Interview by Anne-Sophie Mongeau, photos courtesy of Watson Wu
How many different types of weapons did you record for Rising Storm 2: Vietnam? What was the scale of the task and how long did it take to successfully sample everything?
Watson Wu (WW): For RS2 we field recorded over 15 weapons. These included submachine guns, machine guns, belt fed machine guns, sniper rifles, shotguns, grenade launchers, simulated RPG (Rocket Propelled Grenade), and simulated explosives. My role was the logistics of getting everyone to meet on the same days, exclusively rent the entire shooting range, organizing gear, van rental, food/water/snacks, setup, recording, cleanup, etc. I guess that means everything! Rather than speeding through each of the weapons through a one day shoot, I decided to divide the recordings into two full days.
To properly record a weapon, I would like to capture at least 5-10 good takes. For games, I often record close, medium, far, and incoming perspectives. Single shot weapons like sniper rifles are usually quick for me to record. A more complicated weapon like the M16 takes a much longer time to go through. This rifle has a selector switch that will allow the armorer to do single shots in the Semi-Automatic mode or Burst shots in the Full-Automatic mode. A session that involves full automatics vs simple single shot weapons will take a lot longer to record.
How important is it to record the exact weapon you see on screen? Can you fake it? Are the weapons you see in RS2 the exact weapons that were recorded?
WW: Awhile ago I was very strict on recording the exact weapon. Because I’ve recorded and have shot most of the available weapons through countless sessions, I now would rather record better (beefier) sounding weapons vs the real thing. For example, an MP5 submachine gun is chambered in 9mm (a small pistol round). It doesn’t sound very interesting until an armorer shoots it in the full-automatic mode. In my own opinion, large rifle calibers make some of the best and most interesting sounds. We can fake certain weapons, but an AK47 will always sound distinctly as an AK47.
Tripwire Interactive is known to produce very complex busy games so making gunshots cut through the entire mix is crucial
In RS2, most of the weapons we recorded were accurate to what was used during that war. It was difficult but we found experts who owned actual full-automatic M60 belt fed machine gun as well as the M3 Grease Gun. Those weapons do have distinctive sounds. In the editing process, we often do heavy layering, processing, and often change how and when the gun tails should occur. Tripwire Interactive is known to produce very complex busy games so making gunshots cut through the entire mix is crucial.
Footage from the actual recording sessions
After a recording session, can you talk us through the steps of having a final asset ready to deliver? And do you have any tips on going through this process efficiently?
WW: During the session, I update my files according to the weapon names. They often look like this: AK47_A_T001 for Recorder A Take 001 and AK47_B_T006 for Recorder B Take 006. Taking the extra time to properly name files makes sorting a whole lot easier. Onsite we write on my print outs of weapon names, calibers, shooting modes, mic names, mic perspectives, and mic distances.
Taking the extra time to properly name files makes sorting a whole lot easier
These later are typed into a spreadsheet for more details. My 7 series Sound Devices recorders write to both internal drives and Compact Flash cards. I use high speed memory cards and plug them into my USB 3.0 card reader for copy and paste functions to an external drive. All files are recorded into single poly-wave files. I find this easier to look at and sort through vs separate mono tracks. Passport from Western Digital are very reliable drives I often budget in for large sessions. To separate poly-wave into mono files, I use Wave Agent freeware from Sound Devices. For most sessions, I use Reaper DAW for fast editing and mixing. Reaper works Very Well! You can start a new Reaper file, drag and drop files of all types and just work. It flies like Google Chrome! Sometimes I use Pro Tools when I need to collaborate with others. To see examples of how I sometimes name my files, read my Weapons Recording Guide.
Can you tell us who was part of your team on the RS2 firearms recording session and their roles?
WW: Mark Muraski is Tripwire Interactive’s Audio Director. He was responsible for the list of weapons as well as sound quality assurance. When he felt that we’ve captured enough sounds of a weapon, he made the decision for us to move on or do more if necessary.
The best use of time is to split the work with another expert
I brought in Jesse James Allen (with over 50 AAA game credits) to help me setup and record. While I can record more channels, the best use of time is to split the work with another expert. I allocated 10 channels for myself and tasked Jesse with 4.
