Game Audio at GDC 2019 Asbjoern Andersen


Like an alarm clock that rings and throws you bolt-upright out of bed, this year’s Game Developers Conference is swiftly upon us. Packed with more presentations that you can shake a stick at, this year’s hot tips focus on things happening outside the conference and are (mostly) accessible to anyone in San Francisco who is up for some good ol’ game audio. Here’s what’s happening!


Guest post by Damian Kastbauer



 
Sunday, February 26th
DesigningSound.Org Meetup
4:00pm-7:00pm

Maybe you’re hitting the town early, soaking up the San Francisco ambience. If you’re not too busy exploring the Musée Mécanique or drifting away with the Wave Organ, drop by the DesigningSound.org meetup on Sunday afternoon and kick the week off celebrating the scene with some of the folks behind this incredible resource.

RSVP recommended but not required. Details here.

Monday through Saturday
Sightglass Game Audio Podcast Meetups
7:00am-9:00am

Arriving bleary-eyed at 7am for coffee and conversation during the week at GDC is the best/worst thing you could do for yourself throughout the conference. Best, because the brew at Sightglass (7th & Folsom) is worth talking about for the rest of the year. They also allow a motley crew of game audio folks to ascend to their 2nd floor balcony and hold court and wax philosophically about the unfolding day’s game audio epiphanies. Worst, because 7-9am amirite? (I bet you don’t have anything else scheduled during that time though, do you?)

 
[tweet_box]Damian Kastbauer’s Guide to Game Audio at GDC 2017[/tweet_box]  
Monday through Friday
Carousel Con
Lunchtime (Behind the Carousel on the Grassy Knoll)
12:00pm-2:00pm

Brown-bag your way behind the carousel on the corner of 4th & Howard to the concrete stairs for an informal gathering of folks bursting with inspiration. This is a chance to stretch out in the sun (hopefully), grab a bite, and soak up some of the knowledge folks have gleaned throughout the morning’s presentations or adventures. Some of my favorite memories have come from deep conversations shared by anyone and everyone who coagulates. (Bonus points for the mass carousel ride at the end of Friday’s lunchtime.)
This year marks the first Carousel Con, a micro-talk formatted conference that will take place simultaneously off in a corner of the area and will feature speakers sharing their game audio knowledge (in short-form 10 minute bursts) with a circle of interested people. Organized by Matthew Marteinsson, Mike Csurics, Fryda Wolff (and a little help from me), there will be buttons, ribbons, and opportunities for folks to walk up and submit a talk for a chance to jump on the stump and share your passions.

Tuesday, February 28th
Audio Bootcamp
10:00am-6:00pm

Tuesday’s Audio Bootcamp signals the official start of the Audio Track at GDC and is a powerhouse of professionals prepared to submerge the packed room in a comprehensive game audio master class. Matthew Lee Johnston kicks it off with an alarm call for audio developers in his talk titled “GREAT AUDIO DESIGN: BY ANY MEANS NECESSARY” followed quickly by Tomas Neumann (one of the audio programmers on Overwatch) breaking down “AUDIO TECH 101”. We’re then treated to a presentation by Steve Green, Lead Sound Designer and Music Implementor, which leverages his experience on ABZÛ titled “INTERACTIVE MUSIC APPROACHES”. This takes us right into the “LUNCHTIME SURGERIES” where tables full of bootcamp attendees have an opportunity to chat casual-like with all of the presenters while noshing.

