NEW COMBINATIONS
Speaking of creative process: Once your library has grown beyond a certain point, there is only so much experimenting you can do manually. SoundWeaver’s powerful Randomize feature often generates combinations we’d never think of trying in the first place.
This opens up a world of new possibilities and is a great way of starting a project.
Already have an idea? Tell SoundWeaver to build on it and create different flavors.
Starting empty-handed? Let SoundWeaver set up your session by putting all layers in place.
Done, but missing that special something? Try out more unlikely sounds with just a few clicks.
SOUNDWEAVER At A Glance
• SoundWeaver automatically picks, slices, aligns and layers sounds
• Search by keywords, folders or drag’n’drop
• Pitch, offset, gain, shuffle and switch out individual sounds, groups or the whole project
• Each of the previous parameters can be randomized.
• Export: Drag’n’drop the project into your DAW
• Export as: Individual layers, groups or mixdown
• Export features: Generate variations using pitch, offset or random takes
• Take snapshots and return to your favorite combinations, parameter settings and sounds at will
SoundWeaver is a standalone application and works without any host audio software.
Windows 7 (64-bit), 8 GB Ram, Intel® Core i5
Mac OS X 10.9, 8 GB Ram, Intel® Core i5
SoundWeaver requires a free iLok account
Available licensing options:
Machine License activation and USB Dongle (iLok 2 or higher)
Buenos Aires Ambiences features 71 beautifully and professionally recorded ambient sounds of downtown Buenos Aires, Argentina, with their rich and unique Spanish dialect, a variety of perspectives, locations, and times of day, everything is categorized with metadata input via Basehead Ultra, and mastered in Protools HD. We originally recorded over 80gb of data which translated to 42 hours and meticulously cut it down to 6.5gb/3 hours and 20 min of the best and most useful ambiences.
Included is: City airs, botanical gardens, parks, markets, cemetery, city plazas and squares, nature reserve, busy and quiet streets, traffic, crowds, early morning bird chorus, evening airs, construction, airport, department stores, cafes, restaurants, library, church and cathedral, train station, public transit, museum, roomtones, rain. And a variety of each, with different perspectives and amounts of walla and voices.
Thank you and we hope you enjoy our recordings
Buenos Aires Ambiences includes 3 hours of beautiful ambiences of downtown Buenos Aires, Argentina, with a massive variety of locations and times of day, this album will not dissapoint!
The Siemens Valero is a high-speed train that is an engineering marvel and a staple of modern high-grade national and transcontinental rail transport, with various versions zipping across the UK, the EU, Russia, and the far reaches of Asia including China. This is a train capable of 290 kilometres per hour (180 mph), it is the high-speed joiner of distant cities such as Moscow and Saint Petersburg. For our recording project, we captured it across a comprehensive range of its speeds. Sennheiser Ambeo microphones were used throughout.
Recordings were made inside carriages, inside a compartment, down gangways, across the ever-dramatic space connecting railcar vestibules, and also less glorified but vital locations, e.g., the loo. All relevant background sounds are there, including door movements, passenger chatter, objects in motion, and the sounds of the restaurant car. For the characteristic sounds of a great ‘iron horse’, inside and out, this is it. Flysound… Putting the ‘track’ into soundtrack!
Country, town and city ambiences from the beautiful Island of Mauritius, situated in the Indian Ocean to the east of Africa. The pack covers a range from town and city traffic and restaurant and market crowds to calm ocean waves and the native birds, insects and other wildlife that can be found on the island.
Please note: Some of the recordings were made at 44.1k and some at 96k. They have all been resampled to 48k for the download but the 96k recordings are also available as a separate download.
Several waterfalls and rivers recorded in the Vosges Mountains in France.
It tooks place in three different location: Cascade Charlemagne, Pont des Fées, Saut des Cuves.
For almost every place, several microphones placements were used at close, medium and far distance.
In addition to the 2 stereo microphone pairs, a hydrophone track is also available to allow you to modulate the low end and to add more movement.
Orbital Emitter is proud to present Command Center I – a comprehensive sci-fi sound-set providing a rich arsenal of futuristic sounds for you to quickly build believable sci-fi atmospheres for all of your sci-fi projects! Inside you will find nuanced environments, futuristic instrument displays, multiple alerts and imaginative lo-fi system sounds. And like the rest of our growing library, this environment sound-set can be customized to your liking allowing multiple possibilities -all from this one sound-set!
