In this roundup, Paul Virostek outlines the common field recording errors we all make while trying to capture meaningful sounds. Rob Bantin, Audio Programmer at Ubisoft, shares his background in game audio development and his thoughts about the industry. Kate Carr and Luca Nasciuti explore the politics and cultures of cities expressed through field recording with ethnographer Benjamin Tausig and radio producer Camilla Hannan.
Re-recording mixer Pete Horner discusses the incredible process of restoring and remixing the 40th anniversary edition of Apocalypse Now: Final Cut that was recently released, marketing Mentor Ilise Benun talks about why she loves to discuss money with clients and her tricks for making it a comfortable conversation.
David Allen, Author of Getting Things Done, shares his five-step process for organizing thoughts into actions, which can be applied almost any area of life. Sean and Liz explore working less and charging more as freelancers, as we become more efficient in our skills. And Dane Sanders, Founder of Fastermind.co, breaks down the difference between freelancers and entrepreneurs in a very informative final chapter of The Six Figure Freelancer audio course.
Episode outline: ‘Episode 2: common specific errors beginners and pros alike make while recording sounds in the field.’
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Episode outline: ‘For this episode, we spoke with Rob Bantin, Senior Audio Programmer at Ubisoft. We spoke about his journey into the world of game audio development, his work on Ubisoft’s latest release (The Division 2), and more! The post Audio Programmer Podcast 04 with Guest Rob Bantin (Ubisoft Games) appeared first on The Audio Programmer.’
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Episode outline: ‘Re-recording mixer Pete Horner discusses the incredible process of restoring and remixing the 40th anniversary edition of Apocalypse Now: Final Cut that was recently released in Dolby Atmos and 4K Ultra HD. Pete shares how he created a new master track, enhanced the LFE with the help of a new Meyer Sound speaker and collaborated with Director Francis Ford Coppola and Walter Murch.’
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Episode outline: ‘The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti.
The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti. This episode explores the politics, challenges and excitement of recording in cities. It features interviews with US ethnographer Benjamin Tausig and Australian artist and radio producer Camilla Hannan. Ben discusses his new book Bangkok is Ringing, the ways sound can help us think about politics and his field work in Thailand. Camilla describes a recent trip to Papua New Guinea, discusses the relationship between sound art and radio, and outlines her techniques and approaches to recording.’
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“Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.
The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.
Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.
Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).
The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
All files have extensive metadata created in Soundminer, including leg picker with microphone labels.
Demo files include pitched sounds, which are not delivered with library.
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Episode outline: ‘Don’t you just hate talking about money with clients? Either you’re quoting WAY too low, or you’re putting out a number that makes you feel like an imposter. Either way, talking budget is a source of incredible anxiety for most freelancers.
Unless, of course, you’re Ilise Benun. Ilise LOVES having the money conversation with clients, and that’s because she’s figured out a great trick for making both her and her clients comfortable discussing budget.
It’s a simple trick, but it’s a mind-blower: she asks “is this a $500 project, a $5000 project, or a $50,000 project?” Find out WHY this amazing trick works in her conversation with Kyle!’
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Episode outline: ‘Your mind is brilliant at surfacing potential insights, and connecting dots that help you solve problems. However, many people rely on their mind as the key repository for all of their hunches and ideas, which is not a great system. Too many things slip through the cracks.
On this episode, David Allen shares the five key steps for turning hunches into breakthroughs, and why he’s just released a workbook companionto his bestselling book Getting Things Done.‘
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Episode outline: ‘Sean and Liz discuss the concept of working less and charging more. If you’re more efficient with your time, why should you charge less?’
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Episode outline: ‘In this episode, Dane speaks to us about:
Why it is important to know whether you’re a freelancer or an entrepreneur: You have to decide whether you are trading your time for money or creating a business that’s built for scale, because your tactics for growth will be very different based on this.
How to be successful in either career: As a freelancer the only way to make more money if you can’t add more time is to raise your prices; you can do so by really customizing and differentiating your services from other freelancers, and ensuring customers are willing to pay a premium to have access to you.
Why referrals and community matter: How being connected to other freelancers in your space or a similar situation can help you leapfrog and grow.’
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