David Fincher Film Sound Asbjoern Andersen


Just came across this excellent feature on the unique sound of David Fincher's films - and Fincher's long-time creative collaborations with sound designer Ren Klyce. Check it out below:

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From The Frame’s official introduction:

 

David Fincher’s films have often been analyzed for their visual style – the exacting cinematography, precise editing, muted color palette, and meticulous construction of the frame. But with the release of The Killer, people are starting to take note of another aspect – his evocative use of SOUND. However you can’t really discuss the sonic landscape of a Fincher film without talking about one of his longest creative collaborators – sound designer Ren Klyce. From Se7en to The Killer, and every project in between, Klyce’s mixes have provided a crucial aural backdrop, frequently blurring the line between sound and music. They both build a textural ambience that sets the tone of the film while also allowing us to access the subjectivity of the characters on screen. So let’s explore how a David Fincher film sounds.



David Fincher - What Often Goes Unnoticed


 

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    https://www.youtube.com/watch?v=QSGOZXKJWbc

    Number of Sounds : 45

    Number of Files : 45      

    Total Audio Time : 2 hours  22 minutes  18  secs  ( 142 minutes 18 seconds)

    Type : WAV Stereo

    Sample Rate / Bit Rate : 192 kHz / 24 Bit

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    KEYWORDS : Wind Turbine , Back, Wire Fence, Metal Steps, Underground, Rotate, Inner, Motor, Vibrate, Whirr, Bass, Hum, Whine, Pulse, Atonal, Disharmonious, Breeze

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