studio ergonomics standing desk Asbjoern Andersen


Sitting at your desk for hours on end isn't exactly the healthiest way to spend your life - but for a lot of us in sound, it can seem like an unavoidable part of the job.

Nick Granville-Fall wants to help change that, so to make our studio lives healthier and improve ergonomics, he's spent a lot of time researching standing desks. Below, he's compiled a guide on how what to look out for, and how we can set things up optimally when it comes to standing desks for audio work usage:


Words and images by Nick Granville-Fall
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I n 2018, I looked into ways of breaking free of the computer mouse to help offset increasing wrist Repetitive Strain Injury (RSI) pain, as my audio production business got busier. I’m not the first person to do this. Obviously, Wacom tablets have been around for a long time but there wasn’t a great deal of fresh and current information out there for audio professionals using them. That’s why I wrote this guide on How a Wacom Tablet can help reduce the risk of RSI.

SitStand_01

This article is an extension of that, a kind of part two in audio studio production ergonomics. The key focus this time is more around reducing lower back pain and fatigue from sitting down for too long, over the course of a working week. Of course, there remains a slew of techniques to help you keep moving during the day, including a good adjustable ergonomic chair and regularly walking about. However, most of these don’t allow a near-instant release from changing up your body posture whilst still focused on the current task.

During the end of the unforgettable 2020, I started to think about changing up my current studio desk and doing some general studio improvements. My desk wasn’t fancy, just a solid wood dining table with a black theatre cloth covering it. After looking at all the ‘professional’ audio studio desks, I wasn’t convinced until I came across the standing desk concept. I hope my experience will inform others who might get twitchy about the thought of too much chair time. You might have heard the expression ‘working on my studio tan’ but I’d had enough of working on my ‘studio posture.’ Time to switch it up!
 

RESEARCH

I probably spent a solid week researching a studio purchase that isn’t the most exciting item on the wishlist; it’s just furniture at the end of the day. Nevertheless, it’s furniture you’ll often be working on top of 8 hours or more, most weekdays. Reddit proved a great information source and lots of decisions were based on information in the standing desk subreddits. Even just doing a general search will give you plenty of inspiration. YouTube also has some great content to visually see most desks in action with further reviews and thoughts. All views are my own and I am not affiliated or paid by any desk manufacturer.

SitStand_02

SitStand_03

Enter the mysterious world of the motorized sit/standing desk. After an hour or two of working sat down, you change the height of the desk quickly to enable you to be able to stand. This provides a well-needed stretch from a sedentary position. Going to make a coffee, for example, does achieve a small part of this change but the standing desk allows that complete body change whilst still being focussed on the task, almost undisturbed. Being a freelancer often means balancing multiple jobs and clients so building in breaks is crucial but sometimes leaving the desk for them isn’t always possible all the time.

What are key factors when choosing a standing desk for an audio application?

• Weight limit the desk can lift (check if weight includes the desktop itself)
• Stabilisation features and desk design
• Memory function to automatically store height settings
• Frame only desk or complete unit with a desktop included?
• Warranty
• Cable management (underneath the desktop)
• Cable management (from your computer? you’ll need longer cables)
• Power management
• Does your space have enough room height for the desk at maximum height with your equipment sat on top?
• General customer reviews, delivery options and country availability

Based on my requirements, I was looking at the following manufacturers of desks being U.K based:

• Javis
• Friska
• Go Stand
• IKEA
• HADO (Height Adjustable Desks Online)
• Flomotion Studio
• Oako Denmark
• Uplift (U.S.A only unless to you want to pay large shipping fees)

 

FACTORS

The weight limit the desk can lift is a big consideration and possibly the most important if you plan on having a lot of equipment on top, including active monitor speakers, a large monitor screen and any hardware. I roughly worked out what I thought I needed and then added about 20% more just in case. Honestly, I’m not even sure what the current total weight is now but I’d say it is probably between 125-140kg with all cabling. My desk is rated to lift 150kg across 3 legs, however some desks are not as strong and you don’t want to be over or too close to the limit. I am tall at 6’ 4” so it’s worth checking maximum height too.

I decided to go with an L shaped desk in the end because these are more stable at height than a standard desk. As they have two desks attached at a 90-degree angle, this helps to minimize the potential for wobble on more than one axis of movement. The other advantage is just more space real estate which makes it more future proof for expansion. Leg braces can also offer more rigid support on desks that feature this, which are very few models. Even the design of the leg and whether the foot end is wider than at the desk attachment end, can supposedly make a small difference to stability. Go for a control system on your desk that can store heights as digital presets. Then you can return to the exact same sitting and standing position every time.