Our sound-sets are made up of two main folders labeled as Audio-Scenes and Audio-Stems. The Command Center I Audio-Scenes consist of five long playing scenes representing this star-cruiser command center in various modes of operation; -From busy to calm to high alert and more. Think of these audio-scenes like we dropped microphones into a futuristic space cruiser command center and have captured all of its sounds in real-time!
Our Audio-Stems folder contains the curated sound elements used in creating the audio-scenes. This is where you will find isolated sound elements like tactical scans, lost communications, sweeping sensors, enemy alerts, interface sounds, probe telemetries, stellar mapping, systems under incredible stress and interface sounds and much much more!
Also included with our audio-stems are less glamorous necessities like room tones and back-wall system sounds to give your futuristic environments the nuance they deserve. This sound-set is delivered industry ready at 24 bit/48kHz WAV and each sound file contains simple meta-data to make our sound files easy to organize & find. All of our sounds are 100% original, created in our sound-labs and designed to boldly explore the universe of sci-fi sound!
Thank you for reading! Watch for more from Orbital Emitter coming soon!
Say Hello to Particles the new sonic weapon for creative sound designers, video makers, filmmakers and motion designers.
A must-have sound effect library to give a sense of organic and hyper-realistic to your projects in a fast and creative way.
Hyper- Realistic Textures (104 sounds)
These are hyper close-up recordings of various kinds of props (food, fabrics, materials).
Since they are really rough, they’ll inspire you to create something cool using them as sound sources.
Their proximity allows you to use them for macro-shots, CGI and motion pieces, hyper-detailed images.
Granular Whooshes (76 sounds)
From sci-fi granular to totally organic, a large number of whooshes, passbys, dopplers to give a natural sense of motion to your project.
Minimal One Shots (62 sounds)
This is the category of short and tiny sounds: small collapsing, fractures, all with a premium high-end sonic detail.
You can make your organic foley drumkit using them as a sample into your electronic music project.
Organic Impacts (17 sounds)
Powerful, organic, natural-sounding with a big low end, these impacts are ready for your earth’s destruction shots.
Granular Atmospheres (16 sounds)
Abstract but generated from organic recordings, these atmospheres will help you to get the right “other world” dimension to your project
Low End Rumbles (12 sounds)
Last but not least, do you need more power in the low end? You can layer these sounds to enforce subsonic frequencies giving a new taste to other existing sounds.
Obscure cinematic ping elements perfect to add as top layers while crafting memorable hit sounds and hybrid trailer impacts with mystical undertones and terrifying stingers.
This file is from the personal library of trailer music composer Federico Soler Fernandez (“Valerian and the City of a Thousand Planets” – “The Food That Built America (History Channel)” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)
The Creepy Contrabass SFXs Instrument: A Big collection of Creepy SFXs live Contrabass, recorded from 3 mic positions with a Neumann U87. This is the best Contrabass collection for your horror trailer tracks, recorded by Vesislava Todorova.
Features 427MB uncompressed content, 180 sounds in 24 bit / 96 kHz. Includes 2 instruments for the FULL Kontakt version 5.8.1 and the AIFF Version.
Vesislava Todorova is a performing and recording artist from Bulgaria, with more than 10 Years of experience playing cello for various projects such as movies, video games, commercials and now the brand new Creepy Contrabass SFX Library from TH Studio Production.
Along with her live performances, she also has a strong online presence with over 7 million views her covers and original music.
2 Instruments for FULL KONTAKT 5.8.1
The Creepy Violin SFXs Instrument: A Big collection of Creepy SFXs live Violin, recorded from 3 mic positions with a Neumann U87. This is the best Violin collection for your horror trailer tracks, recorded by Vesislava Todorova.
Features 681 MB uncompressed content, 306 sounds in 24 bit / 96 Khz. Includes 3 instruments for the FULL Kontakt version 5.8.1 and the AIFF Version.
Vesislava Todorova is a performing and recording artist from Bulgaria, with more than 10 Years of experience playing cello for various projects such as movies, video games, commercials and now the brand new Creepy Violin SFX Library from TH Studio Production.
