2019 oscar nominees sound Asbjoern Andersen


The 2019 Oscar nominees have just been announced, and we've compiled all the sound stories behind the nominees for Sound Editing and Sound Mixing for you:
Please share:
‘Black Panther’
– nominated for Sound Editing & Sound Mixing

Black Panther and two of his cohorts arrive off the Royal Talon Fighter.Nominees for Sound Editing: Benjamin A. Burtt and Steve Boeddeker
Nominees for Sound Mixing: Steve Boeddeker, Brandon Proctor and Peter Devlin

 
Get the story behind the sound for ‘Black Panther’, in this A Sound Effect interview with Steve Boeddeker here

‘Bohemian Rhapsody’
– nominated for Sound Editing & Sound Mixing

 



Bohemian Rhapsody | “Put Me In Bohemian” - Mixing in the Vocals | 20th Century FOX



Interview with John Warhurst, Nina Hartstone, Paul Massey, Tim Cavagin, and John Casali:



The Making Of: Bohemian Rhapsody - 2019 Oscars® | Dolby Institute Podcast | Dolby



Nina Hartstone & John Warhurst on the Tonebenders Podcast:

 

Nominees for Sound Editing: John Warhurst and Nina Hartstone
Nominees for Sound Mixing: Paul Massey, Tim Cavagin and John Casali

Further reading on the sound for ‘Bohemian Rhapsody’:

‘Bohemian Rhapsody’ Premiere Relied on a Secret Sound Mix to Re-create Queen’s Iconic Concert

Oscars: How the ‘Bohemian Rhapsody’ Sound Editing Team Re-Created Rock & Roll Royalty

‘First Man’
– nominated for Sound Editing & Sound Mixing

First Man SoundNominees for Sound Editing: Ai-Ling Lee and Mildred Iatrou Morgan
Nominees for Sound Mixing: Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis

 
Get the story behind the sound for ‘First Man’, in this A Sound Effect interview with Ai-Ling Lee and Milly Iatrou here

‘Roma’
– nominated for Sound Editing & Sound Mixing

 



ROMA | Featurette: The Sounds Of Real Life [HD] | Netflix



Nominees for Sound Editing: Sergio Díaz and Skip Lievsay
Nominees for Sound Mixing: Skip Lievsay, Craig Henighan and José Antonio García

 
Read more about the sound for ‘Roma’ here

‘A Star Is Born’
– nominated for Sound Mixing

 



A STAR IS BORN "Creating The Sound" Featurettes NEW (2018) - Bradley Cooper & Lady Gaga


Nominees: Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow
 
Read more the sound for ‘A Star Is Born’ here

‘A Quiet Place’
– nominated for Sound Editing

 



A Quiet Place — How to Write Sound into a Screenplay


Nominees: Ethan Van der Ryn and Erik Aadahl

Learn more about the sound for ‘A Quiet Place’, in this A Sound Effect interview with Erik Aadahl and Ethan Van der Ryn here

See the complete list of 2019 Oscar nominees here

 

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A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Forged in Fury Vol. 1: Modular Sounds for Epic Combat

    Break down, customize, and master every detail of your combat effects with Forged in Fury Vol. 1, a collection of 394 brutal sounds in 192kHz/24. Includes katana, heavy axe, metal claws, and layer-by-layer edited vocals for total control.

    🔪 Katana (193 sounds):
    Double whooshes, precise slashes, impacts, blood splatters.
    Mix layers of edge and secondary effects (e.g. combine a quick whoosh with a feminine scream).

    🪓 Heavy Axe (96 sounds):
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    Combine the roar of metal with the sounds of breaking bones.

    🔗 Metal Claws (37 sounds):
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    🗣️ Male & Female Voices (68 Sounds):
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  • Car Sound Effects Golden State Mustang Play Track 130 sounds included, 28 mins total $44.71

    This sound library is a collection of various actions with game audio in mind from a Ford Mustang 2021 Ecoboost convertible, recorded in parts of rural California in November 2024.

    The Mustang features a 2.3L Inline-4 (I4) turbocharged engine, which was quite the character captured with a lot of emphasis in the multichannel recording session.