The afternoon lineup has some wonders to share! Khris Brown gets the crowd revved up with “FIGHTING LEGOS: AUDIO CHOREOGRAPHY FOR BATTLE DESIGN” which promises to be a workout of vocalization sound, and then Matt Piersall will demonstrate “PERFORMANCE BASED SOUND DESIGN” drawing from his experience creating sound for AAA games. One of the forerunners of VR Audio, Sally Kellaway, will be speaking on “APPROACHING AND DESIGNING AUDIO FOR INTERACTIVE VR APPLICATIONS” and will be sharing experience gleaned from her time working in VR, and then Leonard Paul will bring his considerable expertise as a game composer and educator to explain “DIFFERENT APPROACHES TO GAME MUSIC”. Rounding out the day is Bonnie Bogovich and her presentation “PARTY OF ONE: HOW TO BE ‘THE AUDIO DEPARTMENT'”. All-in-all, a tremendous breadth of information from every corner of the game audio universe. All of these are absolute musts!


Popular on A Sound Effect right now - article continues below:


Trending right now:

  • Bicycle Sound Effects Skid and Drift Play Track 755 sounds included, 78 mins total $56

    Are you looking for skid sounds for your next action movie? Well, this sound library is made for you.

    “Skid and Drift” is the result of 4 years of recording work. It is a complete collection of skids from various vehicles, recorded from multiple perspectives, on all types of surfaces, and in high quality (dirt, dry and wet concrete, gravel, etc.).
    You will find skids from race cars recorded during the French National Drift Championship, skids from go-karts, motocross bikes, bicycles, skateboards, ice skates, rollerblades, as well as foot skids.
    These sounds were recorded in both stereo (XY and ORTF position) and mono, depending on the case, using the following microphones: Schoeps CCM4, Neumann U87, DPA4061, Lom MikroUsi. All sounds are recorded in 24-bit. The sampling frequency is 48kHz for scuffing footsteps sounds, and 96kHz and 192kHz for other recordings.

    The metadata is precise and complete. All sounds are in UCS format.

    20 %
    OFF
  • Unleash the power of the low end with this exclusive sample pack! Packed with 229 meticulously crafted sounds (422 MB), this collection delivers a treasure trove of deep, sub impacts and effects designed to bring weight and intensity to your productions.

    229 Sounds: A mix of low-end impacts and FX, perfect for adding cinematic depth, sound design flair, or driving energy to your tracks.
    High-Quality Audio: Recorded and processed at 24-bit, 96kHz to ensure pristine clarity and maximum headroom for your mix.
    Versatile Applications: Ideal for film scoring, video game sound design, trailer production, or any music genre where you need heavy-hitting low-end textures.
    From bone-shaking impacts to atmospheric sub-bass FX, this pack is the perfect toolkit to elevate your sound. Download now and feel the boom!

    Please keep in mind that downloads through asoundeffect cannot be free. Therefor a 5$ hosting fee was implemented. 

    AUDIO SUMMONERS

  • Train Sound Effects Trains, Trams & Rails Play Track 50 sounds included, 78 mins total $10

    Trains, Trams and Rails is a collection of essential rail sounds, recorded in various locations across Europe and Asia – featuring London underground ambience, Lisbon trams, commuter and freight rail from Spain, Cambodia, Sri Lanka and the UK. All sounds are meta-tagged with markers via Soundminer and filenames/ categories are UCS compliant.

    Recorded with Wildtronics Stereo, Sony PCM D-100 and USI Pro Mics.

    33 %
    OFF
  • Mechanical Sound Effects MicroMech Play Track 1800+ sounds included, 72 mins total $40

     MicroMech is an expressive collection of tiny, non-motorized mechanisms.

    Recorded by Nathan Moody in great ultrasonic detail, this collection of quiet and delicate sounds can become robotic limbs or fingers, weapon mechanisms, gun reloads, crafting or equipping sounds in a game, high-tech gadgets, superhero armor, clockwork steampunk artifacts, door latches, or any other metallic articulations you can think of.

    It pairs perfectly with Studio Obsidian’s Analogue Ordnance library for high-tech weaponry mechanism sounds.

    An hour of clicks, rattles, ratchets, trills, clacks, and slides will fill your sonic projects with mechanical filigree and mechanized finesse. Props include antique and vintage cameras, can openers, dictaphones, high-end fidget toys, and much more. Each recording in MicroMech has many performance variations, making them perfect for game audio projects.

