2019 oscar nominees sound Asbjoern Andersen


The 2019 Oscar nominees have just been announced, and we've compiled all the sound stories behind the nominees for Sound Editing and Sound Mixing for you:
Please share:
‘Black Panther’
– nominated for Sound Editing & Sound Mixing

Black Panther and two of his cohorts arrive off the Royal Talon Fighter.Nominees for Sound Editing: Benjamin A. Burtt and Steve Boeddeker
Nominees for Sound Mixing: Steve Boeddeker, Brandon Proctor and Peter Devlin

 
Get the story behind the sound for ‘Black Panther’, in this A Sound Effect interview with Steve Boeddeker here

‘Bohemian Rhapsody’
– nominated for Sound Editing & Sound Mixing

 

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Nominees for Sound Editing: John Warhurst and Nina Hartstone
Nominees for Sound Mixing: Paul Massey, Tim Cavagin and John Casali

Read more about the sound for ‘Bohemian Rhapsody’ here

‘First Man’
– nominated for Sound Editing & Sound Mixing

First Man SoundNominees for Sound Editing: Ai-Ling Lee and Mildred Iatrou Morgan
Nominees for Sound Mixing: Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis

 
Get the story behind the sound for ‘First Man’, in this A Sound Effect interview with Ai-Ling Lee and Milly Iatrou here

‘Roma’
– nominated for Sound Editing & Sound Mixing

 

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Nominees for Sound Editing: Sergio Díaz and Skip Lievsay
Nominees for Sound Mixing: Skip Lievsay, Craig Henighan and José Antonio García

 
Read more about the sound for ‘Roma’ here

‘A Star Is Born’
– nominated for Sound Mixing

 

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Nominees: Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow
 
Read more the sound for ‘A Star Is Born’ here

‘A Quiet Place’
– nominated for Sound Editing

 

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Nominees: Ethan Van der Ryn and Erik Aadahl

Learn more about the sound for ‘A Quiet Place’, in this A Sound Effect interview with Erik Aadahl and Ethan Van der Ryn here

See the complete list of 2019 Oscar nominees here

 

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  • Mechanical Old Engines Grab Bag Play Track 486 sounds included, 265minutes of multitrack recordings mins total $129 $99

    “Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.

    The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.

    Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.

    Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).

    The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
    All files have extensive metadata created in Soundminer, including leg picker with microphone labels.

    Demo files include pitched sounds, which are not delivered with library.

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