Jason Shortuse was my assistant who helped with setup and cleanup. He is a very good/safe shooter and can maintain weapons when they malfunction. His enthusiastic attitude and work ethics are outstanding. When Jason is onsite, it’s like having Michael Jordan on my basketball Dream Team!
Chris Rickwood, a composer and a sound designer was also present. He helped with the setup and cleanup.
John Gibson, President of Tripwire helped us by performing a lot of shooting so that we were able to concentrate on recordings.
One more thing that was vital was the armorer guys I hired. You just can’t shoot off an RPG at a range. Things would explode, create fire, and harm properties and people. These former military guys have the experience with RPG live firing so they know what it sounds like. They safely rigged a system that sounded like the real thing. We then separately recorded simulation explosion sounds. Thank you, Thermo Arms!
Remember, great sounds come from great recordings.
Did the RS2 game setting affect your decision on location or recording strategies? If yes, how so and what were you trying to achieve?
WW: There are times when I only need to record regular gunshots. For RS2, I placed microphones a lot closer to the weapons to capture punchier sounds. The shooting range was the other factor as gunshots sound incredible at that location. I’ve been to a lot of shooting locations. This is one of my top three favorites.
Popular on A Sound Effect right now - article continues below:
Latest releases:
-
The Agusta A109 sound fx library features 243 clips in 12.22 gigabytes from an Italian
military helicopter. This collection includes recordings from 2 Pratt & Whitney Canada PW206C Turboshaft engines with 418 kW (561 hp) each, recorded during a military exercise.A total of 22 exterior perspectives capture the sound of this helicopter in 14 takes.
Microphones arranged at the front, side, and behind record idling, departing, and
arriving. A range of low to high turbine and rotor RPMs are captured in stationary idles.Each sound is embedded with Soundminer metadata. The collection is also bundled
with Reaper and Pro Tools sessions that arrange each take for easy editing and mixing. -
136 high-quality sound effects specially crafted to help you put sound to your pirate game.
They are divided in:– Battle (Cannon shoots, impacts on ships and water, sword hits and wounds)
– Player sounds (eating, drinking, walking)
– Foleys (map sounds, hoist sail, repairing ship, dig, tavern sounds, chest sounds)
– Voice (emotions like laughs, shouts, affirmations)
– Ambiences (Tavern ambient, ship ambient, ocean waves ambient)
More about the pack:– Intuitive file naming.
– All you’ll ever need regarding pirate game sounds.
– It also contains 2 pieces of music: A tavern song and a fanfare.
[Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
[Professional audio services]
For custom music, sound design, sound engineering or any other game audio services, please send a mail to: audioalchemiststore@gmail.com
25 %OFF -
Game Audio Packs & Bundles Spooky Halloween Casino Slots Music and SFX Play Track 150 sounds included $297The only audio library of its kind on the market, this massive sound pack is designed to go above and beyond in rewarding our customers, offering unprecedented value to your players! Unlock the forbidden magic of Halloween with this truly unique collection of spooky sound effects and music. Each sound is handcrafted and optimized to be the perfect addition to your slot game and is the only Halloween slots library you’ll ever need!
FOR ANY SCARY THEMED OCCASION
Transform your project with hundreds of incredibly versatile sounds and voice-overs for ZOMBIES, MONSTERS, WITCHES, GHOSTS, DEVILS, DRACULA VAMPIRES, WEREWOLVES, CREEPY CLOCKS, GHOSTS, BATS, and EVIL LAUGHTER! Not to mention the highest quality spooky Halloween music you’ll need, with SOUND AMBIENCE BACKGROUND LOOPS for interior and exterior environments! This pack’s audio covers a diverse collection of themes and styles — for cartoons, blood-curdling horror, upbeat loops, engaging short stings, stripped back background loops, and more!
FOR ANY SLOT GAME SOUNDS
Any sound needed for a slot game user interface is included, such as button sounds, bet high and bet low sounds, minimum and maximum selection sounds, notifications, triggers, reveals, reel spin starts, reel spin loops, hums and whooshes, simple and special anticipation reel stop sounds, win payout tune rollups, coin sounds, spooky symbol sounds, anticipation-building wind-ups, sounds for summaries and transitions, and more! Whether your slot game is physical or online, each asset has been painstakingly optimized to cut through the background chatter and immerse your players in the haunted horrors of Halloween like never before.
