Voting for The Audio Spotlight’s SAMPLE DEVELOPER AWARDS 2014 ends Thursday, and this year they’ve included two SFX library award categories. If you want to help pick the winners, now’s a great time to vote – click the button below to start the voting process:
Want to hear the finalists?
Many of the finalists are available here on A Sound Effect, and if you want to learn more about them, get your hands on them – or just hear what they sound like – check them out below. Congratulations to all the nominees, and good luck!
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Drones & Mood Sound Effects Around Bridges 1 (Dresden) Play Track 70 sounds included, 30 mins total $25
Around Bridges introduces the inner sound of various bridges.
The steel components of a bridge transmit the vibrations caused by passing cars or pedestrians in a fascinating manner.
So this library contains the sounds of excited beam barriers, noise barriers, expansion gaps and a lot more steel components that bridges are made of.
Also included are takes of footsteps, rain and wind – ordinary noises that get a certain magic when recorded at a handrail.
To round up this library several high quality AB-stereo ambiences of the acoustical surroundings of bridges are included.Read the story behind the library
Around Bridges features sounds organised into 10 categories:Ambience Below • Ambience Top • Beam Barriers • Expansion Gaps • Footsteps Handrails • Noise Barriers • Rain • Steel Structures • Wind
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Doom Drones contains more than 3Gb of eerie, doomful, dark, atmospheric field recordings, designed drones and backgrounds. Perfect for something in the realm of a David Lynch film, ambient music production, a horror film, or just to set the mood of a foreboding soundscape.
Each artist made 60 custom loops for a total of 120 loops. With SoundMorph focusing more on field recordings and subtle tonal design and Arovane focusing more on dynamic synthetic textures and sound design. Both perfectly suitable as layers or final assets, depending on their use, Doom Drones is a great addition for anyone wanting to enhance dark ominous moments.
All field recordings were captured with a mid/side stereo setup consisting of 2 Schoeps CMC6 bodies, Schoeps mk5 & mk8 capsules housed in a Rycote AE windshield running into a Sound Devices 722.
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The Floppy Drives sound effects library features recordings of seven computer disk drives: two 3.5″ floppy drives, one 5.25″ floppy drive, three Zip drives, and one SuperDisk drive.
All drives were taken apart to access and manipulate the stepper/eject motors to create unique sounds. These range from electronic percussive bleeps and glitchy noises, to electromechanical motor movements.
An Arduino UNO microcontroller board was connected to one of the 3.5″ floppy drives, allowing precise control of the drive’s stepper motor via custom software code. A midi keyboard was interfaced to the system, giving the ability to control the back-and-forth movement of the read/write heads via notes on the keyboard. This essentially turned the drive into an instrument, producing a new set of sounds not existing in the drive’s normal functions.
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We packed all the sonic variety of humanity into 400 sound fx, totalling over 1.6 gigabytes.
The Human sound effects library offers coughing, cooing, puking, sneezing, and sniffles. Laughing, grunting and groans join farts, burps, and belches. There are wolf whistles, cat calls, snoring, and others.
All takes are identified by performer so you can match similar takes. Includes men, women, and a four-month-old baby. Includes over 10 fields of rich Soundminer metadata.
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Indecent Machines is a sci-fi sample pack inspired by a concept of mechanical disrepair and emergent AI consciousness. It features 1.7 gigabytes of 24-bit/96khz samples and bundled Kontakt kits, created by producer/sound designer Chad Glenn.
These sounds originated from field and studio recordings of various machines which were then processed through custom DSP algorithms using Kyma and other sound design tools.
The result is a unique set of mutant robotics, mechanical snippets, evolving textures, rhythmic artifacts and menacing atmospheres appropriate for music and sound design projects of all kinds. Features 347 .wav files and 5 Kontakt kits (full version of NI Kontakt required for the Kontakt files).
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Drones & Mood Sound Effects LiquidMetal – Waterphone Play Track 263 sounds includedRated 5.00 out of 5$71
The LiquidMetal – Waterphone SFX pack contains a lot of great material for your next deep impact horror project, when you need eerie, suspenseful and deep sounds that bring the fear out in you and your audience.
We hit, rattled, bowed, snaped and swashed the real Waterphone – a unique instrument – for really formidable sounds.
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Robobiotics is an exciting new sound effects collection from The Library by Empty Sea. It delivers 3600+ original sound effects for scifi and robots. We’re talking about almost 3 hours of material here.
We spent over a year recording and designing Lasers, Robot Vox, Impacts, Servos, Ratcheting Metal, Ambiances, Transformations, Foley, Vehicle Bys and much much more!