StiStand_04

You can buy a frame only desk and source your own wood for it if you like. I loved the idea of this but it is extra time to source. You’ll have to manually pre-drill all of the screw mounting holes into the frame which I wasn’t a fan of. I wanted something I know will fit the first time since just sorting all of the wiring and cable management out was going to be a big enough task.

The Jarvis L shaped desk I chose uses a natural Bamboo desktop. Jarvis is a certified B Corp meaning they are mindful and ensure responsible practices, something that is admirable in today’s environmentally conscious world. One of my favourite wood finishes is from Oako, their ‘Golden Crust’ solid oak top is stunning but they don’t offer L-shaped desks.

The larger and more powerful desks come with a larger price tag to reflect the features and build quality. It is worth checking the parts cover and guarantee, especially on the items that do the majority of the work like leg motors. The Jarvis L Shaped has a very good 10-year warranty on all desk frame components, mechanical parts, motors, and electrical components.


Popular on A Sound Effect right now - article continues below:


Trending right now:

  • Uncategorized Overkill – Gore And Splatter Play Track 3390 sounds included, 160 mins total $112.49

    Unleash pure audio carnage with OVERKILL – a brutally detailed 5.7 GB sound library featuring 3390 hyperreal gore sound effects across 607 files. Whether you’re designing subtle, skin-crawling tension or full-blown splatter mayhem, Overkill gives you the raw, visceral tools to cover the entire spectrum of gore – from nuanced realism to over-the-top brutality.

     

    DESIGN KIT (360 Sounds – 60 Files)

    A collection of brutally crafted, drag-and-drop sound effects, organized into game-ready actions and categories.

    • Stab: Precise, piercing attacks with bladed weapons like knives, daggers, and swords.
    • Hit: Brutal strikes using blades such as machetes, katanas, and sabres.
    • Cut: Clean or messy slices delivered by weapons like katanas, knives, machetes, and sabres.
    • Slam: Heavy, crushing blows with blunt weapons like warhammers, morning stars, flails, crowbars – and even axes used with brute force.
    • Crush: Full-on head or body crushes – whatever happens when too much pressure turns flesh and bone into pulp.
    • Explode: Full-on body explosions – when guts, bones, and blood violently erupt in every direction at once.

    All of these categories are featured in both a realistic, organic style and an exaggerated, highly stylized, over-the-top version.

    In addition the Design Kit features Projectile Impacts from Guns, Shotguns and Arrows.

     

    BUILDING BLOCKS (384 Sounds – 64 Files)

    The goal behind our Building Blocks is to provide pre-designed sound layers that streamline your workflow. We’ve created straightforward, easy-to-use categories that let you quickly build new sounds or enhance your own designs.

    All following categories are available in both Wet and Dry:

    • Impact: Ideal as punchy sweeteners for heavy weapon hits and brutal moments.
    • Whoosh: Quick, clean lead-ins to enhance any kind of gore sound.
    • Crack: Perfect for highlighting the snap of shattered bones and broken bodies.
    • Tail: Drag and drop to add lingering, gruesome sustain to your gore effects.

     

    CONSTRUCTION KIT (2653 Sounds – 483 Files)

    For our Construction Kit, we wanted to give you the best of both worlds to meet (or should we say meat) all your needs. You’ll get cleaned raw recordings for full flexibility in your own processing, plus pre-processed and layered sounds to spark creativity, fuel inspiration, and give you everything you need for hyperrealistic gore design.

    Our Construction Kit includes:

    • Blood: Vile drips, juicy splatters, and bone-chilling squeezes.
    • Gut: Rich with drops, impacts, squishes, and visceral movement.
    • Flesh: Brutal impacts, rips, strains, and movements.
    • Bone: Crisp breaks and sharp snaps.
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    Inside, you’ll find a wide variety of magical types:
    🔥 Fire
    💧 Water
    🌪️ Air
    🌍 Earth
    Electricity
    ❄️ Ice
    ☠️ Poison, Mud, Rocks
    ✨ As well as Arcane, Dark, Monstrous, and other mystical spell types.

    Each category is organized into individual folders, with multiple variations for every spell, giving you complete flexibility to choose the perfect sound for each moment, All this makes a total of 44 different spells.
    Just like in Volume 1, every sound in this collection was recorded, edited, and mastered at 192 kHz / 24-bit, ensuring top-tier quality and adaptability—perfect for professional sound designers or anyone looking for drag-and-drop magical effects for games, trailers, animations, or any audio-visual production.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding magical sounds [Use them again & again
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
    – For any questions or problems: khronstudio@gmail.com

    Features
    – 405 spell sounds
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    – Win/Mac: Yes
    – Minutes of audio provided: 22:26

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    The Glitter sound library is built in two distinct sections: Source and Designed. The Designed section offers rich and inspiring sounds ready to be dropped in your project. The source folder includes various recordings used to create this library, should you want to wander down the path of creating your own glittering adventures.

