A white sphere wears over-the-ear headphones. Asbjoern Andersen


This week we have a great podcast roundup with some of your favorite hosts.

You can hear from three beloved composers about how they came to write music for video games, learn how to control those pesky high frequencies, go behind the scenes with the sound of Arrival, get David Lynch’s perspective on sound and meditation, learn how to bounce back from burnout and avoid overload, hear about ASitP’s new studio and Matt and Gord’s thoughts on ethical employment, and hear an interview with composer, voice actor, and most-entertaining-man-on-the-stage Alexander Brandon. Happy listening!

Soundworks Collection – Composing for Video Games Masterclass

Episode outline: ‘Composer Jesper Kyd
Hitman Series, Assassins Creed Series, Borderlands Series

Composer Jack Wall
Call of Duty: Black Ops II & III, Mass Effect Series

Composer Inon Zur
Fallout Series, Dragon Age Series, and Prince of Persia Series’

Hear the episode:
 

The Mastering Show – Ep 55: How Bright Is Too Bright?

Episode outline: ‘Everyone wants that glorious, sweet, silky-smooth top end in their masters – but how do you get it ? How do you stop things sounding harsh, tinny and brittle ? And even if the high frequencies do sound gorgeous, how hard should you push them ? In this show we’re talking about treble, and our topics include:

* What is “Newton’s 3rd law” of EQ ?
* How do room acoustics affect how you hear high frequencies ?
* How can you “calibrate” your ears so you’re aiming for the right amount of top ?
* How do dynamics interact with high frequencies, and why does it matter ?
* What’s a “spiderman” plugin ?
* Which EQ plugin or hardware unit should you use for the best results ?’

Hear the episode:
 

Tonebenders Podcast – Ep 83: Sound of Arrival w/ Sylvain Bellemare & Bernard Gariépy Strobl

Episode outline: ‘Teresa and Timothy visit Montreal to sit down in person with the sound team behind the ground breaking and award winning film Arrival from director Denis Villeneuve. Re-Recording Mixer Bernard Gariépy Strobl and Supervising Sound Editor Sylvain Bellemare tell us about the way they brought the soundtrack of the film to new heights. This is a great talk about a fascinating film.’

Hear the episode:

Popular on A Sound Effect right now - article continues below:


Trending right now:

  • Fully Universal Category System (UCS) compliant sound effects library of isolated tire skids (without any engine sounds!). This library offers detailed recordings of various drifting sounds on tarmac with both onboard and exterior microphone perspectives – 22 files, 16 min 43 sec, a total of 472mb (24bit/96khz).

    The onboard recordings were captured with DPA 4060 and Sennheiser MKH 8020 microphones.

    The exterior recordings have both stereo and mono perspectives and were captured with Neumann KM184 and Sennheiser MKH 8060 microphones.

    Cars recorded: Porsche Taycan Turbo (2021) and Toyota GT86 (2014).

  • Industrial Ambiences Wind Turbines Inner Sounds Play Track 45 sounds included, 144 mins total $15

    Wind turbine rotations and motor movements recorded subterraneously, through wire fences, metal steps and the body of the turbine.

     The results are a selection of metallic movements, evolving eerie soundscapes, atmospheric hums, whines.

     Excellent design source and sound morphing material, eerie atmospheres and dystopian environments.

    https://www.youtube.com/watch?v=QSGOZXKJWbc

    Number of Sounds : 45

    Number of Files : 45      

    Total Audio Time : 2 hours  22 minutes  18  secs  ( 142 minutes 18 seconds)

    Type : WAV Stereo

    Sample Rate / Bit Rate : 192 kHz / 24 Bit

    Mastered : No

    Normalised : No

    Size : 9.92 Gb

    Metadata : Files are stamped with detailed UCS compliant metadata in Soundminer

    Documentation Included : Copyright, EULA, Images, Metadata (exported in multiple formats)

    License : A Sound Effect EULA / Terms and Conditions https://www.asoundeffect.com/license-agreement/