    All sounds were recorded dry with a hypercardioid microphone and an ultrasonic-capable omni microphone into Millennia preamps, blended together for a punchy, full-range tone while preserving ultrasonic content.

    Get big sounds from small sources with MicroMech!


Latest releases:

  • 100+ Toys, 1500+ Designed Sounds – From Childhood Playthings to Cinematic Gold. TOYED has it all.

    Think You Don’t Need a Library of Toys? Think Again.

    This release might just change your mind—and blow your mind at the same time! TOYED is an exclusive sound library from the Founder of SoundMorph, Jason Cushing. With a 25-year career spanning AAA games, anime, cartoons, and film, Jason has designed for Electronic Arts, BioWare, and Epic Games, contributing to titles like the Mass Effect Trilogy, Skate Trilogy, and Unreal Engine’s weapon sound design. His deep expertise in cinematic sound design, UI creation, ambient textures, and weapons makes TOYED a versatile, high-end collection of professionally crafted sounds.
    Jason’s meticulous approach to field recording and sound selection ensures that this library isn’t just about capturing toy sounds—it’s about unlocking rich, unique sonic textures that are ideal for games, film, animation, and futuristic sound design. With contributions from longtime SoundMorph sound designers Andrew Pals, Tibo Csuko, and Vincent Fliniaux (GORE 2, WATER, Robotic Lifeforms 2), TOYED is built to deliver exceptional quality and usability across multiple production styles.

  • Car Sound Effects Golden State Mustang Play Track 130 sounds included, 28 mins total $44.71

    This sound library is a collection of various actions with game audio in mind from a Ford Mustang 2021 Ecoboost convertible, recorded in parts of rural California in November 2024.

    The Mustang features a 2.3L Inline-4 (I4) turbocharged engine, which was quite the character captured with a lot of emphasis in the multichannel recording session.

    For help to record this beauty I enlisted the aid of my friend Diego Hodge who helped with both his arsenal of microphone options, rigging up the ‘Stang, and planning for the session. You can learn more about Diego’s work here: https://diegohodgeaudio.com/

    The library contains captures of idling, all the way up to 5000 RPM and beyond. Both single rev cycles as well as laying on the pedal for a consistent, sustained loop was a key part of our capture log. We even tried some sporadic flares of the engine in the style of Fast and the Furious, so your scene/game can be complete with that classic aggressive turbo-charged muscle sound to signal to the competition that you mean business.

    For the rest of the session, we captured some burnouts, some close-miked details of the tire on dirt roads, the classic passbys at various speeds, as well as the typical foley and actions associated with vehicles: doors, windshield wipers, buttons, etc. The microphones used: Clippy EM272M and Primo EM258 capsules from Micbooster for the car interior, a pair of Tascam TM-78 condenser mics in the engine bay, a pair of ND468 dynamic mics on the exhaust, and the Rode NTG5 shotgun mic.

    The content is offered in 96 kHz 24 bit for the engine recordings and 192 kHz 24 bit for the actions performed inside the vehicle. Polywavs are naturally provided for the multichannel mic arrays. This library is fully UCS compatible and Soundminer-friendly with richly embedded metadata. It contains 25 WAV files in total with a runtime of close to 28 mins of audio.

    Thank you for listening. I sincerely hope you enjoy my work and have lots of fun making new creations for the world to hear! Also be sure to post or send me what you’re working on with the assets. Attribution is appreciated, but not required.

  • Drones & Mood Sound Effects Electromagnetic Drones Play Track 171+ sounds included, 108 mins total $49

    Electromagnetic Drones is a collection of 171 recordings that capture the invisible electromagnetic landscape produced by electronic devices. Using the Soma Ether, a specialized wide-band receiver, we captured hums, pulses, and static produced by phones, microwaves, fridges, TVs, computers, Wi-Fi routers, and more. Unlike traditional radios that filter out interference, Ether acts as an “anti-radio,” capturing a broad spectrum of electromagnetic activity from hertz to gigahertz, revealing the sonic textures generated by electronic equipment.