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This is a collection of all of the mechanical sounds you can get out of handling the specific weapons.
Included are sounds from the Glock 9mm, Walther P22, Smith and Wesson .38 revolver, Heckler and Koch MP4, M4 Carbine and M24 Sniper Weapon System.
All sounds are recorded indoors with both close and medium perspectives, giving you both dry and wet options to speed up your design process.
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Wood Impacts features a large number of organic-sounding wooden crunches, impacts, metal+wood clashes and wood fiber explosions.
The sounds are organized into 10 different categories such as Hits, Movements, Digs, Cracks, Mangles – giving you lots of great and versatile material for your sonic arsenal!
Reminder: Follow this link to vote for your favorites.
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Firearms Sound Effects Analogue Ordnance Play Track 6300+ sounds included, 293 mins totalRated 5.00 out of 5
$120$96Analogue Ordnance is a massive construction kit for science fiction weapon sounds, made entirely with hardware synthesizers, mastered entirely in the analogue domain, and with more variations per sound than any library of its kind. Absolutely no software plug-ins of any kind were used in its creation, except for its collection of ready-to-use designed sounds to show what can be done with the library’s constituent parts.
Masterminded by sound designer Nathan Moody, this library’s unique sonic language delivers about five hours of material, pushed hard through op amps, transistors, tubes, and transformers. Boutique and unique, customized synthesizer modules were used in conjunction with mastering-grade studio hardware to create sounds that range from retro and cute to modern and devastating.
Sounds are organized into mechanical, thump, body, tail, and charge-up groups for truly modular weapon construction. Each group has six to eight “banks” of related sounds, many with intensity (light, heavy) and duration (short, medium, and long) options. Nearly all sounds include 16 variations. In addition to the construction kit elements, some fully-designed weapon sounds are provided (using only the sounds from the construction kit), designed by Nathan Moody, Chase Steele, Axel Steichen, and Sergio Ronchetti.
But the flexibility doesn’t stop there. Reversing the sounds suddenly turns charge-ups into body elements, and vice versa. Each group has some frequency overlap with the others, so they can be mixed interchangeably outside of their labeled or intended uses with filtering and time/pitch manipulation. While the sounds are designed to be layered with themselves, this library plays very well with others, providing thousands of sweeteners to “tech up” any near-future gun or projectile-based firearm, magical attacks, superhuman abilities, or even user interface elements.
Add some hardware to your warfare. From concealable stun pistols to orbital artillery, Analogue Ordnance provides a fresh injection of new source material for your sci-fi weapon designs.
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Introducing Airy Whooshes 2, the successor to our popular Airy Whooshes 1 sound library!
Airy Whooshes Sound Clips
There are thousands of swoosh sounds out there. Sometimes you just want a simple, plain whoosh sound.Airy Whooshes 2 was designed to help – it cuts through the clutter to find the perfect whoosh sound. It features over 500 classic whoosh sounds that are high-pitched, subtle, and plain. They’re just the thing to add flair to knife swipe sounds, sword swing sweep clips, or fights with punch whooshes. They’re also a perfect fit for car chase whip bys, anime speed accents, logo fly-ins, game audio inventory drops, and much more.
Over 500 easy-to-use classic swipe sounds including subtle whooshes, thick swipes, smooth whip-bys, and thin swooshes.
Sometimes simple is better.
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Destruction & Impact Sounds Cracks Play Track 800+ sounds included, 200 mins totalRated 5.00 out of 5
$55$43CRACKS is a large exploration of different cracking sound sources – cracking, crunching, breaking and creaking.
I have recorded a number of different materials, designed and processed to create some more aggressive, powerful and ready-to-use destruction sounds.
Bread, Cardboard, Celery, Ceramic, Chips, Glass, Ice, Icy vegetables, Leather, Paper, Pasta, Plastic, Polystyrene, Rocks, Snow, Wood.
The library contains over 444 sound files – around 2,5 hours of sounds included in total.
Originally recorded at 192 kHz with two Sennheiser MKH8040 and a Sound devices 702.Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.
(see the full track list below).
Update 3 – New sounds added to the library:
Cracks has been updated with 71 new recordings, and completely renamed and tagged in UCS .
A total of 2 GB of free additional content, bringing the total library size to over 7 GB in 515 files.
Update 4 – New sounds added to the library:
Cracks has just been updated with 73 new files, more rock, ice and wood cracks.
A total of 1,8 GB of free additional content, bringing the total library size to over 8,5 GB in 586 files.
