Mexican Seaside is a unique Mid-Side collection of ocean sounds gathered during the summer of 2017 in the Yucatán Peninsula – Mexico. It contains sandy and rocky beach ambient sounds, with no human activity. These sounds were recorded at sunrise (on various days) with a Zoom H6 on a Joby GorillaPod and a MS capsule (MSH-6) covered by a Rycote Mini Windjammer. Mid-side allows you to actually adjust the width of the stereo image after it has been recorded. It provides total mono compatibility for recordings that may eventually be played back in mono, such as TV broadcasts.
The package contains a MS-RAW folder plus a LR folder with all the files decoded to stereo for quick use.
100% of “Mexican Seaside” SFX library purchases will be donated to UNICEF México.
Articulated presents here a careful collection of 100 Electric Fans, HVAC, AHU, and Mechanical Drones. After months of capture, we recorded, selected, and edited this unique library featuring rich, varied, and useful assets ready-to-use for any game or movie project.
These sounds can serve to inspire life inside environments, provide industrial tones, domestic houses, or back alleys, setting moods or atmospheres. They can also serve as elements to design mechanical machine or engine sounds.
The sonic quality extends a large spectrum from clean, modern, to old and rusty, on rooftop, indoor, flush ceiling-mounted, Bathroom extractor, or floor stand; along with many flavours like metal, plastic, smooth or raspy rattles with gurgling wobbles. Some of the Sounds have useful varied point of perspectives (Close-up, distance), and most of them are ‘loopable’.
124 stereo files
Highly focused and meticulously edited sounds
Different perspectives are included as well
‘FOUNTAINS’ gets you 100 pristine stereo recordings of various fountain sizes, types, and perspectives (including 15 hydrophone recordings). Each file is between 40 sec and 2 min long, mono compatible, and is fully loopable, ready to be used in any project.
Over a period of one year, I recorded various fountains from different perspectives and distances – and even underwater. And, as with every sound library from Articulated Sounds, the files are embedded with metadatas (Soundminer/iXML/XMP/BWAV/ID3).
So if you need the sound of fountains (or simply the sound of water), this library delivers nearly two hours of excellent, ready-to-use recordings:
CAUTION: This library contains the HIGHEST resolution fart winds that exist on this side of the internet… Well, let’s be real, all sides of the internet!
Containing 1000 individual pristine 192kHz 24bit farts, you will never need another fart sample again. These winds were recorded using an ultra high resolution microphone which is capable of capturing frequency content up to and beyond 30kHz, so you can hear every nasty detail in these butt wrenching blows! This also means that when sound designers need to modify, tweak or change pitch, they can do so without worry of any loss in resolution.
This library gets you atmospheric ambiences from all over the world; from the UK, Greece, Spain, Morocco to Germany and America – and includes cities like Jerusalem, Las Vegas and many more. The recordings have been captured on land, at sea and in the air – and with over 6 hours of ambiences in total, 101 Ambiences offers a wealth of material for your projects.
A collection of shots fired using a 12 Gauge Remington 870 Wingmaster shotgun. This library also includes a few bonus tracks of shots fired using a Thompson Rifle muzzleloader and a Barnett Crossbow.
This is a collection of 2016 Toyota Prius sounds with 7 channel onboards covering two perspectives of the motor engine, electric engine, tailpipe, wheel well, and a stereo interior. Included is a collection of “foley” of doors, shift knobs etc. and various Pass Bys from two perspectives.
Discover the obscure sounds of 24 film cameras designed between the 1930s and 1970s. Carefully organised into 159 files, the 20th Century Cameras library offers over 3900+ sounds recorded at pristine 24bit/96kHz, thus allowing you to not only use the mechanical sounds of the cameras for their intended purpose, but also for sound design.
In order to help you navigate through the plethora of sounds available, rich SoundMiner metadata has been carefully crafted in order to describe the sounds as simply as possible, using multiple keywords and terms, where needed.
The library contains mostly mechanical sounds, such as the sound of shutter release at different shutter speeds, knobs, latches, wheels, and more, in addition to some Foley sounds as well. Due to the age of the cameras, most of the shutter release sounds have slight variations between them, even at the same shutter speed.
The library also comes with a free eBook which can be viewed and downloaded here.