    The library features both raw recordings directly from the Soma Ether device, as well as designed sounds, giving you a versatile range of textures to work with. These recordings were transformed into deep, evolving drones, ranging from gritty industrial hums and eerie, synth-like tones to rhythmic machine pulses and dissonant, unsettling tones.

    Captured at 192kHz, these sounds maintain exceptional clarity, allowing for extreme pitch manipulation and creative sound processing. With its dark, atmospheric qualities, Electromagnetic Drones is well-suited for horror, suspense, drama, sci-fi, and experimental sound design in film, television, and video games. Whether you need haunting ambiences, dystopian textures, or immersive low-frequency drones, this collection provides a rich sonic palette drawn from sounds of the electromagnetic world.

  • Explosion Sound Effects Massive Fireworks Play Track 815 sounds included, 350 mins total $29.99

    Massive Fireworks – 815 files of Commercial Fireworks sound effects, at varying distances and intensities. From small pops and sparkles in the distance to screeches and bombastic mortar fire front and center. Massive Fireworks comes in at over 5 hours and 50 minutes of short and long displays of fireworks for every occasion. Recorded during several New Years and Holiday Celebrations. Massive Fireworks’ filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of Fireworks sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

    Visit Us At: www.MassiveSoundFX.com

    40 %
    OFF
  • Forged in Fury Vol. 1: Modular Sounds for Epic Combat

    Break down, customize, and master every detail of your combat effects with Forged in Fury Vol. 1, a collection of 394 brutal sounds in 192kHz/24. Includes katana, heavy axe, metal claws, and layer-by-layer edited vocals for total control.

    🔪 Katana (193 sounds):
    Double whooshes, precise slashes, impacts, blood splatters.
    Mix layers of edge and secondary effects (e.g. combine a quick whoosh with a feminine scream).

    🪓 Heavy Axe (96 sounds):
    Powerful whooshes, crushing blows, equip sounds, blood effects.
    Combine the roar of metal with the sounds of breaking bones.

    🔗 Metal Claws (37 sounds):
    Mechanical opening/closing, scratching, cutting whoosh.
    Ideal for fast movements and surprise attacks.

    🗣️ Male & Female Voices (68 Sounds):
    War cries, moans of pain, grunts of effort.
    Use them alone or synced with weapon effects.

    ✨ Key Feature:
    Each sound includes its own editable layers (e.g. whoosh + impact + blood). Do you want a bloodless ax swing? only the whoosh of a katana?, only blood? Modify it instantly.

    🎚️ Studio Quality:
    Recorded in 192kHz/24-32 bits, delivered in 192kHz/24 bits. Perfect for toning down, adding distortion or manipulating without losing clarity.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding katana, heavy ax and claw [Use them again & again]
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.

    24 %
    OFF
Need specific sound effects? Try a search below:


Wednesday, March 1
IASIG Meetup @ Thirsty Bear (661 Howard St)
6:00pm-9:00pm

The IASIG continues to throw one of the best-attended parties during GDC at the Thirsty Bear. For over 20 years, the organization has been a lightning rod for technically-minded interactive audio folks and has been at the forefront of standardization and publications. Mingling with some of the finest minds after the first full day of the Expo Hall is sure to inspire some engaging conversations about some of the exciting things on the show floor. How do the new Nuendo 8 game audio workflows look? What fun is to be had with the new Wwise Authoring Application API? Is there a demo (and how long is the line) for the Valve “Steam Audio” Solution? This will be the first chance to dig deep after submerging in the newest offerings, and it’s a great group of folks to get down with.