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    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Environments & Ambiences Rivers Soundscapes Play Track 10 sounds included, 32 mins total $12.99

    Transform your environments with the serene power of nature! This collection of 10 realistic river soundscapes captures the soothing flow and rhythmic ambiance of rivers in stunning detail. Perfect for creators looking to add depth, authenticity, and a calming touch to their projects.

    Whether you’re enhancing a video game, film, meditation app, or virtual experience, these soundscapes bring your environments to life, immersing your audience in the tranquil energy of natural water streams.

    Features:

    • 10 High-Quality Recordings: Each soundscape delivers authentic river sounds, from gentle babbling brooks to flowing currents.
    • Versatile Use: Ideal for background ambiance, immersive environments, and relaxation-focused projects.
    • Realistic Feel: Carefully crafted to add a lifelike essence to any creative endeavor.

    Bring nature closer to your audience with these expertly recorded river soundscapes—perfect for creating immersive and memorable experiences.

  • Transform your project with our designed futuristic drone soundscapes, crafted to elevate the user experience and infuse your work with a futuristic atmosphere. Perfect for games, films, or interactive media, these high-quality sounds add depth and innovation, bringing a modern, otherworldly vibe to your creative vision. Enhance the mood, captivate your audience, and immerse them in the future with these expertly designed drone soundscapes.

    12 soundscapes that you can import directly into your project.

  • Sounds of Nature: Island Ambiences – Azores, North Atlantic library, is an inspiring collection of high-quality natural soundscapes from one of the most pristine and biodiverse regions of the North Atlantic. It features the unmistakable calls of Cory’s Shearwaters, especially their iconic cackling during the breeding season.

    Immerse yourself in the unspoiled beauty of the Azores with recordings that capture the essence of its diverse habitats: tranquil mountain peaks, serene lakes, rugged coastal cliffs, and lush coastal forests. Each environment is alive with a symphony of sounds, featuring a rich variety of bird species and the harmonious croaks of Iberian Water Frogs (Perez’s Frog).

    This library is a celebration of the natural world, bringing the raw, untouched beauty of the Azores to life through sound. Rather than crashing ocean waves, you’ll mostly hear the natural sounds of the inland areas. Perfect for nature lovers, sound designers, game developers and anyone seeking authentic, atmospheric audio from the heart of the unspoiled North Atlantic.

    All recordings are clear and entirely devoid of external noise and human disruptions. Therefore, this library is particularly valuable for productions set in the past, such as medieval and ancient times as well as for historical and nature documentaries.

    All these nature ambiences are recorded using multiple microphone setups: a Double MS Stereo setup and a spaced omni mic setup, the latter also providing extended frequency response. This results in four variations for each recording: Stereo, Wide Stereo, Wide AB Stereo, and 5-channel 5.0 surround. The variances between these options range from subtle to more pronounced, offering flexibility for crosscutting within scenes.

    Get almost 15 hours of unique, royalty-free and notably high-quality recordings with this library. Recorded in 24 bit / 96 kHz. Accurately edited and mastered to sound as natural as possible. With an average duration ranging from 4 to 18 minutes per file, there’s ample time to integrate them seamlessly into longer scenes without the need for looping. For more detailed descriptions of the ambiences within this collection, please refer to the metadata provided in our file list or listen to the preview montage.

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  • Bundles MASTERGUN – M240B Play Track 1834 sounds included $90

    The Master Gun M240B Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the M240B with a suppressor attachment. The suppressed M240B was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

Need specific sound effects? Try a search below:


 

ACCESSORIZE

Most desks can be ordered with additional accessories so I highly recommend a cable management kit. This helps to route cables under the back of a desk and have room to drop in 4 or 6 gang power sockets.

In an ideal world, you’d route signal and power cables on separated routes so they don’t cross and risk inference. However, I’d never suffered any noticeable noise issues from mixing both together on my system and power supply. I rack mounted a single 1u 19″ unit underneath holding a Furman power conditioner. This provides cleaner incoming AC power being filtered, stabilized, and surge-protected with 10x IEC power cable outputs. The main benefit is a reduction in trailing power cables from desk to floor. I rewired a 6-way power extension to use one of the IEC output sockets to provide more regular power sockets underneath.