In addition to the SoundMiner metadata sheet down below, the eBook provides information as to how older cameras work, and more details as to how each of the cameras recorded for the library work. The book goes into a fair bit of detail as to what sounds each camera offers, without getting too technical.
If you would like to hear more, here is a slightly extended version of the video preview:
A hand-picked collection of two hundred and twenty two sound effects – previously gathered and distributed over the year via a subscription system from Immersive FX called the Dollar Deals. Now you can get them all in one complete collection.
Features everything from crowds, birds, clocks, insects, fireworks to ferries, trains and much more.
This sound collection covers a wide range of sounds produced by this unique racing (kit)car from 1991. The engine is custom built and is a combination of elements of a Citroën 2CV engine and a Citroën Visa engine. Not only extensive driving sounds but also foley (doors open close, window knocks, body tapping, gear lever, blinkers…), horn blasts and engine loops. All in high quality 48/24 BWAV-files, recorded with high end equipment. All sounds include extensive metadata.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin (back seat and front seat for open roof and back seat only for closed roof). For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)
Here you´ll get 365 sound effects in one big package: You get all kind of SFX, ambiences, Foley sounds, music loops, stingers, audio logos, impacts, shots, hits, swishes, swooshes, shots, breaks, debris … and a lot other strange sounds for your next media projects.
370 modern sound effects in one big package (1.8 GB)
Features sounds such as
• Bullet and knife impacts, interface, car engine
• Electricity, footsteps, machines, glass
• Guns, knife and axe handling, sci-fi ambiences
• Monster, creature, air, weapons
• Water, whooshes, wood, gates, doors
24 Bit / 96 kHz / wav / mono and stereo / 1.8 GB
Easy, effective workflow with comprehensive EBU/BWF and WAV-Metadata (for use in any DAW)
Recorded with NTG 3, RME UCX, RME Quadmic 2, Sony PCM D100
Do you want to make a robot or some other mechanical object sound unique? Or do you need high class heavy mechanical motor or servo sounds for layering purposes?
The 3D Printer library is a collection of high quality motor, servo and mechanical movement sounds that can help you make a nice looking robot sound like a mean killing machine. The library is also a great and affordable way to add uniqueness to your sound effects.
The library was recorded with two sets of microphones: A stereo pair of JrF C-series contact microphones were used to capture the more delicate inner sounds of the printer while a stereo pair of Sennheiser MKH8040 microphones recorded the more raw outer sound of the mechanical motor movements.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Get the sounds of a Printrbot 3D printer – with four NEMA 14 stepper motors -, in this interesting SFX library by New Sound Lab.
The high torque motors connected to a pulley system control the X-Y-Z movements of the aluminum extruder and metal print bed. When printing three-dimensional objects, these fast and precise movements result in a unique barrage of percussive and rhythmic mechanical noise.
These sounds were captured using three different recording setups: Barcus Berry contact mics, RF coils, and combined contact mic / RF coil into a Sound Devices 702 recorder.
The resulting sounds are a mix of grainy, gritty atonal patterns, robotic percussive bleeps, glitchy digital beeps/clicks, low fidelity drones, and chaotic noise. Both raw recordings, and processed elements are included and ready for further sound manipulation.
3Dimensional Printing is the multicolored result of different recording sessions of a couple of 3D printers (the Sharebot NG – Next Generation and the DeltaWASP 20 40) at Fabb and at FabLab Milan between 2014 and 2015.
All the sounds were recorded directly as uncompressed .wav files through both a RME Fireface UCX and a Zoom H6 Portable Recorder.
Duration ranges vary from 1 to 5 minutes, with the most sonically interesting excerpts from full printing cycles. Lots of pattern and sequences are available for selection and transformation.
Five different transducers were chosen to capture all the sonic details of these mechanisms:
– C-SERIES pro contact microphones, hand-made by Jez Riley French;
– Barcus Berry 4000 Planar Wave System (Piezo crystal sensor+4000XL Piezo Preamp);
– Piezo Film Tab Contact Microphones by Cold Gold Audio;
– Custom Induction Coil Pick-up (also used to create the Unseen Noises collection);
– Zoom MSH-6 MS Capsule (the stereo image of the Mid-Side recordings is rendered as balanced stereo LR files).
48 Kilos is our all 48kHz @ 24-bit library that provides you with a 4.6 GB tempest of audio assets. Perfect for all audio needs in film, animation, interactive interface design, game design, music production, and audio branding where high quality audio is desired with no re-sampling required. This library provide a wide mix of content in a compact form.