• 3 Instrument for FULL Kontakt 5.8.1
• 681 MB uncompressed
• 24 Bit / 96 kHz
Recording of a United Kingdom Leyland Motors FV4201 Chieftain battle tank from the late 1960s with a supercharged Leyland L60 multifuel 6 cylinder, 2-stroke opposed-piston compression-ignition engine.
The United Kingdom Leyland Motors FV4201 Chieftain battle tank sound library includes 150 clips in 17.05 gigabytes. It features the sound of a late 1960s version of the tank and its supercharged Leyland L60 multifuel 6 cylinder, 2-stroke opposed-piston compression-ignition engine.
A total of 22 channels present the tank in 10 synchronized takes. The onboard microphones (9 perspectives) were mounted at the tracks, engine, exhaust, and in the interior. Exterior microphones (6 perspectives) recorded departures, passes, and arrivals driving at slow, medium, and fast speeds from multiple locations using stereo, mono, and surround microphones.
Also bundled with the package are stereo mixes of the onboard channels, performed effects of hatches and the turret, Pro Tools and Reaper mixing sessions, and complete professional metadata embedded in every clip.
Urban Air is a collection of long duration / ready to use / surround urban backgrounds.
This is aXLsound’s first surround ambience library, it has been recorded across different cities with various microphones setup ( LCR ORTF / QUAD / 5.0 ) and then carefully collected and edited into 5.0 surround tracks.
You’ll find various moods and sonic characteristics including: downtown, suburban, industrial, small towns, quiet, loud and annoying traffic beds, wet city, side streets, parks, wide city squares, diffuse and distant urban elements, clean air tones or dirty gritty city noise …
The duration of the tracks varies between 02m 30s for the shortest and more than 08 minutes with the vast majority lasting around 04-05 minutes, so long scenes shouldn’t be a problem. Also, some sounds include markers highlighting (un)interesting sounds and events.
For more convenience, 2 versions are available for this library :
– C / LR / LsRs : the 5.0 sounds are delivered “splitted” in three separate files : ( 1 mono + 2 stereo files ) , this way you can easily use the stereo files if you don’t need surround.
– .C / .L / .R / Ls / .Rs : multiple mono files
This ambience pack contains 33 sounds / 99 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).
Recording of the Russian 1944 IMZ-Ural Dnepr M-72 motorcycle with a 2 cylinder boxer 750cm3 engine with a 3 gear transmission.
The IMZ-Ural Dnepr M-72 motorcycle sound fx library features 377 clips in 15.35 gigabytes of audio. Also related to the BMW R-71 and Chinese CJ750 Chang Jiang, it features a 1944 version of the World War 2 Red Army bike with a 2 cylinder boxer 750cm3 engine with a 3 gear transmission.
A total of 20 synchronized takes share onboard, exterior, and performed Foley effects. The 9 onboard perspectives place microphones on the headlight, seat, exhaust, engine, and in the sidecar to record driving with steady RPMs, ramps, and gearshifts. Three pre-rendered mixes of the engine, exhaust, and onboard microphones are also available. A total of 10 exterior perspectives share idling, starting, stopping, departures, passes by, and arrivals at slow to fast speeds.
The package also offers Pro Tools and Reaper mixing sessions with professional metadata embedded in every clip.
Recording of a Ferrari 488 from 2016 with a 3.9-litre twin-turbocharged V8 661 horsepower engine.
The Ferrari 488 exotic car sound collection features 302 clips in 19.39 gigabytes of audio. It features the sound of the 2016 Italian sports car’s 3.9-litre twin-turbocharged V8 661 horsepower engine performing in 17 takes.
The sound bundle includes 9 onboard and 10 exterior perspectives. The 21 exterior channels capture the car travelling at fast, slow, and medium speeds on straightaways and around corners at close and distant perspectives. The 10 onboard channels recorded engine, exhaust, and interior driving at steady RPMs, with gearshifts, and with ramps. Also included are starting, stopping, passing, and other exterior maneuvers.
Every sound effect is embedded with over 18 fields of Soundminer, BWAV, and MacOS Finder metadata. In addition, every take is provided aligned and ready for tandem-track mixing and editing in Reaper and Pro Tools session.