22 %OFF
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Firearms Sound Effects Analogue Ordnance Play Track 6300+ sounds included, 293 mins totalRated 5.00 out of 5
$120$96Analogue Ordnance is a massive construction kit for science fiction weapon sounds, made entirely with hardware synthesizers, mastered entirely in the analogue domain, and with more variations per sound than any library of its kind. Absolutely no software plug-ins of any kind were used in its creation, except for its collection of ready-to-use designed sounds to show what can be done with the library’s constituent parts.
Masterminded by sound designer Nathan Moody, this library’s unique sonic language delivers about five hours of material, pushed hard through op amps, transistors, tubes, and transformers. Boutique and unique, customized synthesizer modules were used in conjunction with mastering-grade studio hardware to create sounds that range from retro and cute to modern and devastating.
Sounds are organized into mechanical, thump, body, tail, and charge-up groups for truly modular weapon construction. Each group has six to eight “banks” of related sounds, many with intensity (light, heavy) and duration (short, medium, and long) options. Nearly all sounds include 16 variations. In addition to the construction kit elements, some fully-designed weapon sounds are provided (using only the sounds from the construction kit), designed by Nathan Moody, Chase Steele, Axel Steichen, and Sergio Ronchetti.
But the flexibility doesn’t stop there. Reversing the sounds suddenly turns charge-ups into body elements, and vice versa. Each group has some frequency overlap with the others, so they can be mixed interchangeably outside of their labeled or intended uses with filtering and time/pitch manipulation. While the sounds are designed to be layered with themselves, this library plays very well with others, providing thousands of sweeteners to “tech up” any near-future gun or projectile-based firearm, magical attacks, superhuman abilities, or even user interface elements.
Add some hardware to your warfare. From concealable stun pistols to orbital artillery, Analogue Ordnance provides a fresh injection of new source material for your sci-fi weapon designs.
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Deep Underwater Designed is a collection of ready-made designed underwater sounds.
The library includes a range of FX including various underwater movements, atmospheres, explosions and bubbles; this in combination with different sonic textures and deep underwater perspectives.
Atmospheres are over 5 minutes in duration (for surround application).
No hydrophones were used in the creation of this library.
Please note that my sound libraries do not go on sale (this is so prices are fair all year round), and they are sold exclusively on asoundeffect. :-)
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Compilation of 10 different SUVs. Sounds are recorded with RØDE NTG1, RØDELink Lav, Line Audio Omni1, Shure KSM137, Shure VP88, Sonorous Objects SO.3 FEL Pluggy XLR EM272 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II, Zoom F3 and Zoom H4n recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. The library is also available in UCS.
Models:
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Alfa Romeo Stelvio 2016 compact crossover SUV sport utility vehicle
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Audi Q5 2008 compact crossover SUV sport utility vehicle
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Lada Niva 1977 off-road compact SUV sport utility vehicle
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Land Rover Freelander 2003 compact crossover SUV sport utility vehicle
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Mazda CX-5 2012 compact crossover SUV sport utility vehicle
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Nissan Qashqai 2006 compact crossover SUV sport utility vehicle
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Renault Captur 2013 subcompact crossover SUV sport utility vehicle
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Suzuki SX4 2006 subcompact crossover SUV sport utility vehicle
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Tesla Model Y 2020 electric mid-size crossover SUV sport utility vehicle
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Volkswagen Tiguan 2007 compact crossover SUV sport utility vehicle
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SMALL MOTORS, BIG VALUE – TINY TECH IN ACTION
The SB114 SMALL MOTORS Sound Effects Library is a collection of close-up recordings of various small electronic motors.WHIZ, WHIRS, REVS AND PURRS FOR YOUR PROJECT
We captured the sounds of small electric motors from various household items, then meticulously edited them to be useful as practical effects or manipulated as sound design. Our recordings feature blenders, coffee grinders, drills, food processors, handheld massage vibrators, a tiny whipping frother, toothbrushes, razor/shavers, and a wine opener. Each sound was recorded in 24-bit/96kHz to minimize audio artifacts when processing as unique sound design. Every file includes Soundminer-compliant metadata and an organized file naming structure, allowing you to spend less time searching and more time creating.20 %OFFEnds 1727128799 -
Drones & Mood Sound Effects Sci Fi Game Menu Music – Background Music Loops Play Track 10 sounds included
$36$32.40Enhance your game with this Sci-Fi Menu Music Pack, featuring seamless loops designed for background ambiance in space-themed interfaces. Ideal for menus and GUIs, this collection offers immersive, ambient soundscapes that elevate the sci-fi experience. Perfect for creating a captivating and futuristic game atmosphere.
10 %OFFEnds 1727128799