Asbjoern Andersen


As we delve further into sound design podcasts, the range of topics just keeps growing – and this roundup proves it!

In these episodes you can learn about a documentary that opens up the world of autism through Gilbert Gottfried imitations, the joys and frustrations of mixing Superbowl commercials and big-budget mobile games, how to work on and finish personal projects and master your audio for online streaming services, and what it’s like to buy and test your first MS mic.

Featuring topics for hobbyists and pros alike, the insight found in these episodes will remind you that sound design really is a big, evolving world.

Tonebenders: Ep. 049.5 – A Walk In The Woods:

In this mini episode of ‘Tonebenders’, Timothy Muirhead takes us on a special walk in the woods to introduce his newly purchased MS mics. In this ASMR-inducing episode, Tim tests out his Sennheiser MKH 416 and MKH 30 in his first Mid-Side session. During the recording he not only shows off the professionalism of the mics and tranquility of the Northern Canadian forests around him, he also gives us a short look into his life as a sound designer and father. Though the episode is a quick 10 minutes, it is a delightful break for those of us who love to nerd out about pro mics, field recording, and enjoying life (plus, you might get a few cerebral goosebumps).

Hear the episode:


 

Smart Post Sound’s Smartcast: Ep. 031 – Loren Silber – Post production mixer and co-owner of Lime Studios Santa Monica:

In the new episode of Smart Post Sound’s Smartcast, Larry Benjamin speaks with Loren Silber of Lime Studios in Santa Monica, CA. Loren talks about the beginnings of developing a studio and how sometimes creature comforts (free breakfast, a bar) can be just as important to clients as production quality. They also discuss workflow for games and commercials, mixing in 5.1, the loudness wars of Superbowl ads, and how when it comes to creative collaboration between client and studio or stubborn lead designers, communicators are irreplaceable.

Hear the episode:


 

Popular on A Sound Effect right now - article continues below:

 

Latest releases:  
  • Water & Oceans Hydro Contact Play Track 1000+ sounds included $40 $30

    HYDRO CONTACT brings you 273 audio files recorded with a contact mic and a hydrophone over the course of a year, in order to get you covered for any kind of underwater scene, in the outer space, for pitch shifting, time stretching or to add a weird tone to your soundscape.

    Recorded at 96 kHz and 24 bits, this collection provides underwater motion, waves, bubbles, impacts, hits, hums, buzzes, car foley, rumbles, bouncing, dripping water, dragging items, blasts, switches, engines, underwater screams, exotic musical instruments and many more sounds, ideal to take your sound design imagination a step further.

    All files are metadata tagged and named.

    25 %
    OFF
    Ends 1551308400
    Add to cart
  • This library features recordings of a Moog analog synthesizer. The sounds range from raw lo-fi zaps, buzzes and glitches, to more futuristic high-tech robot movements, morphs, vocalizations and drones.

    Both source recordings, and designed sound effects are included for further sound manipulation.

    33 %
    OFF
    Add to cart
  • Human Fight Vocalizations Play Track 1000+ sounds included $69 $52

    Fight Vocalizations is a sub-library from the more complete “Universal Emotes”. All the files in this library are already included in the Universal Emotes Library.

    ! If you already own the “Universal Emotes” library, you do not need to purchase this library!

    There is here 20 actors/20 folders, from all ages (kids, teen, middle-aged, elderly), male & female.

    You will find the material you need to “soundify‟ combat/fight scenes or to insert into your fighting/action video game software.

    25 %
    OFF
    Ends 1550790000
    Add to cart
  • Thriller Whooshes sound library brings you 200 tension-building transition sound effects perfect for horror, thriller and action movies, trailers, games, music, and more! In contrast to Sound Response's first installment of whoosh sound effects Whooshes & Transitions that features predominantly sci-fi whoosh sound effects, Thriller Whooshes soundpack contains transition sound effects designed using exclusively organic source sounds recorded with high-end recorders and microphones, in order for effects to be more raw-sounding.

    A must have for anyone looking for sinister-sounding transition sounds, these sound effects will instantly find a way into your production and help you with intensifying the atmosphere of your project!

    Thriller Whooshes sound library contains 547MB (200 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.

    Add to cart
  • Mechanical Old Engines Grab Bag Play Track 486 sounds included, 265minutes of multitrack recordings mins total $129 $99

    “Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.

    The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.

    Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.

    Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).

    The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
    All files have extensive metadata created in Soundminer, including leg picker with microphone labels.

    Demo files include pitched sounds, which are not delivered with library.

    23 %
    OFF
    Ends 1550617200
    Add to cart

Need specific sound effects? Try a search below:
 

Beards, Cats and Indie Game Audio: Ep. 34:

In ‘BCAIGA’, Matthew Marteinsson and Gordon McGladdery discuss personal projects and how you can work on them effectively even when you think you have no spare time. They talk about scope and focusing on small victories, whether they be milestones or hours, to finish projects without deadlines. They also bring up the wisdom in understanding that finished is always better than perfect (since it’s difficult to evaluate progress on unfinished projects). Plus, they mention field recording workflows, stories about recording in scary places, the ever-growing role of audio in directing players in games, and in the memory of Saki Kaskas, to not forget to thank those in your life who have helped you move forward.