Wednesday, March 1
Game Audio Karaoke (177 Eddy St)
Pandora Karaoke
8:00pm-11:00pm

Follow the sound of wild falsetto and pitch-perfect celebrity vocal impressions to the first official(?) Game Audio Karaoke night. Organized by Luca Fusi, this is exactly the kind of bonding experience you might be looking for after a long day of hustle and flow. Bring your setlist, jump in the cue, and sing your life!

Wednesday, March 1
17th Annual Game Developers Choice Awards
6:30pm-8:30pm

The glitz and glam of the Game Developers Choice awards Wednesday night is the hot-ticket to see all of the coolest indies and accomplished developers. With the comedy of Tim Schafer and wit of Nina Freeman celebrating Oscar-style across every game genre and specialty, it’s the perfect opportunity to soak up some paparazzi and party like a game developer rock star.

Thursday, March 2
15th Annual Game Audio Network Guild Awards
7:30pm-9:30pm

The focus on Game Music and Audio makes this an event worth attending. A room full of folks all looking to honor the accomplishments of the last years game audio accomplishments: what could be better than elevating the art of audio to make you feel like part of something much bigger than yourself. This is a great feeling to cultivate because you’ll find that the conference is a great way to understand the role you play (or could play) in developing games.

Friday, March 3rd
SoVGA Meetup – The Hall SF (1028 Market)
5:00pm
Friday Night Foley
(Coordination)

The School of Video Game Audio has been inviting folks for a final hurrah on the last day of GDC in what has become a final meeting before the explosion of a thousand tiny stars that signals the end. Wobble out from the lobby of Moscone one-last-time with people who will be reticent to let the good vibes and experiences go. It’s a time to plan for later in the evening, or for the future of game audio.

Cody Predum & Emily Meo are pulling together an open invitation to let loose on the streets of San Francisco as a wild pack of sound designers with portable recorders. I imagine hanging off fire escapes to capture the perfect squeak, cardboard box physics impact simulations, and plenty of camaraderie. Find them at the SoVGA Party and climb on board…and don’t forget your recorder!

There’s just too much, and there’s something about the max-saturation, living-in-the-moment slip-stream that makes the best laid plans superfluous. So bring your flexibility, your dynamic personality, and above all your kindness and compassion. The best thing is to go with the flow.

See you on the other side!
Damian

A big thanks to Damian for all the great information!
 

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THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Unleash the power of the low end with this exclusive sample pack! Packed with 229 meticulously crafted sounds (422 MB), this collection delivers a treasure trove of deep, sub impacts and effects designed to bring weight and intensity to your productions.

    229 Sounds: A mix of low-end impacts and FX, perfect for adding cinematic depth, sound design flair, or driving energy to your tracks.
    High-Quality Audio: Recorded and processed at 24-bit, 96kHz to ensure pristine clarity and maximum headroom for your mix.
    Versatile Applications: Ideal for film scoring, video game sound design, trailer production, or any music genre where you need heavy-hitting low-end textures.
    From bone-shaking impacts to atmospheric sub-bass FX, this pack is the perfect toolkit to elevate your sound. Download now and feel the boom!

    Please keep in mind that downloads through asoundeffect cannot be free. Therefor a 5$ hosting fee was implemented. 

    AUDIO SUMMONERS

  • Mechanical Sound Effects MicroMech Play Track 1800+ sounds included, 72 mins total $40

     MicroMech is an expressive collection of tiny, non-motorized mechanisms.

    Recorded by Nathan Moody in great ultrasonic detail, this collection of quiet and delicate sounds can become robotic limbs or fingers, weapon mechanisms, gun reloads, crafting or equipping sounds in a game, high-tech gadgets, superhero armor, clockwork steampunk artifacts, door latches, or any other metallic articulations you can think of.

    It pairs perfectly with Studio Obsidian’s Analogue Ordnance library for high-tech weaponry mechanism sounds.