Recording of a McLaren 570S from 2016 with a V8 biturbo rear mid-engine with rear wheel drive and a 7-speed clutch.
The McLaren 570S sound effects collection gathers 235 clips in 19.73 gigabytes of audio. It features the sound of the 2016 model of the British sports car and its 8-cylinder biturbo and rear mid-engine with rear wheel drive and a 7-speed clutch.
A total of 12 synchronized takes showcase 11 onboard and 8 exterior perspectives. The exterior microphones capture driving at slow, medium, and fast speeds while the car departs, arrives, passes, as well as idles and starts and stops. The onboard microphones present driving at steady RPMs, with gearshifts, and with ramps from the interior, engine, and exhaust, with ready-to-use mixes of each perspective.
The collection includes Reaper and Pro Tools mixing sessions, full professional metadata embedded in every clip, and metadata import files for 7 languages.
Car Foley 2 sound effects library features foley recordings of different actions performed inside 10 different cars. It’s 130 files with a total length of 30 minutes covering actions like closing and opening regular doors, slide doors, hoods, trunks, interior buttons and switches, windows, seatbelts, brakes, gear levers, handbrakes and more.
Inside you’ll find foley recorded in cars like:
There’s nothing better than a nice long soak in a Jacuzzi hot tub… This library will instantly place you right in the middle of a beautiful oasis of warm bubbling water and massaging bubble jets. All sounds are cut into perfectly seamless loops and provided in both .wav and .mp3 to make your use of this library as easy as a trip to the spa!
These loops make it easy to drop the files into any game development software or to easily support props in a film/tv project.
Music is only heard in the demo, not in the actual footage.
Other libraries that pair well:
1000 Winds Project (Farts.) [The Original]
Everyone farts… and some people do it in the hot tub! CAUTION: This library contains the HIGHEST resolution fart winds that exist on this side of the internet… Well, let’s be real, all sides of the internet!
Chicago – Environmental & Transportation Ambiences
Depending on the needs of your project, you might just find that you need additional environmental ambiences, which are covered in this library! Recorded in high resolution, this library will put you right in the virtual seat of the city of neighborhoods!
PWC – Jet Ski – Sea Doo | Volume 1 & 2
More sounds in the world of water! Ultra-high resolution Sea Doo recordings utilizing on-board microphone techniques, from multiple perspectives (driver perspective (mid-side, exhaust perspective & engine perspective).
This is a small collection of 180 easy-to-use futuristic interface sound effects.
All sounds categorized by the most popular cases in production, such as Alarm, Beep, Button, Confirm, Deny, Telemetry, Text, Noise, and others.
Also, it contains two main sub category: Simple (could be used as a layer in complex sound design) and Complex (which already consists of several layers).
This library is a fast, easy, effective and extremely affordable way to complete your production tasks.
• 180 ready-to-use sound effects with alterations
• Futuristic computer interface sounds
• Categorized as Simple and Complex
• Most popular types of effects: Alarm, Beep, Button, Confirm, Deny and others
• Contains metadata for search engines
Recording of a super rare Ferrari F40 LM (Le Mans) from 1991 with a V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
The Ferrari F40 LM (Le Mans) sound effects collection features 335 clips in 21.65 gigabytes of audio. The sound library showcases the sound of a 1991 version of the Italian luxury sports car’s V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
A total of 20 synchronized takes depict both onboard and exterior perspectives. The 9 exterior perspectives arrange microphones at multiple locations and distances to record departing, arriving, passing at slow to fast speeds, as well as starting and stopping, and backfire. The 12 interior perspectives arrange microphones at the exhaust, engine, and in the interior to share recordings of driving at steady RPMs, with gearshifts, and ramps. Three mixes of the interior perspectives are also available.
The package includes Soundminer, BWAV, and MacOS Finder metadata in every clip, as well as Reaper and Pro Tools mixing sessions.
Recording of a German Panzer III Ausf. M medium tank from World War II with a 12-cylinder Maybach HL 120 TRM engine with 296 hp.
The Panzer III Ausf. M medium tank sound library includes 283 clips in 11.9 gigabytes. The German World War II tank showcases field recordings from its 12-cylinder Maybach HL 120 TRM engine with 300 PS (296 hp, 220 kW).