Hear the episode:



 

Soundworks: Life Animated with Director Roger Ross Williams:

In the new episode of ‘Soundworks Collection’, Michael Coleman gets an opportunity to talk to Academy Award-winning director Roger Ross Williams about his recent film Life, Animated. This documentary tells the story of Owen Suskind, who as a child was diagnosed with autism and unable to speak – that is, until his father honed his inner Iago and discovered a new way for them to communicate social understanding and empathy through Disney characters. In this interview you will hear about the development of the film from the studios of Skywalker Sound to the legal offices of indie film-supporting Disney. If you like the interview, be sure to check out the film on iTunes.

Hear the episode:


 

The Mastering Show: Ep. 24 – Mastering for online streaming (including Mastered for iTunes):

In this episode of ‘Soundworks Collection’, Ian Shepherd and Jon Tidey talk about optimizing tracks for online streaming. They talk about the different services available, such as SoundCloud and iTunes, and what format the file should be before you provide it to them. They also go into specifications and automatic compression from these services, loudness standards, what “Mastered for iTunes” means, the sins of the mp3 format, and much more. If the words ‘standards’ and ‘conversion’ make you timid, learn the ropes in this episode!

Hear the episode:


 

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THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:
 
 
  • Mechanical Old Engines Grab Bag Play Track 486 sounds included, 265minutes of multitrack recordings mins total $129 $99

    “Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.

    The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.

    Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.

    Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).

    The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
    All files have extensive metadata created in Soundminer, including leg picker with microphone labels.

    Demo files include pitched sounds, which are not delivered with library.

    23 %
    OFF
    Ends 1550617200
    Add to cart
  • Drones & Moods Minacious Play Track 369 sounds included, 42 mins total $20

    “Minacious” is a collection of 369 sounds suited for horror/paranormal productions.

    If you need to induce tension, fear and oppression in your game, movie or trailer and evoke the sensation that someone or something is hiding and watching you ready to scare or kill, this library full of textures and atmospheric elements is great for you.

    The library consist of 50 WAV files at 24 Bit / 96 kHz with 6 variations in each file. You will get metallic movements, abnormal textures, dark pianos and guitars, dark vocals, atmospheric elements, reverses, noises and glitches.

    Also you will get the sources used to create the pack. 69 WAV files at 24 Bit / 96 kHz. Pianos, vocal effects, guitar noises and metallic cups are some of the things you will encounter in the sources section.

    The sounds in this pack can be used to add rare textures to musical compositions too.

    If you liked my library “DARE“, you are gonna love this one.

    Add to cart
  • Mechanical Wooden Gear 192 kHz Play Track 215 sounds included, 345 mins total $64

    This construction kit creates the world of various rotating gear sounds. Medieval astronomical clocks, fantasy inventions and steampunk gizmos with a lot of wooden shafts, cogs, sprockets and other parts. From tiny to large objects, you can hear the wooden material working in all its nudity – friction, knocking, clacking, rattling, squeaking, crackling, howling and so on.

    The product includes 75+75 source recordings and 65 designed tracks of different wooden and sometimes metal gears, variety of styles, types, speeds and timbres.

    Add to cart
 
Explore the full, unique collection here

Latest sound effects libraries:
 
  • Water & Oceans Hydro Contact Play Track 1000+ sounds included $40 $30

    HYDRO CONTACT brings you 273 audio files recorded with a contact mic and a hydrophone over the course of a year, in order to get you covered for any kind of underwater scene, in the outer space, for pitch shifting, time stretching or to add a weird tone to your soundscape.

    Recorded at 96 kHz and 24 bits, this collection provides underwater motion, waves, bubbles, impacts, hits, hums, buzzes, car foley, rumbles, bouncing, dripping water, dragging items, blasts, switches, engines, underwater screams, exotic musical instruments and many more sounds, ideal to take your sound design imagination a step further.

    All files are metadata tagged and named.

    25 %
    OFF
    Ends 1551308400
  • This library features recordings of a Moog analog synthesizer. The sounds range from raw lo-fi zaps, buzzes and glitches, to more futuristic high-tech robot movements, morphs, vocalizations and drones.

    Both source recordings, and designed sound effects are included for further sound manipulation.

    33 %
    OFF
  • Human Fight Vocalizations Play Track 1000+ sounds included $69 $52

    Fight Vocalizations is a sub-library from the more complete “Universal Emotes”. All the files in this library are already included in the Universal Emotes Library.

    ! If you already own the “Universal Emotes” library, you do not need to purchase this library!

    There is here 20 actors/20 folders, from all ages (kids, teen, middle-aged, elderly), male & female.

    You will find the material you need to “soundify‟ combat/fight scenes or to insert into your fighting/action video game software.

    25 %
    OFF
    Ends 1550790000
  • Thriller Whooshes sound library brings you 200 tension-building transition sound effects perfect for horror, thriller and action movies, trailers, games, music, and more! In contrast to Sound Response's first installment of whoosh sound effects Whooshes & Transitions that features predominantly sci-fi whoosh sound effects, Thriller Whooshes soundpack contains transition sound effects designed using exclusively organic source sounds recorded with high-end recorders and microphones, in order for effects to be more raw-sounding.

    A must have for anyone looking for sinister-sounding transition sounds, these sound effects will instantly find a way into your production and help you with intensifying the atmosphere of your project!

    Thriller Whooshes sound library contains 547MB (200 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.

  • Mechanical Old Engines Grab Bag Play Track 486 sounds included, 265minutes of multitrack recordings mins total $129 $99

    “Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.

    The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.

    Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.

    Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).

    The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
    All files have extensive metadata created in Soundminer, including leg picker with microphone labels.

    Demo files include pitched sounds, which are not delivered with library.

    23 %
    OFF
    Ends 1550617200
 
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