Sound content includes breaking bulbs, mechanical gates and doors, the smashing of liquid-filled vessels, manipulating musical instruments, blades, books, ceramics, film, resonant impacts, an AC unit, and much more. They are presented in an assortment of mono and stereo recordings, recorded in a variety of settings (on location, in studio, and a few interesting creative spaces).
Bring the monsters to life! Bestial roars, screams and murmurs of 6 bizarre creatures. From brutal, deep growls to sharp, ear-pearcing screeches.
Each character has several expression variations, such as “talk”, “scream”, “hit”, “attack” or “death”.
The SFX demo consists of several 6Monsters sounds mixed with a light spatial effect and an ambience from The Horrid library.
Ready for some retro game sounds? The 8-Bit Games SFX library includes more than 500 designed sounds and music elements, paying homage to the sonic world of Tetris, Super Mario, Space Invaders and other classics.
Authentic 8-bit blips, explosions, hits, jumps, lasers, coins, power-ups, and many other sound effects and music elements will cover your retro gaming needs. All sounds delivered as single files in 48 kHz / 16 bit WAV format with embedded Soundminer metadata.
204 retro-themed samples for guaranteed flashbacks.
These sounds are ideal for:
Item Pickup / Drop • Unlock • UI • Weather • Weapon
Click for email support: Contact us anytime for custom sound effects, edits, or to let us know what type of pack we should make next.
Epic Stock Media is back with another game character voice pack. Introducing the first of AAA Game Character series – Demon. AAA Game Character Demon is a robust vocal sound effects bank that brings rich and dynamic game ready voice audio assets. Includes over 450+ scripted custom lines, battle cries, fight vocals and everything you need to build a compelling dark antagonist dialogue and in-game audio experiences.
Abandoned Shelters – The Danish Bunker Coast features mysterious and eerie sounds recorded in and around abandoned bunkers along the Danish West Coast.
The gathered ambiences form a comprehensive resource of steady winds, heavy gusts, rustling undergrowths as well as single waves and strong surfs that constantly stream and break through these inhospitable areas with concrete remains all around.
A big part of the library was recorded inside the bunkers where the strong nature elements of wind and water are transformed into heavily comb filtered textures and dark atmospheres.
Finding the right door sound can be a pain, thus Abandoned Doors was recorded with that need in mind.
All the 1400+ sounds were recorded in abandoned mansions and houses with unique sonic characteristics, in stereo, usually from two perspectives (inside the room and in the hallway), allowing you a great deal of choice and offering sonic diversity.
Additionally, splitting the stereo tracks into mono will give you two more slightly different perspectives on each sound.
The Abandoned Doors library offers a multitude of door recordings, ranging from heavy wooden doors found in turn of the century mansions to cheap old doors in an abandoned warehouse, being opened, closed, slammed, knocked on, kicked, banged on, and even hit with a bat.
Whilst most door libraries simply name files ‘door open 01’, etc, Abandoned Doors has been carefully tagged with rich SoundMiner metadata and multiple keywords, giving you a clearer image of what a file contains just by reading the title. For more information on what kinds of sounds are present in the library, feel free to consult the metadata file down below.
Also, if you’d like to know more about how I recorded this library, read my blog post here.
Buy Abandoned Doors today and augment your sonic toolbox with over 1400+ door related sound effects, recorded at 24bit/96kHz in unique and inaccessible locations.
This collection features 134 interior and exterior stereo recordings of the Abbot FV433 Tank as it is put through its paces. These effects have been hand-picked from the Sound Ideas Military Tanks library.
Discover nearly 7 hours of individually flavoured, hauntingly musical and ever-evolving drones, packaged neatly into 79 of the kind of audio files that you can never have enough of.
In many ways, Aberrant Drones is the sister library of the Augmentation Elements library, as it provides you with the creative tools required to augment your sound design.
Whilst the Augmentation Elements library arms you with tools such as whooshes, risers and stings, allowing you to sweeten specific elements of your sound design, the Aberrant Drones library allows you to augment the mood of an entire scene. Each audio file is populated with richly descriptive SoundMiner metadata, making it easier than ever before to sift through hours of abstract drones.
This is why the metadata is usually described in terms of feeling and mood, like so:
Augment your creative tool-box with Aberrant Drones, and transform your sound design work!