SitStand_09

Two further accessories were an additional slide-out shelf, sitting underneath the main listening position, and an anti-fatigue standing mat. The shelf was created using runner brackets from Amazon and a suitable size of wood (designed for shelving) from my local DIY store. The standing mat is a Muvmat by Aeris, it is designed to be uneven and acts like a forest floor. The surface is oddly a lot more comfortable than standing on flat carpet for the same amount of time.

 

PREPARATION & BUILD

Many of the desks have reviews that range quite dramatically so sometimes it’s hard to work out whether customers are being a little unreasonable or whether they really have been badly let down by a company. I checked reviews for the desk I was interested in but I didn’t get too obsessed when I was reading about missing parts and other bad experiences. I just went for it and it was fine. Things go wrong sometimes, that’s just life.

Don’t forget that you’ll likely need longer versions of the cables you have coming out of the back of your computer if you plan on keeping the computer on the floor. For example, HDMI for monitor screen, USB cables, etc. If you have a smaller PC or Mac that can sit on the desktop or an iMac for example then this might not apply here. It is however something to consider since you don’t want to move your desk to standing height and pull and damage cables that don’t have enough spare slack. Use a cable management sleeve or wrap to create a ‘loom’ to keep these cables neat, as one bigger one.

SitStand_11

Once you’ve chosen your desk and it arrives, it’s a good idea to unpack and check everything is there and not damaged. I didn’t have the space to unpack everything straight away but I did check the wood desktop(s) for any damage in transit. Allow plenty of time for the build to avoid mistakes.

SitStand_12

You’ll build your desk upside down on the floor, in the same space as where you intend to use it. U shaped cable tacks can be hammered into the wood to act as anchor points to hold cable runs in place. Check any nails or screws won’t pass through the whole of the wood desktop however! Cable ties help with cable management and your desk might come with some but it’s good to have extra. Once built upside down and wired up as best you can, you might need a hand in walking up the desk from the floor. Then it’s time to set up everything and enjoy the freedom to stand up and continue working when you please.
 

CONCLUSION

A standing desk is not a substitute for exercise, and standing for more than half a day isn’t that good for you. You’ll be surprised how quickly you’ll tire of standing up; it is a lot faster than you think. I normally use the standing function 2 to 3 times during the day. That might not seem a lot to justify the effort. After a few months of use for me, it is worth that peace of mind. Being able to stretch when I can feel and become aware that my body is craving a posture change but I want to stay on task.

Keep in mind the accuracy of your monitor speakers will change when the desk is at height. I don’t do any critical mixing while standing up since my speakers are calibrated with Sonarworks that are only effective in the sit position. I could calibrate a speaker profile for a standing position but I’m happy to do ‘non-critical’ mix work in this way. If you use huge amounts of hardware racks or a massive analogue desk then a standing desk probably won’t be suitable. For the modern audio freelancer or small scale studio I think they work well.

 

A big thanks to Nick Granville-Fall for sharing further insights to improved audio studio production ergonomics! Be sure to check out his guide on how to reduce RSI, and find out more about him here

 

Please share this:


 



 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Rolling Objects, the next step of our Materials & Textures SFX series, is a diverse collection of 270 HQ sounds which covers a wide range of objects rolling on various surfaces.

    The possibilities you have with this library are genuinely endless. You can cover anything from vehicle sound design to landslides and giant boulders to more innovative concepts like drone textures and sci-fi mechanical movements.

    Some of the most exciting elements included are large metallic pipes rolling on concrete, tree logs and gravel sloping downwards, a Chinese meditation ball slipping from an aluminum rail, a metal barrel moving on various surfaces, various kid toys rolling on wooden surfaces.

  • Step into a world of spells, mysticism, and creative power with Spells Variations Vol. 2, the follow-up to our acclaimed magical sound collection. This time, we’ve expanded the elemental and thematic range, offering 405 professionally crafted sound effects that are fully categorized and ready to use.
    Inside, you’ll find a wide variety of magical types:
    🔥 Fire
    💧 Water
    🌪️ Air
    🌍 Earth
    Electricity
    ❄️ Ice
    ☠️ Poison, Mud, Rocks
    ✨ As well as Arcane, Dark, Monstrous, and other mystical spell types.