The bundle gathers synchronized onboard and exterior recordings. The 10 onboard perspectives feature recordings from microphones placed in the interior, onboard, at the tracks, and around the engine and exhaust. The exterior recordings share departures, arrivals, passes, starting, and stopping from three locations and 5 perspectives, including a Holophone.
The package includes Pro Tools and Reaper sessions and full Soundminer, BWAV, and MacOS Finder metadata.
Recording of an American Jeep SRT8 sports utility vehicle from 2014 with a 6.4 litre SRT V8 Hemi engine.
The Jeep SRT8 sound clip collection features 328 sound files in 18.67 gigabytes. The bundle gathers 19 synchronized field recordings of a 2014 American sports utility vehicle and its 6.4 litre SRT Hemi engine.
The SUV package includes both onboard and exterior field recordings in a total of 35 channels of audio. 11 onboard perspectives capture takes from the exhaust, engine, and interior (including and Ambisonic perspective) while the jeep drives with steady RPMs, gearshifts, and ramps. 9 exterior perspectives depict departures, arrivals, starting, stopping, and passing by at slow, medium, and fast speeds.
The collection comes with 3 ready-to-use designed stereo mixes of the interior, exhaust, and engine microphones, Pro Tools and Reaper mixing sessions, and 18+ fields of Soundminer, BWAV, and MacOS Finder comments.
Recording of an Italian Lamborghini Huracan LP610-4 with a 610 horsepower 5.2 L V10 engine.
The Lamborghini Huracan LP610-4 sound library includes 17 takes from an exotic Italian sports car. The collection gathers the sound of its 610 horsepower 5.2 L V10 engine with 7-speed dual-clutch transmission with 340 sound fx in 21.98 gigabytes.
The bundle includes a total of 32 channels of synchronized audio. The 12 onboard perspectives (13 channels) feature microphones mounted at the exhaust, in the interior, and in the engine. They capture driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives (19 channels) showcase departures, approaches, passing by, starting, and turning off while driving on straightaways and around corners.
Also included is an Altiverb impulse response, embedded metadata in every clip, custom stereo mixes of the onboard perspectives, and Reaper and Pro Tools sessions with each take aligned for easy mixing and editing.
The Volvo 142 drag car recording showcases the sound of a 1971 version of the Swedish car and its custom Chevrolet 427 small block V8 with a Vortech supercharger.
The Volvo 142 drag car sound library bundles 129 clips from 6 tandem takes totalling 11.15 gigabytes of field recordings. The collection showcases the sound of a 1971 version of the Swedish car and its custom Chevrolet 427 small block V8 with a Vortech supercharger.
A total of 33 channels of audio detail the sound of this custom car from both onboard and exterior perspectives. Interior (including an Ambisonic microphone), exhaust, and engine perspectives – in addition to three custom mixes – detail onboard driving at medium and fast speeds from 11 perspectives. Exterior takes on straightaways and turns share departures, passes, and arrives across 8 perspectives.
The package also provides are Reaper and Pro Tools mixing sessions as well as full professional metadata in every clip.
Medieval Battle contains a wide variety of sounds taken straight from the battlefield. Unleash the full force of your army with effects from a diverse range of medieval weaponry, crowds, horses and battle charges. There are also battle cries, screams and shouts to make the audience feel like they are right there on the frontlines. To bring you the most organic and natural battle sounds, we recorded actors performing in a quiet exterior location. All sounds were recorded in 24Bit 96kHz, allowing for further sonic manipulation.
If you think your sound collection is in need of some reinforcements then this is the library for you! Medieval Battle is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.
Here are the included folders:
Crowds: Crowd rushes and static battle cries in a natural exterior location make these effects perfect for building the bed of a huge Medieval warzone.
Female Voices: 4 individual female actors perform multiple vocalisations including screams, grunts and efforts.
Sword & Shield Hits: A variety of sword and shield hits performed by weapons and combat experts.
Male Voices: 4 individual male actors perform multiple vocalisations including screams, grunts and efforts.
These group of sounds will help you colour your footage with sounds from the city and the countryside. Packed with 40 sounds to enhance your design
This is a library containing what you need to create a home experience, whether is cleaning, dining or relaxing, we have you cover with this amazing pack of 392 sounds you experience at home.