    For help to record this beauty I enlisted the aid of my friend Diego Hodge who helped with both his arsenal of microphone options, rigging up the ‘Stang, and planning for the session. You can learn more about Diego’s work here: https://diegohodgeaudio.com/

    The library contains captures of idling, all the way up to 5000 RPM and beyond. Both single rev cycles as well as laying on the pedal for a consistent, sustained loop was a key part of our capture log. We even tried some sporadic flares of the engine in the style of Fast and the Furious, so your scene/game can be complete with that classic aggressive turbo-charged muscle sound to signal to the competition that you mean business.

    For the rest of the session, we captured some burnouts, some close-miked details of the tire on dirt roads, the classic passbys at various speeds, as well as the typical foley and actions associated with vehicles: doors, windshield wipers, buttons, etc. The microphones used: Clippy EM272M and Primo EM258 capsules from Micbooster for the car interior, a pair of Tascam TM-78 condenser mics in the engine bay, a pair of ND468 dynamic mics on the exhaust, and the Rode NTG5 shotgun mic.

    The content is offered in 96 kHz 24 bit for the engine recordings and 192 kHz 24 bit for the actions performed inside the vehicle. Polywavs are naturally provided for the multichannel mic arrays. This library is fully UCS compatible and Soundminer-friendly with richly embedded metadata. It contains 25 WAV files in total with a runtime of close to 28 mins of audio.

    Thank you for listening. I sincerely hope you enjoy my work and have lots of fun making new creations for the world to hear! Also be sure to post or send me what you’re working on with the assets. Attribution is appreciated, but not required.

  • Drones & Mood Sound Effects Electromagnetic Drones Play Track 171+ sounds included, 108 mins total $49

    Electromagnetic Drones is a collection of 171 recordings that capture the invisible electromagnetic landscape produced by electronic devices. Using the Soma Ether, a specialized wide-band receiver, we captured hums, pulses, and static produced by phones, microwaves, fridges, TVs, computers, Wi-Fi routers, and more. Unlike traditional radios that filter out interference, Ether acts as an “anti-radio,” capturing a broad spectrum of electromagnetic activity from hertz to gigahertz, revealing the sonic textures generated by electronic equipment.

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    Captured at 192kHz, these sounds maintain exceptional clarity, allowing for extreme pitch manipulation and creative sound processing. With its dark, atmospheric qualities, Electromagnetic Drones is well-suited for horror, suspense, drama, sci-fi, and experimental sound design in film, television, and video games. Whether you need haunting ambiences, dystopian textures, or immersive low-frequency drones, this collection provides a rich sonic palette drawn from sounds of the electromagnetic world.

  • Explosion Sound Effects Massive Fireworks Play Track 815 sounds included, 350 mins total $29.99

    Massive Fireworks – 815 files of Commercial Fireworks sound effects, at varying distances and intensities. From small pops and sparkles in the distance to screeches and bombastic mortar fire front and center. Massive Fireworks comes in at over 5 hours and 50 minutes of short and long displays of fireworks for every occasion. Recorded during several New Years and Holiday Celebrations. Massive Fireworks’ filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of Fireworks sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

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  • Forged in Fury Vol. 1: Modular Sounds for Epic Combat

    Break down, customize, and master every detail of your combat effects with Forged in Fury Vol. 1, a collection of 394 brutal sounds in 192kHz/24. Includes katana, heavy axe, metal claws, and layer-by-layer edited vocals for total control.

    🔪 Katana (193 sounds):
    Double whooshes, precise slashes, impacts, blood splatters.
    Mix layers of edge and secondary effects (e.g. combine a quick whoosh with a feminine scream).

    🪓 Heavy Axe (96 sounds):
    Powerful whooshes, crushing blows, equip sounds, blood effects.
    Combine the roar of metal with the sounds of breaking bones.

    🔗 Metal Claws (37 sounds):
    Mechanical opening/closing, scratching, cutting whoosh.
    Ideal for fast movements and surprise attacks.

    🗣️ Male & Female Voices (68 Sounds):
    War cries, moans of pain, grunts of effort.
    Use them alone or synced with weapon effects.

    ✨ Key Feature:
    Each sound includes its own editable layers (e.g. whoosh + impact + blood). Do you want a bloodless ax swing? only the whoosh of a katana?, only blood? Modify it instantly.

    🎚️ Studio Quality:
    Recorded in 192kHz/24-32 bits, delivered in 192kHz/24 bits. Perfect for toning down, adding distortion or manipulating without losing clarity.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding katana, heavy ax and claw [Use them again & again]
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.

    24 %
    OFF

   

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