    Recorders : Zoom F3 and Sound Devices Mix Pre 10 II

    Microphones :  LOM Geofon, Stille and Klang small spots, Sennheiser 8040’s and 8050

    Microphone Configuration : Magnetic, Spike, Contact. ORTF and Centre Mic

    KEYWORDS : Wind Turbine , Back, Wire Fence, Metal Steps, Underground, Rotate, Inner, Motor, Vibrate, Whirr, Bass, Hum, Whine, Pulse, Atonal, Disharmonious, Breeze

    FXNAME :  Abandoned Environment, Deserted Environment, Design Source, Dystopian, Eerie Atmosphere, Post Apocalypse, Sound Morph, Uninhabited, Wind Turbine

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  • “Death Space” is a sound album about science fiction space horror. These cool sounds can be used in movie trailers, games, and online videos. The album is inspired by an old science fiction movie “Event Horizon” , “Dead Space” contains 100 sounds, 96K, 24bit high-quality WAV files, with a total duration of 11 minutes and 19 seconds. Hope you like it!

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  • Destruction & Impact Sounds Broken Play Track 2266 sounds included, 273 mins total $149.99

    Nothing slaps a smile on a face like the sweet sound of destruction and mayhem. Designing sound for such complex events as a collapsing building or an earthquake requires a diverse and comprehensive palette of chaos. To create such havoc, one must be equipped with the ultimate destruction sound library.

    We stopped at nothing to put together this library of utter mayhem. BROKEN boasts over 9 GB of HD quality content spread across 1940 construction kit sounds and 326 designed sounds. From car crashes, explosions, crumbling buildings, earthquakes, ripping earth and metal, to debris, BROKEN features all elements of destruction.

    Recorded in the field and on the Paramount Pictures Foley stage, this library equips sound designers for film, games, and web with the tools for creating a ruckus.

    Get wrecked. Get BROKEN.


Latest releases:

  • ‘Cartoon & Animation Vol 2’ by Cinematic Sound Design delivers the ultimate sound effects library tailored for your comedic creations, cartoons, games, and music productions. Dive into a realm of whimsical wonders with this curated collection of handcrafted sound effects, featuring an array of delightful cartoon pops, boings, jumps, crashes, impacts and a lot more.
    Crafted and captured using top-of-the-line outboard equipment including the ‘Sound Devices 702’ field recorder and Neumann KM184 microphones, each sound is processed through an Apogee Symphony AD/DA for unparalleled clarity, depth, and impact. Discover an array of truly unique SFX meticulously crafted to infuse your projects with personality and charm with a selection of zany boings, energetic jumps, clumsy falls, quirky snaps, lively runs and playful mallets.

    Product Details:

    • 121 Designed Cartoon SFX
    • 24-Bit/96kHz
    • 100% Royalty-Free

  • Unleash the full potential of your audio production with the Tool Bag Foley Sound Effects Library. Meticulously recorded with precision, this library offers an expansive collection of sounds straight from the tool shed. Whether you’re in film, television, game development, or theatre, these sounds will enhance your soundscapes and bring your scenes to life.

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  • CRRRACK!!!

    Introducing “Wood Destruction” – a powerful sound library that brings the raw and intense sounds of wood breaking to your audio projects. This collection is designed to provide sound designers, filmmakers, and video professionals with an extensive range of wood destruction sounds. From small wooden objects to massive structures, every breaking sound is meticulously captured to deliver a sense of power and scale.

    The sounds in “Wood Destruction” are presented in a clean and isolated format, allowing for seamless integration into your projects without the need for extensive editing. Each sound is carefully labeled and categorized, making it easy to find the perfect wood destruction sound for your specific scene or sequence.

    From explosive demolition scenes to suspenseful moments of destruction, this library will be your ultimate resource for authentic and impactful wood destruction sound effects.

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  • Environments & Ambiences Natural Water Streams Play Track 10 sounds included, 30 mins total $18

    This meticulously crafted sound effects library is an essential tool for professionals in film, game development, and audio production who seek authentic and high-quality water soundscapes.