    An hour of clicks, rattles, ratchets, trills, clacks, and slides will fill your sonic projects with mechanical filigree and mechanized finesse. Props include antique and vintage cameras, can openers, dictaphones, high-end fidget toys, and much more. Each recording in MicroMech has many performance variations, making them perfect for game audio projects.

    All sounds were recorded dry with a hypercardioid microphone and an ultrasonic-capable omni microphone into Millennia preamps, blended together for a punchy, full-range tone while preserving ultrasonic content.

    Get big sounds from small sources with MicroMech!

  • Ever wondered how to get the creatures, beasts and monsters in your project as badass and nasty as possible?

    This collection is filled with high-quality sound effects that let your clients tremble in their seats. The curated package comes with everything you need: Vocals like attacks, breaths, threats, alerts, idle sounds, die screams and foley sounds such as bodyfalls, steps and movement.

    With this set of handpicked sounds you have the world of cinematic creature sound design at your fingertips.

     

    The Library includes:

    Beast, Coloss, Dwarf, Fishman, Gnome, Golem, Hellhound, Imp, Insect, Kraken, Minotaur, Ogre, Orc, Reptile, Witch, Wraith, Yeti, Zombie, Attack, Breath, Death, Idle, Step, Threaten, Voice, Foley

Explore the full, unique collection here

Latest sound effects libraries:
 
  • 100+ Toys, 1500+ Designed Sounds – From Childhood Playthings to Cinematic Gold. TOYED has it all.

    Think You Don’t Need a Library of Toys? Think Again.

    This release might just change your mind—and blow your mind at the same time! TOYED is an exclusive sound library from the Founder of SoundMorph, Jason Cushing. With a 25-year career spanning AAA games, anime, cartoons, and film, Jason has designed for Electronic Arts, BioWare, and Epic Games, contributing to titles like the Mass Effect Trilogy, Skate Trilogy, and Unreal Engine’s weapon sound design. His deep expertise in cinematic sound design, UI creation, ambient textures, and weapons makes TOYED a versatile, high-end collection of professionally crafted sounds.
    Jason’s meticulous approach to field recording and sound selection ensures that this library isn’t just about capturing toy sounds—it’s about unlocking rich, unique sonic textures that are ideal for games, film, animation, and futuristic sound design. With contributions from longtime SoundMorph sound designers Andrew Pals, Tibo Csuko, and Vincent Fliniaux (GORE 2, WATER, Robotic Lifeforms 2), TOYED is built to deliver exceptional quality and usability across multiple production styles.

  • Car Sound Effects Golden State Mustang Play Track 130 sounds included, 28 mins total $44.71

    This sound library is a collection of various actions with game audio in mind from a Ford Mustang 2021 Ecoboost convertible, recorded in parts of rural California in November 2024.

    The Mustang features a 2.3L Inline-4 (I4) turbocharged engine, which was quite the character captured with a lot of emphasis in the multichannel recording session.

    For help to record this beauty I enlisted the aid of my friend Diego Hodge who helped with both his arsenal of microphone options, rigging up the ‘Stang, and planning for the session. You can learn more about Diego’s work here: https://diegohodgeaudio.com/

    The library contains captures of idling, all the way up to 5000 RPM and beyond. Both single rev cycles as well as laying on the pedal for a consistent, sustained loop was a key part of our capture log. We even tried some sporadic flares of the engine in the style of Fast and the Furious, so your scene/game can be complete with that classic aggressive turbo-charged muscle sound to signal to the competition that you mean business.

    For the rest of the session, we captured some burnouts, some close-miked details of the tire on dirt roads, the classic passbys at various speeds, as well as the typical foley and actions associated with vehicles: doors, windshield wipers, buttons, etc. The microphones used: Clippy EM272M and Primo EM258 capsules from Micbooster for the car interior, a pair of Tascam TM-78 condenser mics in the engine bay, a pair of ND468 dynamic mics on the exhaust, and the Rode NTG5 shotgun mic.

