“Dune: Part Two” supervising sound editor Richard King on creating a realistic world for this extraordinary sci-fi film, field recording trips to capture sand and wind sounds, conveying scale for the sandworms without using vocalizations, how they created massive Harkonnen crowds from loop group recordings of punk rockers, and so much more!
Read MoreAccentuating the Comedy of Coen’s ‘Drive-Away Dolls’ – with Skip Lievsay
Oscar-winning supervising sound editor/re-recording mixer Skip Lievsay talks about mixing jokes and making the most of Dolby Atmos for Ethan Coen’s bawdy road-trip film ‘Drive-Away Dolls’:
Read MoreBehind the Oscar-winning sound of THE ZONE OF INTEREST, and the Oscar-winning score for OPPENHEIMER:
Hear how THE ZONE OF INTEREST’s Best Sound Oscar-winning audio was made, and how OPPENHEIMER’s Best Original Score-winning music was composed:
Read MoreOscars 2024: Go behind the fantastic sound for all the nominees in the ‘Sound’ category here:
Here are the stories behind the Oscar-nominated sound for The Creator, Mission: Impossible – Dead Reckoning Part One, Oppenheimer, Maestro, and The Zone of Interest:
Read More30+ year industry veteran Dave Nelson talks about his experience with building studios, sound for toys, and more:
Audio industry veteran Dave Nelson shares insights and stories from a life in sound:
Read MoreBehind the Refined Mix of ‘Maestro’ – with Tom Ozanich and Dean Zupancic
Re-recording mixers Tom Ozanich and Dean Zupancic discuss their Oscar-nominated mix on Bradley Cooper’s ‘Maestro’ – from mixing big, spectacular scenes like the Ely Cathedral performance recorded live on-set to mixing more dialogue and effects-driving moments like the argument between Leonard Bernstein and his wife Felicia during the parade, and so much more:
Read MoreBehind the Masterful Sound and Music Editing on ‘Maestro’ – with Richard King and Jason Ruder
‘Maestro’ sound supervisor/sound designer Richard King and executive music producer/supervising music editor Jason Ruder talk about capturing and editing the live musical performances on set, editing the recordings of the on-set party crowds, using sound design and effects in a musical way, and much more!
Read MoreDesigning a Myriad of Sounds for ‘Rebel Moon’ – with Scott Hecker and Chuck Michael
Sound supervisor Scott Hecker and sound designer Chuck Michael – at Formosa Group – talk about creating sounds for the myriad of creatures, soundscapes, weapons, and more in director Zack Snyder’s sci-fantasy film series ‘Rebel Moon.’
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