Recording of a Polish/Russian 1964 BRDM-2 armoured personnel carrier from the Cold War-era with a 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.
The 1964 BRDM-2 armoured personnel carrier sound library features 355 clips in 27.49 gigabytes of audio. It showcases the sound of a Cold War-era APC and its 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.
The 14 onboard perspectives include microphones placed inside (including an Ambisonic track), on the engine, and at the exhaust to capture driving at steady RPMs, with gearshifts, and ramps. 12 exterior perspectives arrange multiple microphones to record departing, arriving, and passing by at slow, medium, and fast speeds. Also included are performed effects of levers, switches, the turret, and more, as well as 3 stereo mixes of the interior perspectives.
The sound library is packaged with Pro Tools and Reaper mixing sessions, Waves, Altiverb, and starter pistol impulse responses of the interior, and full professional metadata in every clip.
Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
From left, from right, from both sides, single vehicle or several at the same time.
Recorded simultaneously with an ORTF and a AB microphone stereo pairs.
Crisp, clean, crunchy and closely mic’d impacts with various types of pebble and dust debris.
I recorded all these sounds with my brothers during a trip home to Ireland.
Close to our home (out in the middle of nowhere), there is a little quarry with a lot of sand, dust, stones, rocks and some grass. There was also a broken plough there that gave some nice stone on metal impact sounds.
2 Line Audio OM1s
2 Line Audio CM3s
Recording of a BSA M20 WW2 motorcycle with a 1 cylinder 500cm3 engine with 4 gears.
The BSA M20 WW2 motorcycle sound collection features 322 sounds in 12.02 gigabytes of audio. It showcases a British 1940 Birmingham Small Arms Company military bike and the sound of its 1 cylinder 500cm3 engine with 4 gears.
The sound bundle offers 20 synchronized recordings of onboard, exterior, and performed sound fx. The 7 onboard perspectives record sounds from the engine, exhaust, and onboard locations such as the seat and frame, all of which are also mixed into three pre-rendered tracks with driving at steady RPM, ramps, and gearshifts. The 9 exterior perspectives include turning on and off, departing, arriving, and passing from multiple perspectives and distances from slow to fast speeds. These are paired with performed Foley of handlebar clutch and brake, kickstarting, and more.
The package includes Pro Tools and Reaper mixing sessions, as well as full metadata embedded in every clip.
Sci-fi Guns Sounds
146 modern guns sound effects divided into more than 15 different types of guns:
– Electric Revolver
– Cannon Gun
– Blaster Rifle
– Low Gun
– Alien Guns
– Automatic Gun
– Old Shotgun and Old Cannon Shots
– Explosive Gun
– Compressed Air Gun
– And many more… Check the Tracklist PDF to see the full list of sounds included in the pack
More about the pack:
– Apart from shot sounds, there are reloading & handling sounds
– There’s also the ”Stab” sound and the ”Hit Marker” sound.
– There are single-shot sounds but also loops (Rotary cannon)
– These SFX are suitable for Sci-Fi games but also for warfare, modern warfare ones.
– Intuitive file naming
– All you’ll ever need regarding Sci-Fi Gun Sounds
All files are in:
WAV – Stereo 44.1 Khz, 16bit
OGG – Stereo 44.1 Khz, 16bit
[Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
[Professional audio services]
For custom music, sound design, sound engineering or any other game audio services, please send a mail to: email@example.com
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The 2017 Toyota C-HR Turbo SUV sound fx collection features 414 sound clips in 32.15 gigabytes of audio. The sound bundle shares the sound of a Japanese 1.2 litre turbo petrol engine with 4 cylinders and a 6 speed automatic transmission.
A total of 19 synchronized field recordings showcase 34 channels of audio. 8 exterior perspectives depict the sports utility vehicle departing, passing by, and arriving and more at slow to fast speeds from 4 locations and two distances. The 12 onboard perspectives provide recordings of the engine, interior (including an Ambisonic perspective), and exhaust while the car drives at steady RPMs, with gearshifts, and ramps. Also included are mixes of the interior, engine, and exhaust, as well as performed fx of doors, windows, dashboard buttons, and more.
The package is bundled with Reaper and Pro Tools mixing sessions and Altiverb and Waves impulse responses. Each clip is embedded with 18+ fields of professional metadata.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.