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Environments & Ambiences Cricket Play Track 436 sounds included $25

Introducing “Cricket – Junior & Senior”, the ultimate sound effects library tailor-made for cricket enthusiasts and creators alike!

Whether you’re looking for the crisp crack of the bat connecting with the ball, the shuffle of players in the field, or the exhilarating ambience of a bustling cricket ground, we’ve got you covered with a broad range of sounds that differentiate cricket from other batting sports. Included are sounds of cricket gear, movements, batting, bowling, fielding and other miscellaneous sounds.

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Creature Sound Effects Squeaking Vessels Play Track 1401 sounds included, 48 mins total $12

Squeaking Vessels is a collection of tonal squeaks, croaks and creaks from ceramic, glass and metal cups, mugs, jars and bowls.
Rubbing, wiping and applying pressure reveals organic, animalistic textures perfect for crafting alien languages, reptilian growls and mythical creature vocalizations.
A rich design source for sound designers, game developers and filmmakers this library offers unique, morph-able material for sci-fi, fantasy and horror projects.

Source Files Info
Mastered : No
Normalised :-6 dbFS
Grouped Files for Easy Reference Included
Multi Recording Takes For Varying Nuances

Equipment :
Recorders : Sound Devices 633 and Sound Devices Mix Pre 10II
Microphones : Sennheiser MKH 8050
Files are stamped with detailed UCS compliant metadata in Soundminer, including pictorial references.

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Whoosh Sound Effects Tiny Transitions Play Track 565 sounds included $18

‘Tiny Transitions’ deivers 275 short Whooshes and other Transition sounds. Instead of the huge, more cinematic transitional sounds that you are accustomed to hear from SoundBits, this sound pack focuses more on the smaller, not-so-intrusive production elements that come in very handy for any Sound Designer, All-In-One Film Editor or Web-, App- and Game-Developers.

All these small motion-supporting elements that you need in your everyday work for game menus, apps, general motion designs, … or as parts of more complex moving stuff.

You get 275 designed sounds + a selection of 290 cleaned and edited source sounds that were used to design the Tiny Transitions. These sounds are mostly different props that are scraping or sliding on different surfaces and also some vocalized whoosh attempts.

All source sounds were recorded with Sonosax SX-R4+ and Sennheiser MKH8050+MKH30 M/S rig.

All sounds come with embedded Soundminer Metadata.

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Creature Sound Effects ARP 2600: Droids, Blips, Drones & More Play Track 400+ sounds included, 50 mins total $55
The legendary Synth that brought beloved Droids to Life.
The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.

Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.

Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.

Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM Uši Pro. These sounds are included in a dedicated subfolder.

Infinitely tweakable Source Material with plenty of ultrasonic Content.

The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!

This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.

While highly abstract in nature, these sounds are a great basis for building:

Futuristic weapons

Retro SciFi spaceship sounds

Droid and robot vocals

Otherworldly ambiences

Drones

Wavetable synth patches

and more.

This library features SoundMiner, BWF, Soundly, and UCS metadata.

Click here to learn more about how this library was created.

Metadata: UCS file naming, SoundMiner, Soundly, BWF

Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.

File Format: WAV

Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box

Processing: Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.
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Metal Sound Effects Just Chains Play Track 973 sounds included
Rated 5.00 out of 5
$14

As you’ve probably guessed from the title, this SFX library is all about metal chain sound effects. Various sizes of chains were pulled, dropped, shaken, rattled, whipped, hung, dangled and jingled.

These sounds could come in handy for a wide range of purposes like morning star swings / whips, coin ringing, chain metal armor movements, hoists, addons for footstep movements and many more.

So if you’re after any kind of metal chain sounds, this SFX library is one to get!

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