    Recorded using high-quality equipment such as Zoom H4N, H1, and H6, these sounds offer unparalleled clarity and realism. Whether you’re creating serene nature scenes or designing complex audio environments, ‘Natural Water Streams’ provides a versatile range of water sound effects.

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  • Industrial Ambiences Wind Turbines Inner Sounds Play Track 45 sounds included, 144 mins total $15

    Wind turbine rotations and motor movements recorded subterraneously, through wire fences, metal steps and the body of the turbine.

     The results are a selection of metallic movements, evolving eerie soundscapes, atmospheric hums, whines.

     Excellent design source and sound morphing material, eerie atmospheres and dystopian environments.

    https://www.youtube.com/watch?v=QSGOZXKJWbc

    Number of Sounds : 45

    Number of Files : 45      

    Total Audio Time : 2 hours  22 minutes  18  secs  ( 142 minutes 18 seconds)

    Type : WAV Stereo

    Sample Rate / Bit Rate : 192 kHz / 24 Bit

    Mastered : No

    Normalised : No

    Size : 9.92 Gb

    Metadata : Files are stamped with detailed UCS compliant metadata in Soundminer

    Documentation Included : Copyright, EULA, Images, Metadata (exported in multiple formats)

    License : A Sound Effect EULA / Terms and Conditions https://www.asoundeffect.com/license-agreement/

    Recorders : Zoom F3 and Sound Devices Mix Pre 10 II

    Microphones :  LOM Geofon, Stille and Klang small spots, Sennheiser 8040’s and 8050

    Microphone Configuration : Magnetic, Spike, Contact. ORTF and Centre Mic

    KEYWORDS : Wind Turbine , Back, Wire Fence, Metal Steps, Underground, Rotate, Inner, Motor, Vibrate, Whirr, Bass, Hum, Whine, Pulse, Atonal, Disharmonious, Breeze

    FXNAME :  Abandoned Environment, Deserted Environment, Design Source, Dystopian, Eerie Atmosphere, Post Apocalypse, Sound Morph, Uninhabited, Wind Turbine

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Need specific sound effects? Try a search below:


Sound Matters – Ep 23: L.A. Transcendental with David Lynch

Episode outline: ‘In part seven of our Sound of the Cities mini-series – a sonic exploration of our urban environments and their cultural soundscapes – Sound Matters podcast travels to the Hollywood Hills. Peacefully perched up above the sprawling noise emitter that is Los Angeles, we grab a damn fine cup of coffee and sit down with legendary artist, musician and film maker David Lynch to chat about the infinite dynamism of sound, creativity and meditation.’

Hear the episode:
 

Sound Design Live – Recovering from Burnout and Avoiding Overwhelm

Episode outline: ‘In this episode of Sound Design Live I talk with Nicholas Radina while he is mixing monitors on tour for the band O.A.R. We discuss reducing stage volume, troubleshooting wireless transmitters and receivers, recovering from burnout, and how to avoid overwhelm on the job.’

Hear the episode:
 

Beards, Cats, and Indie Game Audio – Ep 52: Gord’s Blog Post

Episode outline: ‘This time around we actually talk about cats. As well as general life, studio expansion, answer some questions and dig into Gord’s recenct blog post on being an ethical employer.

You can find that blog post on the Audiokinetic site at https://blog.audiokinetic.com/dream-job-ethical-employment-in-game-audio/’

Hear the episode:
 

Level with Emily Reese – Ep 99: Alexander Brandon (Aven Colony)

Episode outline: ‘Alexander Brandon has been making music for games for quite some time, like back to the days of Unreal and Unreal Tournament.

His new project is Aven Colony, a city-building strategy game where you build a colony on an alien planet. The music changes and develops as you build your colony successfully, slowly adding more and more acoustic elements after beginning with more synth and electronic sounds.

Alex is also a voice actor (he’s Amaund Motierre in Skyrim, the fella who asks you to assassinate the Emperor), so we chat about how he got into that part of the games industry.’

Hear the episode:
 

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