    The content is offered in 96 kHz 24 bit for the engine recordings and 192 kHz 24 bit for the actions performed inside the vehicle. Polywavs are naturally provided for the multichannel mic arrays. This library is fully UCS compatible and Soundminer-friendly with richly embedded metadata. It contains 25 WAV files in total with a runtime of close to 28 mins of audio.

    Thank you for listening. I sincerely hope you enjoy my work and have lots of fun making new creations for the world to hear! Also be sure to post or send me what you’re working on with the assets. Attribution is appreciated, but not required.

  • Drones & Mood Sound Effects Electromagnetic Drones Play Track 171+ sounds included, 108 mins total $49

    Electromagnetic Drones is a collection of 171 recordings that capture the invisible electromagnetic landscape produced by electronic devices. Using the Soma Ether, a specialized wide-band receiver, we captured hums, pulses, and static produced by phones, microwaves, fridges, TVs, computers, Wi-Fi routers, and more. Unlike traditional radios that filter out interference, Ether acts as an “anti-radio,” capturing a broad spectrum of electromagnetic activity from hertz to gigahertz, revealing the sonic textures generated by electronic equipment.

    The library features both raw recordings directly from the Soma Ether device, as well as designed sounds, giving you a versatile range of textures to work with. These recordings were transformed into deep, evolving drones, ranging from gritty industrial hums and eerie, synth-like tones to rhythmic machine pulses and dissonant, unsettling tones.

    Captured at 192kHz, these sounds maintain exceptional clarity, allowing for extreme pitch manipulation and creative sound processing. With its dark, atmospheric qualities, Electromagnetic Drones is well-suited for horror, suspense, drama, sci-fi, and experimental sound design in film, television, and video games. Whether you need haunting ambiences, dystopian textures, or immersive low-frequency drones, this collection provides a rich sonic palette drawn from sounds of the electromagnetic world.

  • Explosion Sound Effects Massive Fireworks Play Track 815 sounds included, 350 mins total $29.99

    Massive Fireworks – 815 files of Commercial Fireworks sound effects, at varying distances and intensities. From small pops and sparkles in the distance to screeches and bombastic mortar fire front and center. Massive Fireworks comes in at over 5 hours and 50 minutes of short and long displays of fireworks for every occasion. Recorded during several New Years and Holiday Celebrations. Massive Fireworks’ filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of Fireworks sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

    Visit Us At: www.MassiveSoundFX.com

    40 %
    OFF
  • Forged in Fury Vol. 1: Modular Sounds for Epic Combat

    Break down, customize, and master every detail of your combat effects with Forged in Fury Vol. 1, a collection of 394 brutal sounds in 192kHz/24. Includes katana, heavy axe, metal claws, and layer-by-layer edited vocals for total control.

    🔪 Katana (193 sounds):
    Double whooshes, precise slashes, impacts, blood splatters.
    Mix layers of edge and secondary effects (e.g. combine a quick whoosh with a feminine scream).

    🪓 Heavy Axe (96 sounds):
    Powerful whooshes, crushing blows, equip sounds, blood effects.
    Combine the roar of metal with the sounds of breaking bones.

    🔗 Metal Claws (37 sounds):
    Mechanical opening/closing, scratching, cutting whoosh.
    Ideal for fast movements and surprise attacks.

    🗣️ Male & Female Voices (68 Sounds):
    War cries, moans of pain, grunts of effort.
    Use them alone or synced with weapon effects.

    ✨ Key Feature:
    Each sound includes its own editable layers (e.g. whoosh + impact + blood). Do you want a bloodless ax swing? only the whoosh of a katana?, only blood? Modify it instantly.

    🎚️ Studio Quality:
    Recorded in 192kHz/24-32 bits, delivered in 192kHz/24 bits. Perfect for toning down, adding distortion or manipulating without losing clarity.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding katana, heavy ax and claw [Use them again & again]
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.

    24 %
    OFF

   

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