INCREDIBLE EASE-OF-USE
Enrich your title in seconds with beautifully mixed, AAA quality sounds brought to you by our team of industry veterans, whose 600 slot games worth of experience have culminated in this extraordinary sound pack!
SPOOKY CASINO SLOT GAME SOUNDS at a Glance:
- 300 Audio Files (150 original sounds) – all in High-Quality WAV and MP3 formats
- 100+ Symbol Sounds, Buttons and other Interface Sounds, Reel Spin and Stops, Trigger Sounds, Selection and Reveal Sounds, and more!
- 30 Music Loops, Stings, Numerous Variations and Edits, Win Tunes, Payouts and other Celebration Tunes + much more!
- Ready to use – requires no editing, labeling or splicing. Categorized, organized and individually labeled files for maximum use efficiency
- FREE Updates to higher versions, FOREVER!
- BUY NOW in time to create an amazing project for Halloween!
-
Destruction & Impact The Eiravaein Collection Play Track 21,000+ sounds included, 3265 mins total$1,129$790The Eiravaein Works total mix.
This auditory omnibus includes all 30 of our individually released SFX libraries. Encompassing a tremendously diverse amount of content, topics, unique sources, designs, recording techniques, and channel formats, our complete collection provides you with over 2.25 days of professional audio assets.
With the Eiravaein Collection, you will receive:
48Kilos, Anarchy, BigBlock, Bunretsu, Burst, Crepitus, Dx, Epona, Flourish, Gravitas, Grit, Helinä, Ilmarinen, Jarred, Kieuk, Latchlocker, Meridian, Mouthy, Nocked, OutwardInversion, Parched, Start Select, Tubular, Unfathomed, Vaeya I, Vaeya II, Vaeya III, Vaeya IV, Wakey Wakey and Yvaine.
30 %OFFEnds 1571954399 -
Introducing ASSORTED WATER – A collection of graceful, pure water sound recordings.
Each sound has been meticulously studied to ensure it is free of any blemishes or unnecessary background intrusions, such as wildlife, to make sure that the recordings can be used for any scene or environment with ease, maximizing efficiency and usability. Hear the results for yourself by taking a listen to the audio demo.
This collection focuses on water flowing and falling, with categories such as water through a variety of drainpipes, hose nozzles, taps, storm drains and more. There is also a broad selection of smooth streams, raucous rivers, waterfalls and weirs. Also included is an array of often-useful rain recordings hitting mud, leaves, vehicles, umbrellas, plastic and other surfaces. Check out our sound sheet for the full list.
All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.
We are extremely proud of this collection and we hope you will enjoy using the sounds …we sure have been!
Introducing ASSORTED WATER – A collection of graceful, pure water sound recordings.Each sound has been meticulously studied to ensure it is free of any blemishes or unnecessary background intrusions, such as wildlife, to make sure that the recordings can be used for any scene or environment with ease, maximizing efficiency and usability. Hear the results for yourself by taking a listen to the audio demo.
This collection focuses on water flowing and falling, with categories such as water through a variety of drainpipes, hose nozzles, taps, storm drains and more. There is also a broad selection of smooth streams, raucous rivers, waterfalls and weirs. Also included is an array of often-useful rain recordings hitting mud, leaves, vehicles, umbrellas, plastic and other surfaces. Check out our sound sheet for the full list.
All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.
We are extremely proud of this collection and we hope you will enjoy using the sounds …we sure have been!
KEY FEATURES
• 96 kHz, 24 Bit mono/stereo WAVs
• 82 individual SFX in 72 files
• 6 GB of data
• All WAVs include extensive embedded descriptive metadata
KEY FEATURES
• 96 kHz, 24 Bit mono/stereo WAVs
• 82 individual SFX in 72 files
• 6 GB of data
• All WAVs include extensive embedded descriptive metadata
Want the chance to win 20 premium sound effects libraries from Sound Ex Machina?
For RS2, what did the workflow look like between a field recording supervisor and game sound designers/integrators? Do the field recordists get involved with the implementation and in game mixing?