Above & Below puts traffic ambience in a new perspective: This library features 70+ minutes of traffic ambience above and below bridges, hills, underpass, overpass, buildings, walkway bridges, and more.
Recorded in 96 kHz / 24 bit – All files last five minutes and thirty seconds each.
Abstract Ambiences gets you a collection of abstract and surreal ambiences, covering everything from Doomed Soundscapes, Dark Drones, Futuristic Dungeons, Alien Worlds, SciFi Horror, Weird Radio Messages and Interference to Disturbing and Terrifying Noises, Eerie Textures & more. The library is the first of many collaborations between SoundBits and Monte Sound. All sounds are royalty free – and several versions are available:
Abstract Ambiences – Stereo:
• 60 ready-to-use abstract ambiences in stereo
• 60 files, 5.18 GB
Abstract Ambiences 5.0 – Surround:
• 60 ready-to-use abstract ambiences in 5.0 surround (split mono) + stereo downmixes
• 300 split monofiles (60 ambiences in 5.0) + 60 stereo files, 13.08 GB
• 257 stereo layers/stems – source stems used to build the Abstract Ambiences library, offering 1000s of combinations
• 257 files, 13.33 GB
Abstract Ambiences COMPLETE Pack:
• Surround + Stereo Downmixes + Construction Kit bundle for maximum savings!
• 377 files, 31.59GB
More details about the packs below.
Abstract Aqua sound effects library is a result of different field recording sessions with more experimental approach.
It features 208 192kHz WAV files, 92 designed sound effects and 116 RAW recordings. It was recorded with a Sound Devices 702 and Sony PCM-D100, Sennheiser MKH 8040 microphones, Rode NTG3 and Aquarian Audio hydrophone. Total length of the files is 334 minutes.
The designed files have more abstract feel to it, so you’ll find aqua whooshes, different underwater sounds and big sounding waves. The RAW files includes different wave recordings from the Baltic Sea, water foley sounds and effects recorded with hydrophones. You can find more informations in the library sound list.
In this bundle you will receive three libraries full of dark, glitchy and ambient textures. 'Glitch & Noise' brings abstract and interesting tones to your sound palette. 'Twelve Tones' has detailed industrial hums for your spaceship interiors. 'Sphere' has dark atmospheres made from bowing a metal bin, which were then processed and mangled using Twisted Tools Slayer. Whether your project is a sci-fi soundscape or a shredded atmosphere, this bundle has something for everyone.
ABSTRACT GUN is a collection of 165 abstract & imaginary gun sound effects.
Blaster, riffles, energy weapons and more.
Collection consists of 165 carefully designed and mastered abstract gun sound effects.
33 different weapons – 5 version per weapon (single shots).
All SFX have baked-in Soundminer meta data
Download includes additional 44.1kHz 16Bit version for Unreal Engine.
RECORDED WITH: Sound Devices MixPre-6 + Sennheiser MKH8060
Created & EDITED WITH: Reaktor, Zynaptiq, Soundtoys, Fabfilter, iZotope RX, Pro Tools.
Abstract Sound Design is a budget-friendly collection of unique audio material sourced from digital feedback loop experiments and granular processing sessions. Featuring 25 abstract atmospheres and 35 abstract FX, this library is perfect for those moments when creativity may be running dry, serving as an inspiring starting point for some serious sound sculpting. Of course, they may just fit your needs as they are, too!
This library brings you 840 meta-tagged sounds recorded and created at 96kHz/24-bit stereo that can be used to bring your spaceships to life. This includes 376 designed sounds with various flybys, lift-offs, and landings for large, medium and small spaceships, as well as the 464 ingredient sounds that were used to create them, allowing you to customize and tailor the sounds to fit your project.
Note: The sounds in the audio sample have some panning and reverberation added; the sounds in the library itself are centered and entirely devoid of reverb.
A unique collection of 141 useful effects, created knocking, scraping and disturbing a 12-string acoustic guitar.
These sounds were recorded and processed with the intention of providing an interesting , different and unique set of audio effects.
• Clean (71 Sounds): hits, knocks, scrapes and various string sounds.
• Processed (70 Sounds): Processed and re-designed hits, drones and swells.
All sounds were recorded, edited and processed at 24-bit / 96kHz, with embedded meta data.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.