Foley artists use objects to create sounds based on a character’s movements and interactions in movies and TV shows. Sometimes, they will find themselves making sounds for animals. Marko Costanzo is a veteran Foley artist for c5 Sound, Inc. He has who worked on movies like “Ice Age,” “Life of Pi,” and “True Grit.” Costanzo explained how complicated it was to make the sounds of a dragonfly flapping its wings in “Men in Black,” and how he captured the footsteps of a dog at different ages in “Marley & Me.” Then, we showed him an animal clip he has never seen before and had him come up with the proper sounds on the spot.
• Video: Foley Artist Tara Blume recreates the iconic sounds of ‘Evil Dead II’ from home
• Behind the fantastic Foley for ‘Peaky Blinders’ – with Anna Wright and Rebecca Glover
• How Ad Astra’s stellar Foley sound was made – with Foley Artist Heikki Kossi
• Ben Cross on recording, editing and mixing Foley
• How to succeed in Foley – with Ronnie van der Veer
• Heikki Kossi on the art and craft of Foley
• The Foley Artist group on Facebook
• The Guide to Creating Your Own Sound Effects
• Find Foley Artists from all over the world on Soundlister (and get listed as a Foley Artist yourself)
Meet the Foley team at Skywalker Sound:
Inside the Pinewood Foley Studio
How movie sound effects are made – with Foley artist Marko Costanzo
Recording Foley Sound Effects for ‘The Night Manager’
Foley Artists – How Movie Sound Effects Are Made
The Magic of Making (Foley) Sound
Uncover The Secret World of Foley – with Foley Artists Pete Burgis & Sue Harding:
https://vimeo.com/170948796
Please share this:
-
20 %OFFEnds 1733785199 -
I’ve Decided to Make This Small Instrument Free—Enjoy!
Enjoy :)Snow Foley Instrument, a collection of pristine snow footsteps samples recorded with the legendary Sony PCM-D100 in the remote mountains of southern France. To enhance your sound design workflow, the samples are accompanied by user-friendly Kontakt and DSsampler instruments.
Whether you’re crafting linear sound designs, immersive interactive experiences, or dynamic game environments, this versatile library has you covered.
Key Features:
- 8 Different Walking types
- More than 200 unique samples
- Recorded in real snow, in different depths
- Stereo 96Khz 24bit
- Kontakt & DSsampler
- Midi Controlled Knobs
*Runs in Kontakt or Free Kontakt Player version 7.7.3 or higher, and in DecentSampler 1.9.13 or higher.
-
70 %OFFEnds 1733439599
-
Bicycle Sound Effects City Bicycles – Complete Bundle Play Track 633 sounds included, 330 mins total $120The complete package bundles all available City Bicycles-packages and is fully UCS compliant. The ‘Various Passbys + Bicycle Handling’ package is added as a free bonus!
This is a unique bicycle library that captures four characteristic bikes in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings, smooth or skidding stops. This package contains everything you need to create convincing sound design for a City Bicycle.
Contents:
Four bikes with distinct characteristics:
1. Good bike: a smooth sounding retro bike that doesn’t rattle or squeak, really nice tire noise.
2. Bad bike: an old worn bike with severe rattles and cranking, tends to let the chain fly off.
3. Ugly bike: this bike gets you from A to B… but it won’t win awards for it’s looks.
4. Racer bike: a vintage racer that’s pre-owned but still super slick.
Five perspectives:
1. Onboard Front: captures the whirring tire and surface sound.
2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
5. Static XY shot: stereo recording of the passby that emphasizes speed.
Five perspectives:
Overview of perspectives and mic placement*Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration. All 3 onboard mics are edited in sync with one another to make layering easy. All Passbys, Arrivals and Departures move from Left to Right.
Speeds and actions:
Three speeds for every bike and every surface (see below). Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.City Bicycles – Perspectives Demo
Five surfaces:
We’ve recorded all Bikes on asphalt from all perspectives (onboard and roadside). Additionally, our most quiet bicycle (the Good Bike) was used to record 4 other surfaces from onboard perspectives.
Five Surfaces:
1. Asphalt: nice and clean, with smooth singing sound.**
2. Large Bricks: nicely textured surface that makes the tires purr like a cat.**
3. Gravel: a fresh crackling surface sound that you might find in a city park.
4. Grit: classic bicycle path surface sounds that layers perfectly with the other surfaces.**
5. Icy road: frozen asphalt with sparkling textures of ice crystals snapping under the wheels.
**these surfaces are also recorded from Roadside Perspectives (passby: static and tracking)
City Bicycles – Extra Surfaces Preview
BONUS files:
There are some sweeteners and extras to give your bike that extra layer of grit:
1. Exterior recordings of various actions in multiple takes from rattles, bounces, shakes to roll-bys. Enough to make your bike sound just a little different.
2. We also recorded 21 additional single passbys of various bicycles, from severely rattling to smooth riding bikes on small brick streets and alleys. Enough to expand your options to create a distinguished sound design.Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene & Performer
This field contains the type of bicycle to quickly navgiate to the bike you like.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.Additionally, we added Markers making specific sonic events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us info@frickandtraa.com!
Single Bicycle packages:
We also sell single packages for all the bicycles in this library.
Here’s a handy comparison table:
Reviews:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9.‘The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
20 %OFF -
25 %OFF -
-
-
30 %OFF