Mark Muraski (MM): In this case I was all of the above. I also supervised the field recordings, edited the recordings, designed the weapons, and implemented them in game. In general at Tripwire we wear all hats of our discipline.
Can you share some tips on firearms dynamic mixing for games?
MM:A good mastering limiter! I personally prefer Ozone 7 these days. I also like the Oxford Inflator by Sonnox for adding punch without adding distortion.
The trick for me with firearms is to avoid big midrange buildup
The trick for me with firearms is to avoid big midrange buildup. That will clutter the mix quickly. Getting the snap on top, and a big bottom is generally pretty easy, the hard part is finding the oomph of the gun without stomping everything else (also crappy speakers don’t handle large amounts of midrange well). Don’t be afraid to cut with a master EQ in the trouble spots (NEVER BOOST).
Can you talk us through the process and steps of organizing and planning the RS2 firearms recording sessions?
MM:Watson really handled most of this for us. We delivered a list of difficult to find weapons and he delivered! The main thing to consider afterwards is organization. You have many files, none of which makes sense or works on its own, you have to create usable sessions where you can quickly access all the different microphone placements.
You have to create usable sessions where you can quickly access all the different microphone placements
During the recording you have 3 main obstacles: people talking over echoes, birds, and airplanes. If you can find a place that sounds great and is free of noise you are golden!
Would you use different recording techniques depending on whether the sound is meant to be realistic or if it was going to be processed for Sci-Fi sound effects?
WW: It depends on the project. I have used unconventional microphones to achieve different sounds later processed as Sci-Fi weapons. A ribbon as well as a Lavalier mics will capture sounds differently vs using shotgun and pencil mics. I find recording at high sample rates will help with this process.
Is there one specific type of microphone (or a few) that have provided you with the best tracks for RS2? Do you have any favorites?
WW: To name a few, my favorite mics to record weapons are: Sennheiser MKH-418s, Rode NTG3, Neumann KMR-82i (for distance), Crown Audio Sass-P mkii, Heil PR-40, etc. These mics are great for close proximity, for tight isolation, wide patterns, and for great distances. There are more but there isn’t enough time to write them all down.
Similarly, which recorders and mixers did you use and which ones provided you with the best sounding weapons?
WW: The Sound Devices 744T is one of the best field recorders for capturing weapon sounds. It is built like a tank. My other favorite is the 788T-SSD. MixPre-D, USBPre2, and 442 are fantastic mixers that help control overwhelming loud gunshot sounds. The direct outputs then go into the recorders. Without these, gun recordings would sound “cheap” or literally like “popcorn”. As the elderly woman from the old Wendy’s TV commercials would say “Where the beef?”.
Did RS2 bring any special challenges regarding location? What made you chose the location you chose, and did you chose it because of RS2’s specific game setting?
WW: I do most of my weapons recordings in either the desert in Nevada or here in Florida. Vietnam has a lot of grassy areas which is also the same here in Florida. This way gunshots would sound similar as to how they reflect vs over reflections from a desert terrain (super long gun tails).
If you want to know more about what goes into capturing weapon sounds, here are some stories worth checking out:
• The Essential Guide To Recording Weapon Sound Effects – With Watson Wu
• How Steve Whetman created a unique (and powerful!) indoor weapon SFX library
• How To Record Extremely Loud Things – Randy Coppinger interviews Chuck Russom and Michael Raphael
Apart from capturing a lot more variety for game sounds than film sounds, is there anything else you would plan/execute differently depending on if it is meant for an interactive or linear media?
WW: The only things I would do differently is to have the armorer shoot at different degrees. More to the left and more to the right vs just shooting at one direction. Having heavier and lighter loads of ammunition also helps. One time we used a Winchester brand of ammunition and it sounded far better than an inferior brand. It was so LOUD that I thought I heard a double-tap. :-D
Please share this:
-
For this sound effects library, we traveled across Alaska, from the extreme north to the south coast to capture the spirit of these nordic and wild landscapes: Boreal forests, arctic and alpin tundras, glaciers, rivers, and lakes.
Here the soundscapes reflect the extreme weather conditions: Silent ambiances punctuated by the elements: Wind, snow, rain, serving the erosion.