    Each category is organized into individual folders, with multiple variations for every spell, giving you complete flexibility to choose the perfect sound for each moment, All this makes a total of 44 different spells.
    Just like in Volume 1, every sound in this collection was recorded, edited, and mastered at 192 kHz / 24-bit, ensuring top-tier quality and adaptability—perfect for professional sound designers or anyone looking for drag-and-drop magical effects for games, trailers, animations, or any audio-visual production.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding magical sounds [Use them again & again
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
    – For any questions or problems: khronstudio@gmail.com

    Features
    – 405 spell sounds
    – Format: 192KHz / 24 bits
    – Win/Mac: Yes
    – Minutes of audio provided: 22:26

  • Industrial Ambiences Research Ship Ambiences Play Track 27 sounds included, 62 mins total $40

    Recorded in the Southern Ocean on an Antarctic Research Vessel. These unique ambiences were captured across different locations while the ship was underway, from machine and engine rooms and science areas to waves lapping and living quarters.

Explore the full, unique collection here

Latest sound effects libraries:
 
  • Foley Sound Effects Zastava Rival 1987 truck Play Track 159 sounds included, 49 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Environments & Ambiences Rivers Soundscapes Play Track 10 sounds included, 32 mins total $12.99

    Transform your environments with the serene power of nature! This collection of 10 realistic river soundscapes captures the soothing flow and rhythmic ambiance of rivers in stunning detail. Perfect for creators looking to add depth, authenticity, and a calming touch to their projects.

    Whether you’re enhancing a video game, film, meditation app, or virtual experience, these soundscapes bring your environments to life, immersing your audience in the tranquil energy of natural water streams.

    Features:

    • 10 High-Quality Recordings: Each soundscape delivers authentic river sounds, from gentle babbling brooks to flowing currents.
    • Versatile Use: Ideal for background ambiance, immersive environments, and relaxation-focused projects.
    • Realistic Feel: Carefully crafted to add a lifelike essence to any creative endeavor.

    Bring nature closer to your audience with these expertly recorded river soundscapes—perfect for creating immersive and memorable experiences.

  • Transform your project with our designed futuristic drone soundscapes, crafted to elevate the user experience and infuse your work with a futuristic atmosphere. Perfect for games, films, or interactive media, these high-quality sounds add depth and innovation, bringing a modern, otherworldly vibe to your creative vision. Enhance the mood, captivate your audience, and immerse them in the future with these expertly designed drone soundscapes.

    12 soundscapes that you can import directly into your project.

  • Sounds of Nature: Island Ambiences – Azores, North Atlantic library, is an inspiring collection of high-quality natural soundscapes from one of the most pristine and biodiverse regions of the North Atlantic. It features the unmistakable calls of Cory’s Shearwaters, especially their iconic cackling during the breeding season.

    Immerse yourself in the unspoiled beauty of the Azores with recordings that capture the essence of its diverse habitats: tranquil mountain peaks, serene lakes, rugged coastal cliffs, and lush coastal forests. Each environment is alive with a symphony of sounds, featuring a rich variety of bird species and the harmonious croaks of Iberian Water Frogs (Perez’s Frog).

    This library is a celebration of the natural world, bringing the raw, untouched beauty of the Azores to life through sound. Rather than crashing ocean waves, you’ll mostly hear the natural sounds of the inland areas. Perfect for nature lovers, sound designers, game developers and anyone seeking authentic, atmospheric audio from the heart of the unspoiled North Atlantic.

    All recordings are clear and entirely devoid of external noise and human disruptions. Therefore, this library is particularly valuable for productions set in the past, such as medieval and ancient times as well as for historical and nature documentaries.

    All these nature ambiences are recorded using multiple microphone setups: a Double MS Stereo setup and a spaced omni mic setup, the latter also providing extended frequency response. This results in four variations for each recording: Stereo, Wide Stereo, Wide AB Stereo, and 5-channel 5.0 surround. The variances between these options range from subtle to more pronounced, offering flexibility for crosscutting within scenes.

    Get almost 15 hours of unique, royalty-free and notably high-quality recordings with this library. Recorded in 24 bit / 96 kHz. Accurately edited and mastered to sound as natural as possible. With an average duration ranging from 4 to 18 minutes per file, there’s ample time to integrate them seamlessly into longer scenes without the need for looping. For more detailed descriptions of the ambiences within this collection, please refer to the metadata provided in our file list or listen to the preview montage.

    This library is UCS compliant (universalcategorysystem.com). In this new category system, all files contain extensive metadata like file description, Category & Subcategory. Metadata can be read and processed by the most common audio libraries management tools.

    20 %
    OFF
    Ends 1748037599
  • Bundles MASTERGUN – M240B Play Track 1834 sounds included $90

    The Master Gun M240B Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the M240B with a suppressor attachment. The suppressed M240B was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.


   

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