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Home Sound Effects

Sound Effects

  • City Life Wind Textures II Play Track 60 sounds included, 300 mins total $60 $45

    Wind Textures II continues with the series started on Wind Textures. New textures and locations have been included in this collection in order to make it as diverse as possible.

    • Urban areas: empty streets howling and whistling, trees rustling, plastic and cloth materials flapping.
    • Rural areas: several meadows and open areas have been covered, with and without flora.
    • Indoor perspectives with wind howling and whistling through windows at different speeds. Other interior locations included are two shelters and an old attic, where wood was resonating all over.
    • Wind through vegetation: bushes, trees, palm leaves, lanceolate leaves.
    • LOM Geofon was used both in stereo and mono configurations. Attached to several materials (chimneys, ACs, bottles, chains) blasted by wind. Depending on the homogeneity of the sounds, these files have been delivered either in mono as two different channels or in stereo. You can always split them up.
    • Intensity varies from calm breezes to gusts of up to 80 km/h.
    • Recorded around Southern England.
    • Gear used: Sound Devices MixPre 6-II, Zoom F8, Sennheiser 8040 in ORTF, Sennheiser 8050 or 8040 with MKH 30 in M/S, Sony D100, LOM Mikro Usis, Clippy Primo EM172, LOM Geofon.
    • UCS Compatible Metadata embedded. Fields included CatID, Category, Subcategory, FX Name, Filename, Description, BWDescription, Library, RecType, RecMedium, Microphone, Designer, Manufacturer, Keywords, VendorCategory.
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  • Cars Police Play Track 60 sounds included $50 $25

    The Audio Hero Police collection features 60 professionally recorded sound effects, ready for use in your productions. Included in this library are police cars, sirens, handcuffs, batons, whistles, helicopters and much more! These sounds are all hand-picked from the Sound Ideas General HD, Emergency, Classic TV and Digiffects libraries.

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  • Add depth and ferocity to your scenes and creature designs with the untamed energy of Wildlife Collection: Bengal Tiger. With 150 vivid tiger sound effects and vocalizations, this pristinely captured specialty library delivers a wide variety of tiger recordings that are ready for naturalistic use or manipulation for sound design applications.

    Featuring the expressive sounds of a middle aged female Bengal tiger, recordist and sound effects editor Chris Diebold (Spider-Man: Homecoming, Transformers: The Last Knight) captured this collection at 24-bit/192kHz using multiple microphones, including the Sanken CO-100K, which has a frequency response of 20Hz – 100kHz. This makes the natural and characteristic sounds of the tiger ripe for pitch processing and control over your sound design. Use the high-quality recordings of deep growls, gnarly crunches, and heavy chuffs to design your beasts, creatures, monsters and more.

    In addition to the raw recordings, this collection also contains designed and “hyped” sounds, ready to drag-and-drop directly into your monstrous designs and animalistic scenes. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.

    Key Features:

    • 150 sound effects (3GB)
    • Includes 104 multi-microphone recordings
      • Sanken CO-100K, Sanken CS-1e, Neumann RSM-191
    • 24-bit/192kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
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  • Recorded in the woods, two pit bull families. These guys are all playing, but they sound totally fierce. Compress a little, pitch down a little, all fun.

    These are wonderful recordings of dogs. Very scary very vocal very violent. Really good deep growling with lots of character. Just a joy to design with.

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  • Nuts and Bolts contains a huge array of DIY and construction themed sound effects featuring tools that are used by tradesmen such as hammers, saws, chisels and spanners, as well as several other miscellaneous tools such as brushes, tape, filler guns and of course, nuts, bolts and screws.

    As well as hand-operated tools, Nuts and Bolts gives you several power tool sound effects being operated at different intensity levels. All of the sounds in this library have been recorded in context, meaning that they reflect how you would actually use the tools, not just how they sound in a controlled studio environment. We recorded close, distant and far recordings to capture natural reverb, giving you the maximum flexibility when searching for the right sound for your projects. We also recorded dropping effects for most of the tools.

    Nuts and Bolts contains a total of 145 files (with lots of variations per file) including a designed folder of 10 sounds. This library gives you everything you need to create compelling DIY and construction soundscapes, ideal for use in a range of sound design applications including building sites, mechanics garages, joinery, metalwork workshops, painting, decorating, and demolition based scenes. All sounds have been recorded in 24bit 96khz, and have been carefully edited so that you can easily drop them into your project timeline and get working right away.

    Here are the included folders:

    Power Tools: Lovely and disturbing drills, saws and electric sanders, perfect for becoming a noisy neighbor.

    Hammers and Mallets: Hitting and dropping things as hard as possible makes a lovely sound, great for building trailer impacts.

    Toolboxes: Heavy and metallic rummaging through a large toolbox.

    Spanners: Turning bolts and spinning ratchets.

    Saws: The seminal DIY sound effects of sawing wood.

    Pliers, Grips and Screws: Micro details like these can make or break your construction scenes.

    Chisels: Hitting chisels, planing wood, and scraping.

    Pencils, Brushes and Tape: Drawing, brushing, measuring.

    Misc Tools: Vacuuming, cutting, sanding, moving ladders and many more!

    Designed Effects: A suite of heavily designed sounds which demonstrate the flexibility of the library when used for sound design.

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  • Bring your animations to life with this collection of HORNS, WHOOSHES, WOBBLES, BOINGS, and MORE! Not only are these silly sounds great for cartoons, but they also include many must-have FX for podcasts, videos, on-line teachers, and anyone else who wants to bring some slapstick to their information broadcast.

    This library was developed in cooperation with our partner VAMIFY.

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  • One of the best recordings I have ever done. These are 15 or so 500 – 600 Lb Pigs getting angry at me for recording them. For me, these are beautiful and for sound design, they are the best.

    What else can I add to this? It’s literally WONDERFUL.

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  • From 24/96 Sound Effects. Immersive Cites In Motion features 29 HD 24bit/96khz Surround Sound Effects with a large selection of city center traffic ambience. Recorded with a Voyage Audio 2nd Order Spatial Microphone.

    Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Immersive Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R) Most tracks are 2-3 Minutes in length with embedded metadata. All new, original recordings.

    Want a taste of what’s included?
    Download the O2A Ambisonic and 7.1.2 Immersive Surround Demo files here and try it out on your own system!

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  • City Life Urban Europe – 3DS Surround Play Track 130 sounds included, 637 mins total From: $109

    European City & Town Ambiences in Immersive 3D


    Strengthen your productions with characteristic, intimate and authentic European city ambiences including:

    Daytimes & Seasons • Historical Places • Cultural Sites • Transportation & Traffic • People • Industrial • Abstract • Commercial • Natural Environments • Location Perspectives


    URBAN EUROPE – 3D SURROUND AMBIENCES

    We recorded cities and towns in over 10 European countries to capture their unique character.
    This collection is an essential addition to our URBAN USA 3D Surround library.

    Enjoy Europe with its rich variety of sound palettes throughout all different countries from city to city.

    The sounds come without much action in the foreground to provide a very clear and detailed acoustic image of each environment, giving you the perfect background noise layer to break the silence in your post production project.

    The recorded locations vary from streets and restaurants over squares, harbors, markets, commercial areas, parks, and busy shopping areas to industrial zones and construction sites. This library can easily be used in stereo productions as well. Either choose the listening angle yourself or use the stereo version (included in 3D SURROUND).

    What’s inside

    Included sounds – keywords:


    Activity, Airplane, Bell, Birds, Bridge, Busy, Calm, Car Park, Cars, Close, Commercial, Corner, Day, Distant, District, Downtown, Entrance, Fountain, Freeway, Hall, Horses, Hospital, Hum, Industrial, Large, Market, Moderate, Morning, Night, Park, Pedestrians, People, Residential, Restaurant, Siren, Small, Square, Street, Suburban, Traffic, Train, Tunnel, Ventilation, Voices
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  • Our Neumann KMs, DPAs, Rode and LOM microphones, Sound Devices MixPre and Tascam DR680 have delivered 303 (96kHz/24bit synced, multi-channel) recordings of the Alfa Romeo 75V6!

    This library is separated in 3 folders/categories : Driving on board, foley/mechanism and passby.

    Key Features:
    • Library ships in 96kHz, 24bit
    • Universal Category System (UCS) compliant
    • 303 files
    • Effective workflow: well-grounded Soundminer Metadata

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  • Ambisonics Ambisonics – Village Play Track 69 sounds included, 249 mins total $70 $40

    Compiling over 4 hours of ambisonic recordings, Village is focused on providing plenty of options for sound designers and editors alike on building rich, neutral soundscapes for quiet urban environments, where long takes allow you to loop said sounds wherever you please, build a scene in VR or other multimedia projects with leeway and versatility.

    Inside this library you’ll find quiet streets, moderate traffic recorded in multiple locations, uncrowded beach soundscapes, natural parks and fountains; alongside typical vehicle transportation from Sintra’s village, like 40mins of tram interiors, a 25min tuktuk ride and regular trains recorded from several positions.

    All sounds were recorded with RØDE’s NT-SF1 ambisonic microphone and given the nature of this particular format, you can easily convert these B Format audio files onto any desired format (like regular stereo, 5.1 or 7.1 surround) with the correct plug-in, like RØDE’s own SoundField, which happens to be free to download. These are raw recordings where little to no hum or hiss removal techniques were applied.

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  • Featuring 38 pristine nature recordings from remote locations across the U.S., Biophony delivers a diverse collection of ambient environmental sounds. Delivered in 24-bit/96kHz FuMa Ambisonics format as well as stereo, this library contains amphibians, sea animals, insects and other wildlife interacting within distinct biomes. Use these sounds to enliven your nature scenes with a rich, authentic ecological backdrop.

    To capture these sounds, recordist Jason Strawley and videographer Andrew Garraway traveled to four states from Florida to California with the goal of capturing a variety of ecosystems including swamps, ponds, and forests. The result is a dense collection of vibrant wildlife recordings brimming with life. According to Strawley, one of the most difficult aspects of the process was finding locations unaffected by human intervention, be it noise pollution or the overarching effects of climate change. In his own words:

    “Human-made noise pollution foiled many a recording, forcing us to travel to more and more remote locations. We should all be advocating to preserve more wild lands, but it’s not just about the land – we need to preserve the soundscape and darkscape as well. Some national parks are doing a great job with this and I hope we can contribute to awareness in some tiny way.”

    Each sound file is embedded with rich, descriptive metadata to help you find the exact ecosystem and animal recording you need.

    Key Features:

    • 38 sound effects (14.5GB)
      • Delivered in both FuMa Ambisonics and Stereo
    • 24-bit/96kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    • Blackguard Stock Media Group
    • Jason Strawley – Recordist / Editor / Producer
    • Andrew Garraway – Producer / Photographer / Videographer
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  • Human Bravo! Dramatic Audiences Play Track 303 sounds included, 85 mins total $125 $80

    Ladies and gentleman, please put your hands together for the most dramatic crowd library you’ve ever heard!
    Bravo! Dramatic Audiences places you front and center with laughs, reactions, quietudes, cheers, and applause that will bring your project to life. A wide range of crowds were captured for this library, including those attending live theater, stand-up comedy, music concerts, and more. Venue sizes vary from small to large, interior and exterior, offering great flexibility while matching to picture. The size of the crowds range from as few as 30 people, all the way up to 200, allowing you to mix and match sounds for easy scalability depending on the project at hand.

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  • CCSS focuses on outer space threats, dangerous expeditions to discover and explore other planets, and life within majestic spaceships. Perfect for futuristic shows, suspenseful slow-burns, alien contact narratives, and surreal scenarios.

    All sample packs within the Complex Cinematic Series contain:

    • SCENES: Samples labeled “Full Mix”
    • ALT SCENES: Samples labeled “ALT”
    • STEMS: Samples labeled “STEM”

    FULL SCENES: The result of combining all included STEMs into one fully finished piece ready to be imported into your project.

    ALT SCENES: Stripped down versions of the main scene showcasing different ways of combining the included stems for a less complex result.

    STEMS: Each of the individual samples used in the creation of Full and ALT scenes with simple yet effective labeling for identification purposes.

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  • Coins & Chest Sounds

    112 High-Quality Coins and Chest SFX divided in:

    – Magic Chests

    – Normal Chests

    – Buy Buttons

    – Coins Loops

    – Musical Notifications for Coins

    – Coins sounds (foley)

    – Musical Coins

    – Coins Scales

    – Coins Spinning

    Can be complemented with:

    Inventory Sounds

    More about the pack:

    – Intuitive file naming

    – The sounds are for any kind of game (there are realistic ones but also casual/cartoon ones)

    – Put more life to your game with this pack

    – All you will ever need regarding coins and chest sounds

    [Format]
    All files are in:

    WAV – Stereo  44.1 Khz, 16bit

    OGG – Stereo  44.1 Khz, 16bit

    [Use them again & again]

    Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.

    [Authors]

    – Alexander Falinski (alexander.falinski@gmail.com)

    – Audio Alchemist

    [Professional audio services]

    For custom music, sound design, sound engineering or any other game audio services, please send a mail to: audioalchemiststore@gmail.com

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  • Build the world of your story with award-winning quality sound curated from the private library of two Academy Award®-winning sound artists.

    Establish the setting of any scene with the go-to recordings of The Odyssey Collection: Ambiences. Cover your needs for locations both everyday and exotic – from aircraft carriers to the Serengeti, nuclear power plants, brisk Canadian mountain air, Mexican bar walla, a Czechoslovakian office, record pressing factories, Malaysian forests, big cities, small towns and everywhere in-between.

    Developed in exclusive collaboration with Academy Award®-winners Mark Mangini & Richard L. Anderson, Odyssey Ambiences delivers vibrant, diverse, high-quality recordings from around the globe – so you can focus on staying creative and delivering your best sound.

    “Because Richard and I were so religious about fresh recordings, it was quite common for us to have a recorder with us everywhere we went. This allowed us to develop a rich, varied and international scope to our Ambience library without having to actually find money to fund every recording.”
    – Mark Mangini (Blade Runner 2049, Mad Max: Fury Road)

    Explore sounds from Odyssey Ambiences
    Sound artists need a deep collection of ambiences to cover the location of any scene. Each recording in this library was captured with a dedication to gathering diverse, high-quality sounds from around the world – so you’re covered for every environment. Listen to a small sample from a variety of categories.

    Optimized metadata for quicker searches and better results.
    You need to actualize your creative vision in an instant. That’s why the PSE Editorial Team team has invested over 20,000 hours of library development work – eyes, ears, hands, imaginations – editing and cataloging each audio file in The Odyssey Collection. The result is a reliable wealth of professional sound effects to boost your projects – each with meticulous, rich descriptions optimized to our metadata standard for lightning-fast, pinpoint search results.

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  • Slapstick Comedy – The three stooges when you can’t get the three stooges. Sounds in the library include clown horns, slides, sirens, whistles, squeaks, boiiiings and lots of other goofy and slapsticky sounds!

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  • Junkyard Car Smashed. Windows, doors, lights dash, great tearing of safety glass. Maybe should have ended up in gore, sweet and gross. Good glass shatter explosion.

    I purchased a car in a junkyard and we went to town smashing it up. There are metal hits and glass hits as well. There are some great safety glass explosions as well as glass debris flying around inside the car. I smashed a bunch of the engine with a sledge hammer as well as dragging metal over engine parts. One of the best sounds is grinding and tearing the windshield. As safety glass is often covered with a thin film of plastic, it made the best sharp crackly flesh peeling sound ever. Perfect for adding destruction details.

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  • Create with the dynamic energy of wind. As one of the most challenging subjects to record, wind sounds also inspire a range of creative and practical uses on projects of all types. That’s why we’re proud to present Cinematic Winds: Volume 2 – the exclusive followup to our most popular specialty library, Cinematic Winds.

    Like its predecessor, much of this wind sound effects library is curated from legendary film sound designers Ann Kroeber and Alan Splet – both well known for their work with David Lynch and more. Volume 2 expands on this with even more moody, colorful wind recordings from Academy Award®-winning sound artist Richard King (Dunkirk, Inception) plus recordist/sound designer Colin Lechner (Raconteur Sound).

    These sounds are full of character – from light breezes and swirling heavy gusts, to carefully-crafted whistling wisps and ghostly roaring swells. Capture the emotive power of wind as it rustles through leaves and howls through windows – ideal for inducing subconscious emotion, imposing a powerful presence, or creating both earthy and surreal soundscapes.

    Descriptive embedded metadata helps you find exactly the sound you need with practical, literal interpretations as well as emotional impressions of the sound effects. The wind sounds are grouped into five categories:

    • Moody Winds: Tonal, eerie, mournful, lonely
    • Interior Winds: Resonant staircases, barns, caves, pipes
    • Nature Winds: Through trees, over mountains, water, sand
    • Wild Winds: Gusting, whipping, whooshing, swirling
    • Storm Winds: Intense, howling, rumbling, shrieking

    Key Features:

    •  77 sound effects (7.48GB)
    • Over 3 hours of powerful wind recordings
      • Average file length: 2 minutes 30 seconds
    • 24bit/48k, 24bit/96k, 24bit/192k broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    Ann Kroeber, Alan Splet, Richard King, Colin Lechner

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  • In this collection, 8 locations have been explored. The main attraction was the waterfalls but i found interesting sounds all around. More or less high, more or less wide waterfalls, from the water runoff to the stream flowing between the stones.
    Streams and waterfalls were recorded from different perspectives, distances and angles.

    Sounds were recorded using Sound Devices 833, in 24bits 96Khz, Schoeps CCM 21 mic in ORTF, with an extra CCM 41 for the center (LCR), and using a pair of JrF hydrophones in kind of ORTF stereo.
    All the sounds are raw (No EQ, No Compression, No Fx) and the duration of the all sounds is 3 minutes each.

    This pack contains 77 sounds, 133 files, all embedded with detailed metadata on Soundminer.

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  • 107 High-Quality combat sounds divided in:

    Weapon hits: Daggers, Metal swords, Wooden Swords, Hammer, Arrows, etc…

    Spell hits: Earth, Ice, Thunder, Wind, Water, etc…

    Other hits: Stones, Punches, Glass, etc…


    This pack can be complemented with:

    Magic Spells Sounds

     

    More about the pack:

    – There’s a variety of sounds

    – Intuitive file naming

    – Add sound to your battles

    – The sounds inside the pack are easy to add into your game

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  • Assorted ice sounds, including various cracks and creaking, plus ice chunk drops and impact sounds at different velocities.

    Also included are numerous footsteps on hard and soft ice, plus ice block drags and smashes.

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  • All files are recorded 32bit, 192 kHz, with Rode NTG1 and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.

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  • Ignite your projects with the punchy presence and immersive depth of pristine exterior explosion sound effects in 5.1 surround and stereo.

    Detonate is a specialty sound effects library of high-resolution explosions, blasts, bursts, and impacts curated from the personal collection of Academy Award®-winning sound editors Mark Mangini & Richard L. Anderson.

    Delivered in both 5.1 surround and stereo, these detonation recordings and designs pack a lot of punch up front with a very spacious slap from nearby mountains. Blow it up with massive boom sound effects from dynamite, artillery, and C4 – perfect for sound designing bombs, grenades, cannons and anything else that explodes. The depth, detail, sharp transients, and powerful LFE channel make these sounds perfect design elements for your projects including film, TV, trailers, games and beyond.

    “”I heavily leverage my library to find new sounds that I didn’t think of initially…You simply can’t record everything.””

    Mark Mangini
    Blade Runner 2049, Mad Max: Fury Road

    Key Features:

    • 42 sounds effects (2.44GB)
    • All files in 5.1 surround and stereo
    • 24-bit/96kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
    Add to cart

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