In this wilderness, animals remain discreet. We had the chance to capture many birds with our microphones: Owls, ducks, seagulls, trumpeter swans, bald eagles, common ravens, migratory birds, and many other species – and a few other animals: Hoary marmots, arctic marmots, squirrels and moose.
-The sound bank contains 66 sound takes recorded in ambisonic at 24/96khZ (a total of 330 files).
here is an exemple of an ambisonic recording embeded in a 360° movie (go on youtube to listen the 360° sound) :
-
Over 400 focused sound design accents of airy swooshes, subtle swipes, thin whooshes, and breathy fly-ins.
This collection features:
- Each clip is trimmed into its own file.
- Available in multiple pitches and speeds.
- Meticulously named and organized in both metadata and folder classification.
- Includes 18+ fields of professional Soundminer, BWAV, and MacOS Finder metadata.
-
Environments Mountain Streams & Rivers Collection Play Track 100 sounds included, 273 mins total $45This library has a unique selection of streams and rivers sounds, recorded and edited with the utmost care in the one of the most beautiful places in the world, the French Alps.
Includes 100 files recorded in many different places situated in the heart of the Mercantour National Park and the Ecrins National Park, for a total of more than four and a half hours of recording. This work was done over five months, from the end of the winter ( by the time the snow had melted ) until the end of the summer.
All recordings have been made early in the morning, between 5 and 8 a.m, resulting in extremely clean recordings with no man-made noise pollution. The majority of sounds has been recorded from a close perspective for beautiful details with four different recording methods :
Includes embedded Soundminer metadata.
 Get The FREE Mini Pack Here ( 386,8 MB )
   
   
-
The Agusta A109 sound fx library features 243 clips in 12.22 gigabytes from an Italian
military helicopter. This collection includes recordings from 2 Pratt & Whitney Canada PW206C Turboshaft engines with 418 kW (561 hp) each, recorded during a military exercise.A total of 22 exterior perspectives capture the sound of this helicopter in 14 takes.
Microphones arranged at the front, side, and behind record idling, departing, and
arriving. A range of low to high turbine and rotor RPMs are captured in stationary idles.Each sound is embedded with Soundminer metadata. The collection is also bundled
with Reaper and Pro Tools sessions that arrange each take for easy editing and mixing. -
136 high-quality sound effects specially crafted to help you put sound to your pirate game.
They are divided in:– Battle (Cannon shoots, impacts on ships and water, sword hits and wounds)
– Player sounds (eating, drinking, walking)
– Foleys (map sounds, hoist sail, repairing ship, dig, tavern sounds, chest sounds)
– Voice (emotions like laughs, shouts, affirmations)
– Ambiences (Tavern ambient, ship ambient, ocean waves ambient)
More about the pack:– Intuitive file naming.
– All you’ll ever need regarding pirate game sounds.
– It also contains 2 pieces of music: A tavern song and a fanfare.
[Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
[Professional audio services]
For custom music, sound design, sound engineering or any other game audio services, please send a mail to: audioalchemiststore@gmail.com
25 %OFF -
Game Audio Packs & Bundles Spooky Halloween Casino Slots Music and SFX Play Track 150 sounds included $297
The only audio library of its kind on the market, this massive sound pack is designed to go above and beyond in rewarding our customers, offering unprecedented value to your players! Unlock the forbidden magic of Halloween with this truly unique collection of spooky sound effects and music. Each sound is handcrafted and optimized to be the perfect addition to your slot game and is the only Halloween slots library you’ll ever need!
FOR ANY SCARY THEMED OCCASION
Transform your project with hundreds of incredibly versatile sounds and voice-overs for ZOMBIES, MONSTERS, WITCHES, GHOSTS, DEVILS, DRACULA VAMPIRES, WEREWOLVES, CREEPY CLOCKS, GHOSTS, BATS, and EVIL LAUGHTER! Not to mention the highest quality spooky Halloween music you’ll need, with SOUND AMBIENCE BACKGROUND LOOPS for interior and exterior environments! This pack’s audio covers a diverse collection of themes and styles — for cartoons, blood-curdling horror, upbeat loops, engaging short stings, stripped back background loops, and more!
FOR ANY SLOT GAME SOUNDS
Any sound needed for a slot game user interface is included, such as button sounds, bet high and bet low sounds, minimum and maximum selection sounds, notifications, triggers, reveals, reel spin starts, reel spin loops, hums and whooshes, simple and special anticipation reel stop sounds, win payout tune rollups, coin sounds, spooky symbol sounds, anticipation-building wind-ups, sounds for summaries and transitions, and more! Whether your slot game is physical or online, each asset has been painstakingly optimized to cut through the background chatter and immerse your players in the haunted horrors of Halloween like never before.
INCREDIBLE EASE-OF-USE
Enrich your title in seconds with beautifully mixed, AAA quality sounds brought to you by our team of industry veterans, whose 600 slot games worth of experience have culminated in this extraordinary sound pack!
SPOOKY CASINO SLOT GAME SOUNDS at a Glance:
- 300 Audio Files (150 original sounds) – all in High-Quality WAV and MP3 formats
- 100+ Symbol Sounds, Buttons and other Interface Sounds, Reel Spin and Stops, Trigger Sounds, Selection and Reveal Sounds, and more!
- 30 Music Loops, Stings, Numerous Variations and Edits, Win Tunes, Payouts and other Celebration Tunes + much more!
- Ready to use – requires no editing, labeling or splicing. Categorized, organized and individually labeled files for maximum use efficiency
- FREE Updates to higher versions, FOREVER!
- BUY NOW in time to create an amazing project for Halloween!
-
Destruction & Impact The Eiravaein Collection Play Track 21,000+ sounds included, 3265 mins total
$1,129$790The Eiravaein Works total mix.
This auditory omnibus includes all 30 of our individually released SFX libraries. Encompassing a tremendously diverse amount of content, topics, unique sources, designs, recording techniques, and channel formats, our complete collection provides you with over 2.25 days of professional audio assets.
With the Eiravaein Collection, you will receive:
48Kilos, Anarchy, BigBlock, Bunretsu, Burst, Crepitus, Dx, Epona, Flourish, Gravitas, Grit, Helinä, Ilmarinen, Jarred, Kieuk, Latchlocker, Meridian, Mouthy, Nocked, OutwardInversion, Parched, Start Select, Tubular, Unfathomed, Vaeya I, Vaeya II, Vaeya III, Vaeya IV, Wakey Wakey and Yvaine.
30 %OFFEnds 1571954399 -
Introducing ASSORTED WATER – A collection of graceful, pure water sound recordings.
Each sound has been meticulously studied to ensure it is free of any blemishes or unnecessary background intrusions, such as wildlife, to make sure that the recordings can be used for any scene or environment with ease, maximizing efficiency and usability. Hear the results for yourself by taking a listen to the audio demo.
This collection focuses on water flowing and falling, with categories such as water through a variety of drainpipes, hose nozzles, taps, storm drains and more. There is also a broad selection of smooth streams, raucous rivers, waterfalls and weirs. Also included is an array of often-useful rain recordings hitting mud, leaves, vehicles, umbrellas, plastic and other surfaces. Check out our sound sheet for the full list.
All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.
We are extremely proud of this collection and we hope you will enjoy using the sounds …we sure have been!
Introducing ASSORTED WATER – A collection of graceful, pure water sound recordings.Each sound has been meticulously studied to ensure it is free of any blemishes or unnecessary background intrusions, such as wildlife, to make sure that the recordings can be used for any scene or environment with ease, maximizing efficiency and usability. Hear the results for yourself by taking a listen to the audio demo.
This collection focuses on water flowing and falling, with categories such as water through a variety of drainpipes, hose nozzles, taps, storm drains and more. There is also a broad selection of smooth streams, raucous rivers, waterfalls and weirs. Also included is an array of often-useful rain recordings hitting mud, leaves, vehicles, umbrellas, plastic and other surfaces. Check out our sound sheet for the full list.
All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.
We are extremely proud of this collection and we hope you will enjoy using the sounds …we sure have been!
KEY FEATURES
• 96 kHz, 24 Bit mono/stereo WAVs
• 82 individual SFX in 72 files
• 6 GB of data
• All WAVs include extensive embedded descriptive metadata
KEY FEATURES
• 96 kHz, 24 Bit mono/stereo WAVs
• 82 individual SFX in 72 files
• 6 GB of data
• All WAVs include extensive embedded descriptive metadata
+ free sounds with every issue: